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LIFE'S WORK: THE FILMS OF ROMAN POLANSKI - Chapter 1: Polanski's God

I think people who go to see [Roman Polanski's films] for escapism are not going to be necessarily disappointed, but they're going to have to tweak their understanding of what entertainment is. When you watch a Polanski film, you're watching this sense of abundance in them. They have very cheerful settings — deceptively cheerful. You get the sense that you're watching the seasons change from this brightness to this inner gray that takes over. Violence in Polanski's film is psychological. It's largely implied and it's rarely explicit, and when it is explicit, it's for comedy's sake. When Jake gets his nostril slit in Chinatown, he looks ridiculous for the rest of the film, with the bandage on his nose.
  • By Serena Bramble & Simon Abrams
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  • September 26, 2011 4:00 AM
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  • 14 Comments

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