Documentary Shorts Sarah 61, Oscars 0; 24 categories completed, race won
God Is The Bigger Elvis. The film that completed the Death Race, it will always have a special place in my heart -- but it's a visit with Dolores Hart, once an up-and-coming starlet who foreswore Hollywood to join a Benedictine order almost 50 years ago. Now a mother prioress, she and other nuns talk about that decision, the process of communing with God, and the evolution of their understanding of intimacy. The bittersweet reveal towards the end is lovely and sad.
Incident in New Baghdad. The film is told from the POV of Ethan McCord, an infantryman present at said incident, and runs footage that is truly stern stuff as McCord gives his perspective on what really went down. Its strength is the way it acts as a confessional for McCord, but I think it needed a few more minutes of him and a few less of pointed Fox News coverage.
The Tsunami and the Cherry Blossom. Starts out rivetingly, with home movies of the March 2011 tsunami carrying a moving carpet of destruction towards a hillside -- houses, cars, fleeing people. The tension dissipates once the film moves into its central topic: that the cherry blossoms which return to Japan each spring are a symbol of national spirit and resilience. Unpoetic shots of aftermath debris, contrasted with Malick-y portraits of the blooms themselves, get repetitive, but there's interesting stuff here; look out for the tree wrangler (who refers to himself as "the cherry master") who talks about the beauty and terror of nature, and how "we forget the terror."
Should win: No clear leader in my opinion, but the one that really stuck with me is Saving Face.
Will win: My sense is that The Tsunami and the Cherry Blossomhas the lead here.
Sarah D. Bunting co-founded Television Without Pity.com, and has written for Seventeen, New York Magazine, MSNBC.com, Salon, Yahoo!, and others. She's the chief cook and bottle-washer at TomatoNation.com. For more on how the Oscars Death Race began, click here.
@hujane Is this the rap version of Song Sung Blue?Posted 3 hours ago
RT @nelsoncarvajal: CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES | Press Play http://t.co/RgOTU2C0rF via @indiewire @MatchCuts @PressPlayIWPosted 5 hours ago
@TonightOnGIRLS THERE you go. [sigh of relief] [no need for cold compress]Posted 5 hours ago
There are no easy answers in James Gray's THE IMMIGRANT. @matchcuts reviews it from Cannes. A++! http://t.co/iVvVx38Erm via @indiewirePosted 5 hours ago