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A Far-Flung Memory of Roger

Roger Ebert’s prose was instantly accessible and inviting. He came off as a super-knowledgeable guy who happened to want to simply talk movies with you.
  • By Michal Oleszczyk
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  • April 8, 2013 2:35 AM
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  • 2 Comments

Speaking for the assembly: the genius of Roger Ebert, 1942-2013

  • By Matt Zoller Seitz
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  • April 5, 2013 1:32 PM
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  • 6 Comments

Remembering Roger Ebert (1942-2013)

It was the same ritual every year. It was usually late October, maybe early November. You’d go to the mall where there was a bookstore, usually a Walden Books. (This was before Borders and Barnes & Noble were in every shopping center.) The section devoted to “Film” was one shelf, not a wall.
  • By Aaron Aradillas
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  • April 5, 2013 12:34 PM
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  • 0 Comments

VIDEO ESSAY: Siskel and Ebert: Screen Fighting Men

Gene Siskel and Roger Ebert were journalists, film reviewers, TV personalities and friends. They disliked each other and loved each other. They needled each other on the air and put on a great show, but it was always in the service of film criticism and education, a means of exciting viewers and drawing them in.
  • By Ken Cancelosi
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  • April 5, 2013 12:01 PM
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  • 2 Comments

Raised in Fear: POLTERGEIST and the Culture of Forgetting

Poltergeist is a film about the repressed traumas and anxieties underlying the American dream.
  • By Jed Mayer
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  • April 4, 2013 12:14 PM
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  • 0 Comments
More: Jed Mayer

The Big Lebowski a Masterpiece? That's Just, Like, Your Opinion, Man

Quite simply, The Big Lebowski does not belong among the canon of the Coens’ best films, no matter how much its fans and urban achievers protest.
  • By Alan Zilberman
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  • April 1, 2013 8:35 AM
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  • 7 Comments

O Coen Brothers, Where Art God? A Conversation Between Matt Zoller Seitz and Jeffrey Overstreet

Do the Coens believe in God? Can we even say that for sure? Do they believe in the non-rational, the supernatural? Or are they just pranksters pulling our chains and hoping to spark conversation pieces like this one, while they sit there snickering?
  • By Jeffrey Overstreet and Matt Zoller Seitz
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  • March 31, 2013 2:36 AM
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  • 5 Comments

The Circle of Life: THE HUDSUCKER PROXY

"The Hudsucker Proxy" is one of the Coens’ most outwardly frivolous movies, part of a group of ill-received farces that includes "Intolerable Cruelty," "The Ladykillers" and "Burn After Reading." But it’s often in their farces that the brothers grapple with some of their darkest themes.
  • By Sam Adams
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  • March 29, 2013 1:04 PM
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  • 2 Comments

The Five Best Uses of Music in Coen Brothers Films

The Coen brothers' relationship to source music is as integral to their vision as recurring themes and subject matter. Like a signature shot or the way certain characters speak, a director’s song selection can reverberate throughout an oeuvre.
  • By Aaron Aradillas
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  • March 29, 2013 12:14 PM
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  • 4 Comments

The Bleak Spaces and Blank Faces of FARGO

When Fargo was released, I felt that my home state of Minnesota had finally been given its "Oresteia," its "Njal's Saga," its "Double Indemnity." Over the ensuing years, however, the popular image created by the Coen Brothers' regional epic has been a questionable inheritance.
  • By Jed Mayer
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  • March 28, 2013 8:35 AM
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  • 1 Comment

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