By robbiefreeling | REVERSEBLOG: the reverse shot blog June 28, 2007 at 5:01AM
There's an ever more prevalent, if still marginalized, subgenre in international films today that is difficult to classify. In such films as Larry Clark's Bully and Gael Morel's Le Clan (released here as Three Dancing Slaves), groups of teenagers descend into violent oblivion while the filmmakers dispassionately, purposely objectify their supple flesh. The gap between the actions of the characters and the voyeurism of the filmmakers makes for an awkward, sometimes stimulating dialogue, even if it also leaves the actors somewhat adrift. The recurring image of these films are young, lithe bodies, supine, entangled: in Le Clan, three eye-catching brothers lay together in a tableau less motivated by their characters than the filmmaker's whims. In One to Another, French co-directors Pascal Arnold and Jean-Marc Barr have their young actors lie atop, next to, and around each other with youthful, sexual abandon, and in a move similar to Morel's, intimate an incestuous relationship between the film's two main characters, brother and sister Pierre (Arthur Dupont) and Lucie (Lizzie Brochere), just by the sheer level of proximity and undress the two seem to share. It's a teasing, half-formed approach to character, and the film, tiptoeing around its own narrative and ideas of sexuality, feels not fully formed.
Click here to read the rest of Michael Koresky's review of One to Another.