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CANNES 2012: Carlos Reygadas' POST TENEBRAS LUX

Narrative is the devil in Carlos Reygadas’s baffling and intoxicating "Post tenebras lux."
  • By Glenn Heath Jr.
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  • May 24, 2012 12:31 PM
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  • 0 Comments

VIDEO ESSAY: Sight and Sound Film Poll - Jonathan Rosenbaum on SATANTANGO

From a personal standpoint, it is fitting that the second video of this series, following the opening tribute to Roger Ebert, features Jonathan Rosenbaum. It was through Ebert that I discovered Rosenbaum's writing 14 years ago, when his weekly reviews for The Chicago Reader made Ebert's list of "20 Essential Movie Websites." Since then, no writer has done more to expand my knowledge and develop my sensibilities on film.
  • By Jonathan Rosenbaum and Kevin B. Lee
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  • May 24, 2012 11:31 AM
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  • 1 Comment

CANNES 2012: Lee Daniels' THE PAPERBOY

The best that can be said of Lee Daniels' "The Paperboy" is that it’s sometimes intentionally awful. More often than not, however, it’s just awful.
  • By Simon Abrams
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  • May 24, 2012 9:53 AM
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  • 1 Comment

VIDEO ESSAY - Hijacking Michael Haneke

The most exacting filmmaker of our time, Michael Haneke brings a new film to Cannes and a new question to the table: To truly see a Michael Haneke film, should we be prepared to see through it?
  • By Kevin B. Lee
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  • May 23, 2012 5:01 PM
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  • 0 Comments

CANNES 2012: Walter Salles' ON THE ROAD

Walter Salles and Jose Rivera love the characters and world of "On the Road" too much to know how to properly represent them.
  • By Simon Abrams
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  • May 23, 2012 1:56 PM
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  • 1 Comment

CANNES 2012: Leos Carax's HOLY MOTORS

Where does one begin with Leos Carax’s insane "Holy Motors"? Maybe its incredible central performance(s) by Denis Lavant, who literally transforms into a different character in nearly every other scene, each one stranger than the next? Or perhaps its stark raving mad narrative that bends so far into the absurd, it threatens to break apart?
  • By Glenn Heath Jr.
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  • May 23, 2012 11:38 AM
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  • 0 Comments

VIDEO ESSAY: MEN IN BLACK: Three Reasons for Criterion Consideration

For this month’s Criterion Consideration, coming up with a suitable equivalent to Barry Sonnenfeld's latest film, "Men in Black III," was a bit of a challenge.
  • By Robert Nishimura
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  • May 23, 2012 9:41 AM
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  • 0 Comments

CANNES 2012: Andrew Dominik's KILLING THEM SOFTLY

It’s a testament to Australian director Andrew Dominik’s considerable story-telling abilities that a movie as nakedly cynical and aggressively repellent in its philosophy as "Killing Them Softly" is as satisfying as it is.
  • By Simon Abrams
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  • May 22, 2012 6:56 PM
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  • 1 Comment

VIDEO ESSAY - The Sight and Sound Film Poll: An International Tribute to Roger Ebert and His Favorite Films

Press Play introduces Sight and Sound Film Poll: Critics' Picks, a series of video essays featuring prominent film critics on films they selected for Sight and Sound magazine's poll of the greatest films of all time. New videos will premiere each week until the poll results are announced later this summer.
  • By Various Contributors
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  • May 22, 2012 12:58 PM
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  • 3 Comments

CANNES 2012: Abbas Kiarostami's LIKE SOMEONE IN LOVE

Denial and delusion ripple the pristine visual surface of "Like Someone in Love," Abbas Kiarostami’s masterful critique of social and emotional formality, set in Japan.
  • By Glenn Heath Jr.
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  • May 22, 2012 11:13 AM
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  • 0 Comments

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