By robbiefreeling | REVERSEBLOG: the reverse shot blog December 18, 2007 at 5:50AM
At a moment in history where Iran, famously dubbed one-third of an "Axis of Evil" by Dubya, has again been making headlines as the next country with whom the Republicans wanna preemptively rumble (though the NIE's latest report on its lack of a nuclear weapons program throws this political gambit into a tailspin), Marjane Satrapi's autobiographical and surpassingly exquisite Persepolis, co-written and directed with fellow comic book artist Vincent Paronnaud, is a corrective bomb of beauty launched lovingly into a terrified world. Based upon Satrapi's likewise superlative graphic novels and detailing her upbringing in Iran and eventual departure to (and return from) Austria amidst the Islamic Revolution, the personal-is-political telling deconstructs the absolute Otherness attributed to Iranians in an era scarred by boys who cry terrorist, even as the film rises to the status of coming-of-age classic.
Click here to read Kristi Mitsuda's review of Persepolis.
PLUS: Click here to read Reverse Shot staff writer Nick Pinkerton's review of Persepolis in the Village Voice.