Thursday Game: Apocalypto or Home Alone

Home Apocalyptone.jpg

(Thursday's game is courtesy Reverse Shot at-large correspondent "Micky.")

It is now time for everybody's favorite game: "Apocalypto or Home Alone?"

If you have not seen either of these movies, you are not allowed to play, so STOP READING.

You know the rules, now tell me... is it Apocalypto or Home Alone?

1) A character screams and rubs his burning skin in a moment of levity.

2) Booby traps set up early in the film are set off at the end of the film, to hilarious result.

3) Macaulay Culkin exclaims "YES!"

4) Skinny main character gets into fights with his fat costar.

5) Jaguar Paw exclaims "NGABWE TUNMONGOW!"

6) Main character rescued at the last minute by strange white man.

7) Film is a poignant metaphor for modern day America.

8) Jungle cat eats a living human jawbone.

9) Man gets tarred and feathered.

10) Illustrates the importance of family.

11) Explores man's inhumanity to man.

Have at it. The winner will receive Mel Gibson's beard trimmings.

next | last Posted by clarencecarter on Dec 14, 2006 at 01:05AM | Categories: Poster of the Week



Comments

Some of your best poster work yet. Good job.

Posted by Danielle McCarthy on Dec 14, 2006 at 01:05AM


are they all both? Save the Culkin reference?


NEXT UP: Home Alone 2 or Panic Room?

SERIOUSLY!!!!

Posted by robbiefreeling on Dec 14, 2006 at 01:05AM

Actually, a version of #8 occurs in "Home Alone 2," in the scene where Daniel Stern's hapless crook gets his face ripped off by a flock of pigeons commanded by saintly homeless lady Brenda Fricker. But due to MPAA squeamishness, this image can only be seen in international versions.

Posted by Matt Zoller Seitz on Dec 14, 2006 at 01:05AM




Trackback (ping URL)



Post a Comment

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)

Name
Email
URL
Comments


Remember personal info?





Please visit www.ReverseShot.com