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LIFE'S WORK: THE FILMS OF ROMAN POLANSKI - Chapter 3: Uniting the Fragments: Cul-de-Sac

“Roman Polanski” is a fragmented name, one that encompasses numerous identities and connotations. To some, “Polanski” is the child who survived the Krakow Ghetto during World War II. To others, he is the womanizer whose wife was brutally murdered by a homicidal cult. And still, to others, he is the criminal who fled to Paris while awaiting a statutory rape trial. Yet, to a select group of cinephiles, actors and filmmakers, the name “Polanski” is an adjective, one that ignores the “man’s” personal life and describes the “artist’s” prolific career, which spans nearly six decades. This career produced numerous films that exemplified the “Polanski” style; they explore the psychology of the psychotic, they blend the conventions and iconography of various genres and, oftentimes, they look towards pessimism as a means of comfort. It is Polanski’s third feature film, Cul-de-sac (1966), that best exemplifies the “Polanski” style. The film unites the various elements of a “Polanski film,” creating a self-proclaimed masterpiece.
  • By Jose Gallegos
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  • September 28, 2011 10:28 AM
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  • 0 Comments

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