The kind of movie that makes a pejorative of words like "tasteful" and "intelligent," Anthony Minghella's Breaking and Entering arrives just in time to give the faint-hearted a refuge from the untidy pleasures of Casino Royale and Borat. The latest from the director of The English Patient is a high-minded stew of romantic discord, family dysfunction, class tension, and multiculti politics that labors mightily to justify its relevance.
Read the rest of Elbert Ventura's review of Breaking and Entering, opening in New York this Friday.
