There’s no such thing as a truly anti-war film, Francois Truffaut once said. By depicting the adventure and thrill of combat, war movies can’t help but glorify their subject, fueling fantasies of spectacular, heroic violence. It’s a case where the sensational beauty of cinema works against our humanist impulses rather than for them. I’m not a fan of war movies as a general matter of principle. But in recent years, I’ve seen a couple of films with unique approaches to the war movie, and that bring humanity back into focus.
Originally published on Fandor Keyframe. For a full transcript visit Keyframe.
Kevin B. Lee is Editor in Chief of IndieWire’s PressPlay Video Blog, Video Essayist for Fandor Keyframe, and contributor to Roger Ebert.com. Follow him on Twitter.
RT @nelsoncarvajal: CANNES 2013: Nicholas Winding Refn's ONLY GOD FORGIVES | Press Play http://t.co/RgOTU2C0rF via @indiewire @MatchCuts @PressPlayIW
Posted 43 minutes ago
@TonightOnGIRLS THERE you go. [sigh of relief] [no need for cold compress]
Posted 55 minutes ago
There are no easy answers in James Gray's THE IMMIGRANT. @matchcuts reviews it from Cannes. A++! http://t.co/iVvVx38Erm via @indiewire
Posted 1 hour ago
@TonightOnGIRLS Is that all? Really? For the whole episode?
Posted 1 hour ago
2 Comments
Ryan | May 27, 2012 10:23 PM
I'd love to hear your thoughts on the Thin Red Line.