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GREY MATTERS: Cabin in the Woods, Horror in the Dumps

If we’re lucky, "The Cabin in the Woods" will shut down the debased American horror movie machine for a good long while.
  • By Ian Grey
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  • April 20, 2012 12:21 PM
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  • 8 Comments

VIDEO ESSAY: The Art of Film and TV title design from PBS' OFF BOOK

Editor's Note: The opening credits to a movie or TV show are more than just a title and names. They’re an opportunity to set the tone of the story to come. They can provide necessary background and setting for the drama to follow. Creators of title sequences often create powerful visual experiences that pull the viewer into a new visual world. In this episode of PBS "Off Book", meet Peter Frankfurt and Karin Fong, the creators of the iconic "Mad Men" sequence; Ben Conrad, who was behind the hilarious "Zombieland" opening and "rules" sequences; and Jim Helton, who developed the stirring end credits from "Blue Valentine." Please take a moment to view the video linked above. If you would like to view other episodes of "Off Book", go here. Thanks! -- Kevin B. Lee
  • April 20, 2012 12:09 PM
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  • 1 Comment

VIDEO ESSAY: THE AVENGERS: Marvel's Redemption?

Amazingly, the Marvel movie brand has been able to survive with an enthusiastic audience—even in the midst of artistic failure.
  • By Nelson Carvajal
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  • April 20, 2012 9:00 AM
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  • 7 Comments

Trainwreck Rising, or Jeff, Who Is One with the Universe

A problem — if not THE problem — with stoner comedies is that they tend to lack ambition.
  • By Chris Stangl
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  • April 19, 2012 9:03 AM
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  • 3 Comments

The Androgyny of Artists: An Interview with Mary Harron

Is woman the future of man?
  • By Simon Abrams
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  • April 19, 2012 9:00 AM
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  • 0 Comments

VIDEO - Motion Studies #25: A.I.: A Visual Study

From now through April, the Oberhausen International Short Film Festival will present "Film Studies in Motion", a Web Series curated by Volker Pantenburg and Kevin B. Lee. This series, available on the festival's website and Facebook page, presents weekly selections of analytical video essays on the web, in preparation for Pantenberg and Lee's presentation  "Whatever happened to Bildungsauftrag? – Teaching cinema on TV and the Web", scheduled for April 28 at the festival.
  • By Volker Pantenburg and Kevin B. Lee
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  • April 19, 2012 7:12 AM
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  • 0 Comments

A Top Ten Dilemma: Previewing the Sight and Sound Greatest Films Poll, Part II

Will Vertigo climb it's way to #1? It depends on the participating critics and what agendas they may have.
  • By Kevin B. Lee, David Jenkins, Vadim Rizov, Bill Georgaris
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  • April 19, 2012 7:10 AM
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  • 3 Comments

VIDEO: Take the "COLOR REEL" film quiz with Evan Seitz

Editor's Note: We at Press Play had never seen animator Evan Seitz's remarkable work up until today. Our first encounter with his kaleidoscopic visions came when our publisher Matt Zoller Seitz (no relation) sent out an e-mail blast to everyone stating unequivocally that "we should post this immediately." In the most elegant way possible Evan Seitz blends known cinema soundtracks — some of the most famous sounds in all of history —with colorful, animated likenesses from those same films, all of them interpreted through the prism of his imagination. Make no mistake about it. This is a quiz worth engaging and admiring. If you would like to pour over Mr. Seitz's other work, go here.  -- Ken Cancelosi
  • By Evan Seitz
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  • April 18, 2012 4:28 PM
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  • 1 Comment

Not Simply the Best: Previewing the Sight and Sound Greatest Films Poll, Part I

The Sight and Sound Film Poll is still an important guide to the greatest movies, but it could use an overhaul.
  • By Kevin B. Lee, David Jenkins, Vadim Rizov, Bill Georgaris
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  • April 18, 2012 1:25 PM
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  • 5 Comments

10/40/70: KAIRO (PULSE)

This experimental film column began its life at The Rumpus, and we are very excited to see it continue here. The column freezes the frames of a film at the 10, 40, and 70 minute marks, using these points as the foundations for an essay.
  • By Nicholas Rombes
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  • April 18, 2012 9:00 AM
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  • 0 Comments

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