The Dark Knight: Nolan's Modernized Myth: In his first entry, Batman Begins, Nolan’s masterstroke lay in envisioning Gotham City as a modern, real city. Gone were the colorful, circus-like set pieces from earlier Batman films. There weren’t any fantastical lairs or alternate dimensions. Nolan’s Gotham had public transportation, seedy corporate suits, corrupt court systems and even a lower-income housing area only accessible by street bridges.
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With the highly anticipated "The Dark Knight Rises" rushing toward theaters July 20, fans are devouring as much context, criticism and commentary as they can in advance of Christopher Nolan's trilogy-ending new film. To help understand the Caped Crusader's appeal and subtext, Pr...
Read More »When director Christopher Nolan first conceived of his Batman film trilogy, the challenge was revitalizing a hero who had previously been buried in cinematic fantasy shtick—a de-evolution that started with Tim Burton’s promising "Batman" and ended with Joel Schumacher’s laughably bad "Batman & Robin...
Read More »A lot's been written over the years about sequels -- when they go right and bring us a welcome return to characters and themes we'd flocked to see the first time out and, more often, when they do not, and instead deliver diminishing returns in everything except box office terms. But what of the seco...
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