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VIDEO ESSAY: MAGIC AND LIGHT THE FILMS OF STEVEN SPIELBERG Chapter 2: Blood & Pulp

When you think of the films of Steven Spielberg, violence may not be the first thing that comes to mind. But Spielberg’s films wouldn’t be Spielberg’s films if he didn’t show and imply violent actions. Violence is just another color on Spielberg’s palette and he’s not shy about using it, either to excess or with moderation. And the presentation of the violence reveals a lot about Spielberg’s sense of what the audience can handle, and how far he can go as a director. In fact, you can tell what kind of Spielberg film you’re watching based solely on the way he shows violence. As a child, Spielberg used to worship the violent Grand Guignol violence of EC Comics – specifically such lurid titles as Shock Suspense Stories and Weird Science. But he also gorged himself on 1950s network television and old Hollywood movies, which for the most part had a much more circumspect attitude toward violence.
  • By Simon Abrams & Richard Seitz
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  • December 17, 2011 1:41 PM
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  • 1 Comment

The Art of MAGIC & LIGHT: THE FILMS OF STEVEN SPIELBERG

MAGIC & LIGHT: THE FILMS OF STEVEN SPIELBERG premieres Dec. 15 at Press Play. Check out these eye-popping title cards. As they used to say of CLOSE ENCOUNTERS trading cards back in the '70s, collect them all!
  • By Boke Yuzgen
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  • December 13, 2011 6:52 PM
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  • 0 Comments

Press Play video series MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG to debut Dec. 15, 2011

Press Play is proud to announce our first video essay series in direct partnership with IndieWire: "Magic and Light: The Films of Steven Spielberg." Set to premiere Dec. 15, 2011 on this blog, this series will examine facets of Spielberg's movie career, including his stylistic evolution as a director, his depiction of violence, his interest in communication and language, his portrayal of authority and evil, and the importance of father figures -- both present and absent -- through
  • By Press Play Staff
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  • December 7, 2011 12:34 PM
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  • 6 Comments

VIDEO ESSAY: ON THE GO, PART 1: BULLITT, THE FRENCH CONNECTION AND THE SEVEN-UPS

The subtitle of Aaron Aradillas and Richard Seitz's series "On the Go" says it all: "The Golden Age of the Car Chase, 1968-1985." Films that played in American theaters and on TV during those years were likely to contain at least one car chase. Some pictures from this period were built around a series of car chases. A few were essentially feature-length chases in which most of the action and dialogue took place while the characters were zipping down city streets or interstate highways.
  • By Aaron Aradillas and Richard Seitz
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  • October 19, 2011 1:45 AM
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  • 4 Comments

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