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CANNES 2013: Images, Part 1

Thick grey clouds paint the coastal horizon, and rain keeps falling. Massive yachts bob up and down in the choppy water while scattering festival attendees take cover under umbrella canopies.
  • By Glenn Heath Jr.
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  • May 18, 2013 7:39 PM
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  • 0 Comments

CANNES 2013: Jia Zhang-ke's A TOUCH OF SIN

Jia Zhang-ke sees modern day China as an expansive minefield of potential narratives, each one ready to trigger its own perspective on the countless institutional and societal issues that ultimately impact identity, gender roles, and economic expansion.
  • By Glenn Heath Jr.
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  • May 17, 2013 12:04 PM
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  • 0 Comments

CANNES 2012: And the Winners Should Be...

Read our critics' personal predictions of who SHOULD win the awards, and who WILL win the awards, at Cannes 2012...
  • By Glenn Heath Jr. & Simon Abrams
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  • May 27, 2012 1:31 PM
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  • 3 Comments

CANNES 2012: Jeff Nichols' MUD

Some film critics have described Jeff Nichols’s "Mud" as the perfect way to end Cannes 2012, a fun and accessible slice of cinematic Americana. But considering the film’s hammy sentimentality and bogus emotional connections, I can’t think of a more disappointing send off.
  • By Glenn Heath Jr.
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  • May 26, 2012 3:33 PM
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  • 5 Comments

CANNES 2012: David Cronenberg's COSMOPOLIS

For a Cronenberg film, "Cosmopolis" is light on violence and body horror, but the director’s obsession with evolving ideas and tainted perspectives remains on full display.
  • By Glenn Heath Jr.
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  • May 25, 2012 5:01 PM
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  • 1 Comment

CANNES 2012: Carlos Reygadas' POST TENEBRAS LUX

Narrative is the devil in Carlos Reygadas’s baffling and intoxicating "Post tenebras lux."
  • By Glenn Heath Jr.
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  • May 24, 2012 12:31 PM
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  • 1 Comment

CANNES 2012: Leos Carax's HOLY MOTORS

Where does one begin with Leos Carax’s insane "Holy Motors"? Maybe its incredible central performance(s) by Denis Lavant, who literally transforms into a different character in nearly every other scene, each one stranger than the next? Or perhaps its stark raving mad narrative that bends so far into the absurd, it threatens to break apart?
  • By Glenn Heath Jr.
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  • May 23, 2012 11:38 AM
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  • 0 Comments

CANNES 2012: Abbas Kiarostami's LIKE SOMEONE IN LOVE

Denial and delusion ripple the pristine visual surface of "Like Someone in Love," Abbas Kiarostami’s masterful critique of social and emotional formality, set in Japan.
  • By Glenn Heath Jr.
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  • May 22, 2012 11:13 AM
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  • 2 Comments

CANNES 2012: Hong Sang-soo's IN ANOTHER COUNTRY

The screenwriting process produces a kind of sandbox cinema in Hong Sang-soo’s "In Another Country," the Korean director’s latest jazz riff on human interconnection. The film’s beach side location may be consistent with earlier films, but its unique characterizations traverse freely outside the logic of conventional storytelling.
  • By Glenn Heath Jr.
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  • May 21, 2012 11:48 PM
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  • 0 Comments

Welcome to the Cannes Film Festival 2012!

Editor's Note: Press Play has two critics covering the Cannes Film Festival this year. Simon Abrams and Glenn Heath Jr. are tag-teaming their way through the most anticipated collection of screenings in the film industry. This is your ticket to Cannes. Enjoy!
  • By Glenn Heath Jr. & Simon Abrams
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  • May 20, 2012 2:08 PM
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  • 1 Comment

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