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"The best video essay source on the web." (Roger Ebert) This web site is built on a mix of original video essays and critical, personal writing about film, TV, and their connection to broader cultural concerns. Co-founded by Matt Zoller Seitz, TV critic for New York Magazine, and Ken Cancelosi, it is overseen by Editor-in-Chief Max Winter.

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CANNES 2012: Leos Carax's HOLY MOTORS

Festivals

Where does one begin with Leos Carax’s insane "Holy Motors"? Maybe its incredible central performance(s) by Denis Lavant, who literally transforms into a different character in nearly every other scene, each one stranger than the next? Or perhaps its stark raving mad narrative that bends so far into the absurd, it threatens to break apart?