Press Play

'SHOULD WIN' VIDEO ESSAY SERIES: Best Picture TREE OF LIFE

All of the 2011 Best Picture nominees have their merits, but one towers above the rest: "The Tree of Life," writer/director Terrence Malick's film about...well what is "The Tree of Life" about, anyway? For a free-associative non-linear movie that skips back and forth through time and space, and that includes a lengthy early section recounting the creation of the universe, the movie was a surprising commercial success, dominating discussion among cinephiles throughout a summer moviegoing season that is usually overshadowed by much louder, dumber movies. And at the center of the discussion were very basic questions about writing and direction – about storytelling generally – that cut to the heart of what movies are and what they can be.
  • By Matt Zoller Seitz & Serena Bramble
  • |
  • February 21, 2012 12:13 PM
  • |
  • 26 Comments

MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG: Chapter 1: Introduction

Steven Spielberg is one of the most popular storytellers of all time. Based solely on box-office receipts, that’s an inarguable fact. It's been true since 1975, when the box office take of his breakthrough Jaws redefined the the word "blockbuster." Look at the top grossing movies of all time, and you'll see that a startling number were produced or directed by Spielberg. And yet this almost forty-year streak hasn't been enough to insulate him against charges that he's a frivolous director – or that, at the very least, his success is an example of style, or more accurately technique, over substance. That he does not persuade or even seduce viewers, but that he overwhelms them. With sound. With light. With music. And special effects.
  • By Matt Zoller Seitz, Ali Arikan & Serena Bramble.
  • |
  • December 15, 2011 9:34 AM
  • |
  • 18 Comments

CHAPTER ART: MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG debuted Dec. 15

It's almost here! Press Play's first video essay series in direct partnership with IndieWire: "Magic and Light: The Films of Steven Spielberg." On Dec. 15, 2011 on this blog, this series will examine facets of Spielberg's movie career, including his stylistic evolution as a director, his depiction of violence, his interest in communication and language, his portrayal of authority and evil, and the importance of father figures -- both present and absent -- throughout his work.
  • By Press Play Staff
  • |
  • December 14, 2011 5:24 PM
  • |
  • 0 Comments

The Art of MAGIC & LIGHT: THE FILMS OF STEVEN SPIELBERG

MAGIC & LIGHT: THE FILMS OF STEVEN SPIELBERG premieres Dec. 15 at Press Play. Check out these eye-popping title cards. As they used to say of CLOSE ENCOUNTERS trading cards back in the '70s, collect them all!
  • By Boke Yuzgen
  • |
  • December 13, 2011 6:52 PM
  • |
  • 0 Comments

Press Play video series MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG to debut Dec. 15, 2011

Press Play is proud to announce our first video essay series in direct partnership with IndieWire: "Magic and Light: The Films of Steven Spielberg." Set to premiere Dec. 15, 2011 on this blog, this series will examine facets of Spielberg's movie career, including his stylistic evolution as a director, his depiction of violence, his interest in communication and language, his portrayal of authority and evil, and the importance of father figures -- both present and absent -- through
  • By Press Play Staff
  • |
  • December 7, 2011 12:34 PM
  • |
  • 6 Comments

LIFE'S WORK: THE FILMS OF ROMAN POLANSKI - Chapter 1: Polanski's God

I think people who go to see [Roman Polanski's films] for escapism are not going to be necessarily disappointed, but they're going to have to tweak their understanding of what entertainment is. When you watch a Polanski film, you're watching this sense of abundance in them. They have very cheerful settings — deceptively cheerful. You get the sense that you're watching the seasons change from this brightness to this inner gray that takes over. Violence in Polanski's film is psychological. It's largely implied and it's rarely explicit, and when it is explicit, it's for comedy's sake. When Jake gets his nostril slit in Chinatown, he looks ridiculous for the rest of the film, with the bandage on his nose.
  • By Serena Bramble & Simon Abrams
  • |
  • September 26, 2011 4:00 AM
  • |
  • 14 Comments

Follow Us

Latest Tweets

  • SamsMyth

    "I think we are at a point where it is more important to think about how we watch films than about which films to watch" -@PressPlayIW

    Posted 2 hours ago
  • alsolikelife

    RT @mant_a_tangi: @alsolikelife @PressPlayIW That's only bit of that movie I'm looking forward to. Not that I love watersports, but sure don't love Daniels.

    Posted 3 hours ago
  • GandtheW

    RT @nelsoncarvajal: VIDEO ESSAY: Sight and Sound Film Poll - Jonathan Rosenbaum on SATANTANGO via @PressPlayIW http://t.co/2rMs9zGr

    Posted 5 hours ago
  • nelsoncarvajal

    VIDEO ESSAY: Sight and Sound Film Poll - Jonathan Rosenbaum on SATANTANGO via @PressPlayIW http://t.co/2rMs9zGr

    Posted 5 hours ago
Follow us