The practitioners of visual effects have a favorite phrase for what they do: the Invisible Art – effects that are imaginative, even astonishing, but that are ultimately there to sell a world, a character or a moment. Special makeup might be the best illustration of this principle. One of makeup's greatest triumphs is An American Werewolf in London, which in 1982 became the first film to win an Oscar for makeup in regular competition. Overseen by Rick Baker, who supervised all of the film's makeup effects, it shows a man changing into a werewolf in real time…right in front of your eyes. This sequence was the culmination of eight decades of movie makeup. And the film's Oscar represented a coming-out for a once-neglected aspect of filmmaking.
- By Aaron Aradillas, Matt Zoller Seitz & Ken Cancelosi
- February 24, 2012 1:15 PM
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