Blue(s) Movie: Cadillac Records

by robbiefreeling
December 1, 2008 5:03 AM
1 Comment
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cadillacrecordspic10.jpg

When Syd Nathan, the CEO of King Records, died in 1968, James Brown, the label's greatest star, bought the desk from Nathan's office and had it fitted with a gold plaque reading "I Remember the Man Syd Nathan." Nathan was white, and Brown boastfully black--so how to account for this? If we were to believe the movies' official history of rock music, we can't; the narrative is one of the grudging black artist's innovation, white owner's exploitation, and cracker shyster's appropriation--the attitude summarized in Mos Def's insipid, ahistorical song "Rock 'n' Roll."

Def shows up in Cadillac Records as an insouciant Chuck Berry. Enlightened liberals in the audience will enjoy their chance to applaud their preconceptions when Def/Berry catches out the Beach Boys' plagiarizing and plays martyr to bigotry during his Mann Act arrest, but screenwriter/director Darnell Martin's democratic treatment places Berry's voice as just one among a multitude. In fact, when Berry first arrives in Chicago, he's playing country guitar twang--Martin's subtle scoff at the myth of "stolen" music. (Besides, as everyone knows, Berry actually lifted his style from a time-traveling Alex P. Keaton.)

Martin's fictionalization of the rise and fall of Chicago's Chess Records (1950-68) uses the declamatory blues song "I'm a Man" as its theme, and follows several men attempting to assert that fact through womanizing, moving 45s, and packing .45s: immigrant label founder Leonard Chess (b. Czyz, in Poland; played by Adrien Brody); his first star, Muddy Waters (Jeffrey Wright); Waters's protege, Little Walter (Columbus Short). The aspiration and feeling at times ring as pure as Midnight Ramble melodrama, everyone trying to get through their own way, with contempt for the rest--Waters in a day-by-day blue-collar trudge, Walter through pure anarchy and, with imperious independence, Howlin' Wolf (Eamonn Walker, in a furnace-hot performance).

Click here to read the rest of Nick Pinkerton's review of Cadillac Records.

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1 Comment

  • Brooklynn | December 8, 2008 9:26 AMReply

    THE movie:

    the movie was overall great def a 5 stars!!!

    the movie is biographical into one of the greatest stories ever told in music. ms etta... the other people... beyonce was def great from the way she walked to the the way she sang....

    girlll... i though etta got paid!


    the movie does move rather fast and def is able to stay up to beat... i mean it does get it back into the day when that crazi music got its first hit!


    the beatles get in the movie as well..
    the cars are nice int he film never!

    the time was classic and the movie was def a laugh/drama/action/RIGHT on script!!


    55555---- stars and u rate it!!!

    im telling you this is THE MOVIE TO SEE!!!!

    def pick up the soundtrack with beyonce nas solange rahpell sadiq and mos def!

    CADILLAC RECORDS- movie and soundtrack a best of 08 before 09 comes!

    GO SEE CADILLAC RECORDS Is the point!