Click to Skip Ad
Closing in...

Press Play

GREY MATTERS: Martin Scorsese's interesting year

Aside from being a lousy whitewash out to prove God-knows-what, Martin Scorsese’s George Harrison: Living in the Material World doesn’t even live up to some simple realities, things like the fact that when you’re Martin Scorsese, you most certainly do have a huge responsibility when taking on such an undertaking. Nobody will ever again have your resources, access or your name, and the sobriety of purpose and sheer cred that goes with it. And now, to super-complicate matters really interestingly, we have Hugo, easily one of Scorsese’s top five films, a masterpiece, coming mere months on the heels of the Harrison debacle. The two films, in eternal orbit and connected by “George” as a name and notion – of the guitar player and his revolution in sound, and of the disgraced special effects trailblazer, Georges Méliès, who, in our world, delighted a small, asthmatic Italian-American boy in Little Italy almost 60 years ago with his lowest-fi wonders.
  • By Ian Grey
  • |
  • December 19, 2011 1:33 PM
  • |
  • 2 Comments

Follow Us

Most "Liked"

  • VIDEO ESSAY: From SLACKER to BOYHOOD: ...
  • Looking at YouTube: KIDS REACT and ...
  • VIDEO ESSAY: Slow Motion Movie Supe ...
  • What if Time Travel Destroys the Future? ...
  • What Does It Mean That Joe Swanberg ...
  • Humor Is Life: RIP Robin Williams, ...
  • Kevin Kline on MY OLD LADY, THE LAST ...
  • METAMERICANA: Outlaw Country Goes Psychedelic: ...
  • FARGO, TRUE DETECTIVE, JUSTIFIED, RECTIFY ...
  • VIDEO ESSAY: Our Scary Summer: 1979