Sgt. Nathan Harris took a gunshot in the hip during an ambush in Afghanistan in 2009. Hell and Back Again tells you this without delay; Harris, back on U.S. soil and trying to rehab his way back to active duty, takes care of telling everyone else, compulsively -- Wal-Mart greeters, prospective landlords, fellow Marines. He can't help it. His shattered leg has become his world, and his medications send him spinning away from other topics despite himself.
A gimmick will usually work at least once, though, and the layering of the sound of battle over the mild aggro of a complicated drive-through-menu order does create tension. The level of access to Harris's unit, and the extent of the footage (not least during firefights, during which I genuinely cannot conceive of NOT dropping the camera and sprinting to…let's say Germany), is remarkable. Also remarkable: Harris himself, a smart, tough, funny man, gentle at bedtime, boyishly romantic about his pistol, who looks a little like John Travolta and sounds a lot like Lucas Black. He looks like fun. He looks like hell.
It's a solid enough doc, but I'm not sure how this gets a seat at the table when Project Nim and The Interrupters didn't. What you think of its chances depends on how cynical you want to get about subject matter in the category as a determinant. More on that when I complete the category.
Sarah D. Bunting co-founded Television Without Pity.com, and has written for Seventeen, New York Magazine, MSNBC.com, Salon, Yahoo!, and others. She's the chief cook and bottle-washer at TomatoNation.com.
CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES | Press Play http://t.co/RgOTU2C0rF via @indiewire @MatchCuts @PressPlayIWPosted 5 hours ago