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Cannes 2012: Sang-soo Im’s THE TASTE OF MONEY

You have to really want to say “F*** you” to anyone watching your work to make a black comedy as rancid as "The Taste of Money."
  • By Simon Abrams
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  • May 26, 2012 7:53 PM
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  • 1 Comment

CANNES 2012: Jeff Nichols' MUD

Some film critics have described Jeff Nichols’s "Mud" as the perfect way to end Cannes 2012, a fun and accessible slice of cinematic Americana. But considering the film’s hammy sentimentality and bogus emotional connections, I can’t think of a more disappointing send off.
  • By Glenn Heath Jr.
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  • May 26, 2012 3:33 PM
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  • 5 Comments

CANNES 2012: David Cronenberg's COSMOPOLIS

For a Cronenberg film, "Cosmopolis" is light on violence and body horror, but the director’s obsession with evolving ideas and tainted perspectives remains on full display.
  • By Glenn Heath Jr.
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  • May 25, 2012 5:01 PM
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  • 1 Comment

CANNES 2012: Koji Wakamatsu’s 11/25: THE DAY HE CHOSE HIS OWN FATE

Legacy is the thing in "11/25: The Day He Chose His Own Fate," Japanese guerilla filmmaker Koji Wakamatsu’s remarkable drama about the death of militant poet/novelist Yukio Mishima.
  • By Simon Abrams
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  • May 25, 2012 4:37 PM
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  • 1 Comment

VIDEO: The Magnificent Andersons

Wes Anderson has established himself as an irreplaceable and elusive American storyteller. Yet, for a director who addresses such heavy themes in his work, Anderson himself remains an enigma.
  • By Nelson Carvajal
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  • May 25, 2012 1:06 PM
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  • 3 Comments

VIDEO - PLAY DIRTY with Alejandro Adams: NO BLADE OF GRASS

Press Play introduces Play Dirty, a series in which filmmaker Alejandro Adams brings his unkempt insight and usual disregard for propriety to the video essay form, occasionally dragging along a guest to savage or praise a given film.
  • By Alejandro Adams
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  • May 25, 2012 11:14 AM
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  • 0 Comments

GREY MATTERS: The Way the World Ends

In 2001 Steven Spielberg went apocalypse crazy and he never recovered.
  • By Ian Grey
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  • May 25, 2012 12:32 AM
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  • 1 Comment

CANNES 2012: Carlos Reygadas' POST TENEBRAS LUX

Narrative is the devil in Carlos Reygadas’s baffling and intoxicating "Post tenebras lux."
  • By Glenn Heath Jr.
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  • May 24, 2012 12:31 PM
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  • 1 Comment

VIDEO ESSAY: Sight and Sound Film Poll - Jonathan Rosenbaum on SATANTANGO

From a personal standpoint, it is fitting that the second video of this series, following the opening tribute to Roger Ebert, features Jonathan Rosenbaum. It was through Ebert that I discovered Rosenbaum's writing 14 years ago, when his weekly reviews for The Chicago Reader made Ebert's list of "20 Essential Movie Websites." Since then, no writer has done more to expand my knowledge and develop my sensibilities on film.
  • By Jonathan Rosenbaum and Kevin B. Lee
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  • May 24, 2012 11:31 AM
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  • 1 Comment

CANNES 2012: Lee Daniels' THE PAPERBOY

The best that can be said of Lee Daniels' "The Paperboy" is that it’s sometimes intentionally awful. More often than not, however, it’s just awful.
  • By Simon Abrams
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  • May 24, 2012 9:53 AM
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  • 1 Comment

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