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The Bleak Spaces and Blank Faces of FARGO

When Fargo was released, I felt that my home state of Minnesota had finally been given its "Oresteia," its "Njal's Saga," its "Double Indemnity." Over the ensuing years, however, the popular image created by the Coen Brothers' regional epic has been a questionable inheritance.
  • By Jed Mayer
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  • March 28, 2013 8:35 AM
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  • 1 Comment

The Three Burials of NO COUNTRY FOR OLD MEN; Three Takes on Its Overrated Status

Though many consider "No Country for Old Men" to be an untouchable classic in the Coens’ oeuvre, it remains tonally flawed.
  • By Lincoln Flynn, Stacia Kissick Jones, and Alan Pyke
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  • March 27, 2013 8:35 AM
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  • 7 Comments

Chaos and Repair: Reclaiming THE LADYKILLERS

I think the Coens are among the most moral (even moralistic) directors alive. Most (but not all) of their pictures are morality plays that deflate the selfishness and pomposity of individuals while finding good even in the most flawed social orders.
  • By Matt Zoller Seitz
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  • March 26, 2013 12:31 PM
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  • 0 Comments

They Know Not What They Do: BURN AFTER READING

"Burn After Reading" is a film about containment and knowledge, or, to put it another way, a tale of wars against chaos. Necessarily, it is a farce.
  • By Matthew Cheney
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  • March 26, 2013 12:03 PM
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  • 3 Comments

VIDEO ESSAY: Pacino: Full Roar

I could not stop laughing as I watched Nelson Carvajal's "Al Pacino: Full Roar"—not just because it's the most entertaining collection of over-the-top moments since Harry Hanrahan's "Nicolas Cage Losing His Shit," but because Pacino is and always has been a theatrical actor, delightfully so.
  • By Nelson Carvajal and Matt Zoller Seitz
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  • March 25, 2013 10:30 AM
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  • 1 Comment

KILLER KARAOKE: Reality Television and the Death of the American Middle Class

“There’s been class warfare going on for the last twenty years and my class has won.” —Warren Buffett "I'm about to get my ass kicked by crawfish."—Steve-O
  • By Drew Gardner
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  • March 22, 2013 8:35 AM
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  • 5 Comments

VIDEO ESSAY: Peter Andrews: The Soderbergh Vision

“My policy is to have my name on a movie only once,” says Steven Soderbergh, so quoted by video essayist Nelson Carvajal. “Having your name once increases the impact of that credit because I think every time you put your name up there, you’re actually diluting it.”
  • By Nelson Carvajal and Matt Zoller Seitz
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  • March 21, 2013 8:42 AM
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  • 0 Comments

Steven Spielberg, Hollywood Historian: A Debate Between Matt Zoller Seitz and Tom Carson

Publisher’s Note: I’ve been arguing with film and TV critic Tom Carson for over a decade, over all sorts of issues. One is the relative merit, or lack thereof, of the films of Steven Spielberg, about whom I’m quite enthusiastic; Tom, not so much.
  • By Tom Carson and Matt Zoller Seitz
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  • March 19, 2013 8:30 AM
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  • 12 Comments

VIDEO ESSAY: Gliding Over All: The Cinematography of BREAKING BAD, Season 3

Dave Bunting Jr.’s video essay on Season 3 of "Breaking Bad" opens with time-lapse landscapes, which are de rigueur establishing shots in TV these days. Here, though, they are uniquely awe-inspiring, in part for their exotic nature, and in part for how they seem to breathe life into everything.
  • By Dave Bunting, Jr. and Gary Sullivan
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  • March 15, 2013 8:35 AM
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  • 1 Comment

Why FX’s THE AMERICANS May Feature the Most Compelling Romance on TV

Though it is as flush with moral ambiguity as its predecessors, Joe Weisberg’s creation offers an altogether different breed of protagonist. What separates "The Americans" is its foregrounding of the simplest device in the history of narrative: love. In effect, The Americans is an extended remarriage plot.
  • By Jesse Damiani
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  • March 14, 2013 9:03 AM
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  • 3 Comments

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