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VIDEO ESSAY: CHAOS CINEMA, PART 3; Matthias Stork addresses his critics

Editor’s Note: Press Play is proud to debut part three in Matthias Stork’s Chaos Cinema, the latest installment in an ongoing consideration of a phenomenon that Stork defined in two video essays that ran on this site in August, 2011. His first two chapters touched off a firestorm of debate that’s still going on. Just last weekend, New York Times contributor Alex Pappadeas cited the piece in a year-end “Riffs” column. Citing bizarre images in "the trailer for 2016, a possibly nonexistent sci-fi movie from Ghana," Pappadeas argued that the major problem with the style is that it does not go far enough. "The standard knock on Chaos Cinema filmmakers is that they’re constructing narratives entirely from rupture and collision," he writes. "But if movies are going to go there, they should really go there. Let’s stop asking directors who clearly have no affinity for story or character to pretend otherwise. Instead, let’s let the alien kick the baby, and see how far the baby will fly." That’s what Stork is doing here by addressing his critics directly using the form that has served him well in the past, the video essay. The full text of the piece’s narration is printed below. For context, we’ve also reproduced Parts 1 and 2 of Chaos Cinema as well. The comments section is open. You may fire when ready.
  • By Matthias Stork
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  • December 9, 2011 6:12 PM
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  • 22 Comments

Press Play video series MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG to debut Dec. 15, 2011

Press Play is proud to announce our first video essay series in direct partnership with IndieWire: "Magic and Light: The Films of Steven Spielberg." Set to premiere Dec. 15, 2011 on this blog, this series will examine facets of Spielberg's movie career, including his stylistic evolution as a director, his depiction of violence, his interest in communication and language, his portrayal of authority and evil, and the importance of father figures -- both present and absent -- through
  • By Press Play Staff
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  • December 7, 2011 12:34 PM
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  • 6 Comments

VIDEO ESSAY: Never Before, Never Again: Henson and Oz; A Muppet conversation

EDITOR'S NOTE: To mark the opening of Jim Henson's Fantastic in July 2011, Matt Zoller Seitz and Ken Cancelosi created Never Before, Never Again: Henson and Oz, a video essay which describes the nature of that long and fruitful collaboration between Jim Henson and Frank Oz. Press Play is re-posting that essay in light of the release of Jason Segel's new directorial effort, The Muppets. Given the length of their 27-year collaboration and their creative influence on the culture, it makes the argument that they should be considered a comedy team on the level of Abbott and Costello and Laurel and Hardy. In addition, we are publishing a discussion between the essay's creators. They discuss the curious fate of the Muppets since Jim Henson's untimely death and the challenges director Jason Segel faces in resurrecting them.
  • By Matt Zoller Seitz and Ken Cancelosi
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  • November 22, 2011 5:43 PM
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  • 1 Comment

VIDEO ESSAY: Searching for the Muppets

When Jim Henson died in 1990, at the age of 53, there was reason to fear that the Muppets wouldn’t live on without him. They did. Since Henson’s death, Muppets have appeared in three major movies, a short-lived TV series, a few TV specials and several direct-to-YouTube videos. They’ve inspired toys, calendars and postage stamps. And now they’re poised to hit the big screen yet again, in a movie written by and starring Jason Segel.
  • By Jason Bellamy
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  • November 21, 2011 1:35 PM
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  • 1 Comment

The Chicago Way: Crime Story back on DVD for its 25th Anniversary

On September 18, 1986, director Michael Mann (Heat) made good on his promising career in TV and film with the debut of his new period cops-and-robbers saga, Crime Story. Not only did Crime Story’s feature-quality production design live up to that of its TV antecedent, Mann’s stylish Miami Vice; Crime Story also fulfilled its aim to present a morally complex world in which it was often difficult to tell those who broke the law from those who upheld it. Set in 1963, the show explores the multiple facets of a young hood’s rise to power in the Chicago Mob through the viewpoints of its three protagonists. Ray Luca (Anthony Denison) is the pompadoured criminal quickly ascending the ranks of the “Outfit.” Lieutenant Mike Torello (Dennis Farina) is the cop in charge of Chicago’s Major Crime Unit (or MCU) who bends the law in the service of justice. And David Abrams (Stephen Lang) is the idealistic young lawyer caught between the two men and their obsessive cat-and-mouse game. Today, a little over 25 years since its premiere, Crime Story: The Complete Series (Image Entertainment) comes out on DVD. At press time, review copies were not made available, so it’s impossible to ascertain if any improvements have been made over the questionable video quality of previous iterations. But this short-lived series, an influential precursor to the well-written serials littered throughout cable this decade (i.e., The Sopranos, Mad Men, Justified, and others), is worth owning despite any potential issues with its digital transfer.
  • By Tony Dayoub
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  • November 15, 2011 7:15 PM
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  • 0 Comments

VIDEO ESSAY: PARENTS, directed by Bob Balaban

Parents - Nightmares of Childhood from John Keefer on Vimeo.
  • By John Keefer
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  • October 27, 2011 3:06 AM
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  • 2 Comments

VIDEO ESSAY: All Things Shining: The Films of Terrence Malick, Chapter 5: THE TREE OF LIFE

By Serena Bramble and Matt Zoller Seitz Press Play contributors
  • By Matthew Seitz
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  • October 24, 2011 5:56 AM
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  • 4 Comments

VIDEO ESSAY: ON THE GO, PART 3: TO LIVE AND DIE IN L.A.

By Aaron Aradillas, Richard Seitz and Matt Zoller Seitz
  • By Matthew Seitz
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  • October 21, 2011 9:00 AM
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  • 0 Comments

VIDEO ESSAY: ON THE GO, PART 2: 1971-1984, THE SPEED YEARS

On The Go Part 2 from Matt Zoller Seitz on Vimeo.
  • By Aaron Aradillas and Richard Seitz
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  • October 20, 2011 10:00 AM
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  • 3 Comments

VIDEO ESSAY: ON THE GO, PART 1: BULLITT, THE FRENCH CONNECTION AND THE SEVEN-UPS

The subtitle of Aaron Aradillas and Richard Seitz's series "On the Go" says it all: "The Golden Age of the Car Chase, 1968-1985." Films that played in American theaters and on TV during those years were likely to contain at least one car chase. Some pictures from this period were built around a series of car chases. A few were essentially feature-length chases in which most of the action and dialogue took place while the characters were zipping down city streets or interstate highways.
  • By Aaron Aradillas and Richard Seitz
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  • October 19, 2011 1:45 AM
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  • 4 Comments

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