Click to Skip Ad
Closing in...

Press Play

CANNES 2013: An Interview with James Gray

"Ewa is a survivor. I think she’s going to make it. I don’t think she’s going to live a perfect life or be able to forget what has happened to her, but I think she’s going to make it somehow. I don’t know if my other characters will make it."--James Gray on "The Immigrant"
  • By Glenn Heath Jr.
  • |
  • June 3, 2013 12:27 PM
  • |
  • 2 Comments

CANNES 2013: Images, Part III

Crazy weather, lost luggage, a Final Destination-like near death experience, rampant larceny; Cannes 2013 was certainly a wild ride. Looking back over the last two weeks I can’t help but think this year’s festival will go down as one of the strangest ever. And I mean that in the best possible sense.
  • By Glenn Heath Jr.
  • |
  • May 29, 2013 8:25 PM
  • |
  • 0 Comments

CANNES 2013: James Gray's THE IMMIGRANT

Few films have captured the level of complex pragmatism it must take for a desperate person to survive in a completely new place with no support or ideological context. James Gray’s arresting period-piece melodrama "The Immigrant" achieves this feat.
  • By Glenn Heath Jr.
  • |
  • May 24, 2013 10:36 PM
  • |
  • 1 Comment

CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES

In Nicolas Winding Refn’s "Only God Forgives," to witness God is to experience the devil.
  • By Glenn Heath Jr.
  • |
  • May 22, 2013 4:02 PM
  • |
  • 1 Comment

CANNES 2013: Images: Part 2

After nearly four straight days of rain, sunshine has finally graced the Croissette. It’s glorious. Wardrobes have gotten significantly skimpier and smiles have broadened greatly, and everyone at Cannes seems to be settling in.
  • By Glenn Heath Jr.
  • |
  • May 21, 2013 1:44 PM
  • |
  • 0 Comments

CANNES 2013: Joel and Ethan Coen's INSIDE LLEWYN DAVIS

Plenty of films exist about struggling young artists trying to be great and failing in the process. But Joel and Ethan Coen’s "Inside Llewyn Davis" is unique in focusing on a great struggling young artist resigned to the idea of his own impending failure.
  • By Glenn Heath Jr.
  • |
  • May 19, 2013 3:20 PM
  • |
  • 0 Comments

CANNES 2013: Images, Part 1

Thick grey clouds paint the coastal horizon, and rain keeps falling. Massive yachts bob up and down in the choppy water while scattering festival attendees take cover under umbrella canopies.
  • By Glenn Heath Jr.
  • |
  • May 18, 2013 7:39 PM
  • |
  • 0 Comments

CANNES 2013: Jia Zhang-ke's A TOUCH OF SIN

Jia Zhang-ke sees modern day China as an expansive minefield of potential narratives, each one ready to trigger its own perspective on the countless institutional and societal issues that ultimately impact identity, gender roles, and economic expansion.
  • By Glenn Heath Jr.
  • |
  • May 17, 2013 12:04 PM
  • |
  • 0 Comments

CANNES 2012: And the Winners Should Be...

Read our critics' personal predictions of who SHOULD win the awards, and who WILL win the awards, at Cannes 2012...
  • By Glenn Heath Jr. & Simon Abrams
  • |
  • May 27, 2012 1:31 PM
  • |
  • 3 Comments

Cannes 2012: Sang-soo Im’s THE TASTE OF MONEY

You have to really want to say “F*** you” to anyone watching your work to make a black comedy as rancid as "The Taste of Money."
  • By Simon Abrams
  • |
  • May 26, 2012 7:53 PM
  • |
  • 1 Comment

Follow Us

Most "Liked"

  • OUR SCARY SUMMER: David Cronenberg’s ...
  • What Mise-en-scène Is and Why It Ma ...
  • OUR SCARY SUMMER: OVER THE EDGE, PHANTASM, ...
  • "Training, practice, letting go": An ...
  • The Sobering, Beautiful Lessons of LIFE ...
  • CONCERNING VIOLENCE: An Interview with ...
  • How THE INTERNET'S OWN BOY Raises the ...
  • VIDEO ESSAY: The Coen Brothers: Men ...
  • The Last Star: Elaine Stritch 1925– ...
  • Compassionate Release: The Agony and ...