- By Peter Bogdanovich
- |
- October 20, 2011 4:24 AM
- |
- 8 Comments
About ten years ago, I was talking with critic Matt Zoller Seitz, and he said that one of the things he thought which made the HBO series
THE SOPRANOS (all six seasons
available on DVD) such an exceptional show was the makers’ willingness to let certain scenes play in continuous action, without a cut, allowing audiences simply to observe the actors minus any manipulation via editing or noticeable camera pyrotechnics. (Full disclosure: I had a recurring role on the show starting with the second season, playing Dr. Melfi’s—-Lorraine Bracco’s---shrink, Dr. Eliot Kupferberg. I also directed an episode for season five.) Matt’s underlying point was that this way of working hardly exists any longer in features, and its unfortunate lack has a lot to do with the off-putting nature of so much current mainstream product, most of it cut like music videos or commercials, no shot allowed to last more than a few seconds at most.