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Looking at YouTube: KIDS REACT and Procrastitainment

On a laptop screen, a small rectangle surrounded by a jumble of text, ads and windows sends light into the retina of an isolated viewer, who sees the image of a chalkboard. Two tiny speakers emit the brittle, violently cheery sound of a chorus of children chanting “Kids React to…technology! This episode...old computers!”
  • By Drew Gardner
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  • July 31, 2014 4:41 AM
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  • 0 Comments

VIDEO ESSAY: Slow Motion Movie Supercut

LOOK. PAY ATTENTION. NOTICE THE MOVEMENT.
  • By Leigh Singer and Max Winter
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  • July 30, 2014 12:58 PM
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  • 0 Comments

What if Time Travel Destroys the Future? The Big Problem with X-MEN: DAYS OF FUTURE PAST

After seeing the most recent installment of the X-Men franchise, I was able to reflect on what time travel means psychologically, and realized the potent metaphor it embodies in contemporary American culture: the chance to use hindsight to prevent the problems of the past from metastasizing into the even more daunting problems of the present.
  • By Jesse Damiani
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  • July 24, 2014 1:10 PM
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  • 1 Comment

VIDEO ESSAY: From SLACKER to BOYHOOD: Cinematography in the films of Richard Linklater

You can feel the heat in the Austin of "Slacker"; you can smell the chalkdust in "School of Rock"; you can feel the night breeze in "Dazed and Confused." And yet the camera here isn’t the aggressive, probing presence of a Scorsese or an Allen or a Lynch.
  • By Nelson Carvajal and Max Winter
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  • July 23, 2014 2:21 PM
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  • 0 Comments

The Last Star: Elaine Stritch 1925–2014

When asked why she chose show business, Stritch replied, “I want to be talked about. I want to be written about. I want everything about me! And I don’t make any bones about that.” But she never begged for it, not on stage, and not on screen. Instead she demanded it, which illustrates the divide between stardom and celebrity.
  • By Mike Spry
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  • July 18, 2014 1:19 PM
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  • 0 Comments

VIDEO ESSAY: Total Cinema: SNOWPIERCER

It's a slumgullion stew, this movie, but it's all held together by the clear, simple movement of the plot, the quest of the characters to get to the front of the train. It's a focused quest, a narrow one, and it structures the characters' actions and the viewers' hopes and fears.
  • By Matthew Cheney
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  • July 18, 2014 5:28 AM
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  • 2 Comments

FARGO, TRUE DETECTIVE, JUSTIFIED, RECTIFY and the Construction of the American Small Town (Part I)

At some point in the second half of the twentieth century, the way in which we think about the American small town, its particular brand of community and stability, began to shift.
  • By Spencer Short
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  • July 17, 2014 6:03 AM
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John Lithgow on Process, His Past and Playing an Artist in LOVE IS STRANGE

"Darkness and devils! Saddle my horses; call my train together. Degenerate bastard! I'll not trouble thee. Yet have I left a daughter!"
  • By Meredith Alloway
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  • July 17, 2014 4:25 AM
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  • 0 Comments

ARIELLE BERNSTEIN: Ciphers, Masks and Longing: Old Hollywood Ethos and Lana Del Rey

Lana Del Rey could care less about your girl power anthems and political charges. "Ultraviolence" is about the contradictions in the human experience—lust and sadness and existential need and desires that don’t have easy answers and won’t be fixed with better public policies.
  • By Arielle Bernstein
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  • July 16, 2014 2:40 PM
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  • 4 Comments

Richard Linklater's BOYHOOD Recreates the Experience of Reading

If I say that watching Richard Linklater’s remarkable new film "Boyhood," which traces the life of a boy named Mason from age 6 to 18 in rapidly changing segments, is like reading a book, I need to clarify.
  • By Max Winter
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  • July 14, 2014 5:40 AM
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  • 0 Comments

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