Gliding Over All: The Cinematography of Breaking Bad, Season 4:
Hollywood can keep its 3D, its CGI and whatever Dolby Surround version they’re up to now. For a contemporary cinematic experience as visceral and visually arresting as "Breaking Bad," audiences must look abroad, to Gaspar Noé’s "Enter the Void," or further, to films coming out of Thailand, Japan, an...
Read More »
0 Comments