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GIRLS RECAP 7: WELCOME TO BUSHWICK, A.K.A. THE CRACKCIDENT

Television
by Sarah D. Bunting
May 27, 2012 10:56 PM
4 Comments
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Was anyone else surprised that the crack in this week's episode title was crack cocaine, and not the crack of an ass? We've seen stunt penises, non-stunt pubic hair, and breasts of all ages; I figured that the crackcident would involve pants falling down somehow. And it did, sort of.

The "Welcome to Bushwick" part is easy: it's the location of a big loft party where all of our main characters converge.  The crack is cocaine, which Shoshanna, of all people, ends up accidentally smoking, thinking it's pot. We don't see that mistake being made, but I hope that scene makes it onto the DVD outtakes, because what we do see is brilliant. Shosh leads off with a rant about her kick-boxing class, picks compulsively at her ear, and points a lot at Jessa; then Jessa, minutes after reassuring Shoshanna that she'll be Shoshanna's "crack spirit guide," reassigns that duty to Ray. Ray balks—"I'm not a fucking JAP daycare, absolutely not"—but Jessa says it's no big deal, just make sure Shosh doesn't jump off a roof "or get fingered by a beat-boxer." Jessa swans off. (More on that in a sec.) Shoshanna strikes a thoughtful pose.

Beat.

Shoshanna sprints off. Ray sprints after her. Niftily timed slapstick ensues: Ray runs one way, and Shoshanna runs past him the other way (waving her skirt over her head). Ray chases her down an alley while she dodges and weaves as if dodging gunfire. (Any other Archer fans here? "ZIG-ZAG, BABOU!") Ray gets a cramp and slows down; Shoshanna runs back up to him (skirt now MIA), orders him to quit chasing her, and fells him with self-defense-class moves. Ray is piqued by her freakish strength, which she attributes to the crack, although it's starting to wear off. Not entirely, though, as she's still got enough aggression in her bloodstream to offer him a "non-sexual" massage. Of his groin, in which she just kneed him. Typically, she learned massage in a sports-therapy class she took to "meet jocks." Shoshanna kneels beside Ray and massages his "area" as he eyes her speculatively. Has crack forged a love connection? If so, this is the show’s second couple brought together by bad-trip baby-sitting (see also: Charlie and Marnie).

Wait: don't see them. It's horribly awkward. Marnie is nervous because Charlie's band is playing at the party —she's not nervous to see him, mind you. She's nervous that he'll see her and feel sad. Marnie approaches Charlie after his band finishes playing and compliments him on the set, and happily comments that it's mature and pleasant between them, but then of course a girl in a headband (referred to later by Marnie as "a tiny Navajo") jumps right into Charlie's arms and starts raving to him and Marnie about the band. It's clear that "Audrey" is dating Charlie and that she has no idea who Marnie is, and Allison Williams makes Marnie's face work (beautifully) through confusion, sadness, and rejected rage, but Marnie herself is totally unsympathetic when she calls Charlie a sociopath for dating another girl, just two weeks after their break-up.

The rest of the party is a trial for her. Oh, excuse me—for anyone who runs into her. Her obsession with Charlie's two-weekrebound becomes an understandable, but obnoxious, refrain (I finally started calling Marnie "Money Pit"in my notes). First she bitches about it to a stranger, who punctuates her remarks by getting up and leaving while she's talking. Then she spots Elijah slow-dancing with his boyfriend and runs up to him to say hello—if by "say hello," you mean "complain about Charlie, and how selfish Hannah is." Elijah rolls his eyes so hard, he nearly sprains his neck, then notes that if anyone's selfish, it's Marnie, because Marnie made out with him sophomore year while Hannah had mono. Marnie snorts that it doesn't count because it was at Rent rehearsals, and besides, Elijah's the one who dated Hannah for two years and secretly liked boys the whole time. Elijah's like, not so much with the "secretly" part, sneering, 'RENT rehearsals!" It's not realistic to keep working this character into the scripts, but I don't care, because Andrew Rannells is perfect. Marnie sneeringly asks him whose dick he sucked to get a part, because his voice "sounds like a bag of dying babies," and I am so stealing that comment, even if it gets me slapped in the face like it does Marnie. (I don't know why the blocking on that smack is so amateurish and fake, either, but I assume it's intentional, and I know it's hilarious.)


On top of everything else, Marnie's now marooned at the party by herself, because Jessa has accidentally invited Lavoyt to the party and now has to deal with the inevitable ugliness. While explaining to Hannah why every party could be the best party ever, Jessa gets a text from an unknown number, asking what she's up to. Hannah tells her to ask who it is, but Jessa puts adventure above common sense once again and invites the mystery texter to the best party ever. The mystery texter is, of course, Lavoyt; the wife and kids have gone out of town to visit family, and he stayed home to work. Jessa wonders why he bothered, when he doesn't have a job. To try to get a leg over you, obviously, and as Lavoyt looks sadly down at the bottle of wine he brought to a Bushwick party with a reggae band playing, he has a realization: "Oh my God, I'm That Guy."

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4 Comments

  • darci | June 12, 2012 9:44 PMReply

    I think the way they're developing the Hannah POV story-telling while also making her straddle the line between protagonist and villain is pretty great. Hannah's kind of like a lot of good friends I've had in the past too that most of the time you sort of despise but because you've shared so much time together and you know she'll come through when you really need her, you stay close. I think that's very accurate to real life and something not always shown in shows, usually you just have the goodie girl and the evil one and no in-between.

    Anyway, glad the Adam storyline is developing a little more I thought he showed so more depth this episode, too. Oh and big props to the music department for using Mark Ronson's "Bang, Bang, Bang" when Hannah catches up with Adam when he's happily dancing at the Bushwick warehouse.

  • bitchstolemyremote | May 29, 2012 10:32 AMReply

    Marnie's line to Elijah about his voice sounding like a sack of dead babies was easily the funniest/worst line of the entire episode. This was definitely the funniest that Girls has been - it's shocking how much more enjoyable it is, even though Hannah remains the most selfish character!

    Our take: http://wp.me/p1VQBq-Xh

  • Jared Kozemko | May 29, 2012 12:24 AMReply

    Most assured episode yet, and a pure pleasure because of it. The Apatow influence is shining through--not to make an assumption, but the big "reveal" of the Hannah/Adam relationship reminded me of the shifting sympathies we had, for say, the Weir parents as Freaks & Geeks went along.

    Great shit, glad I stuck through the skepticism I had for the first few episodes.

  • Jason Venter | May 28, 2012 8:50 PMReply

    Great summary! My program guide told me it wasn't a new episode, but I watched it anyway and I'm glad I did because it was excellent for all the reasons you cited. I'm not sure how you managed to wring so many words out of a 30-minute episode, but you did and it was all golden.

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