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Movie Reviews

  • The Playlist
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    Review: 'Universal Soldier: Day Of Reckoning' Combines Art House Intentions & Strong Action In A Franchise Return To Form

    The first “Universal Soldier,” a tacky studio star vehicle that introduced us to director Roland Emmerich, debuted to the public as a Clinton-era signifier. It featured two resurrected soldiers eternally at war, products of a system that would allow them to kill and kill again over the years, brough...

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    Review: 'New Jerusalem' A Hypnotic Film Experience About Friendship And Religion

    Despite a rather large and enthusiastic critical embrace of American neo-neo realism ("Wendy and Lucy," "Goodbye Solo," "Ballast," and a few others), there haven't been many (if any) new players entering the field. By contrast, mumblecore micro-indies are cropping u...

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    Review: 'Beware Of Mr. Baker' Is A Rollicking, Dangerous & Ultimately Transcendent Ride With Cream Drummer Ginger Baker

    This year’s SXSW had a few strong themes running throughout its selections. In the documentary category, this was seen in the numerous films about '70s rock icons such as “Paul Williams: Still Alive,” “Marley,” the preview of “Big Star: Nothing Can Hurt Me,&rd...

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    Review: Brilliant & Angry 'Killing Them Softly' Is The Anti-Thriller For Our Times

    "What is that American promise? It's a promise that says each of us has the freedom to make of our own lives what we will, but that we also have obligations to treat each other with dignity and respect," Barack Obama said at the Democratic National Convention in 2008. And that section ...

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  • Shadow and Act
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    ADIFF 2012: Reflections On Juan Andrés Arango's Quietly Absorbing 'La Playa D.C.'

    The 20th annual African Diaspora International Film Festival (ADIFF), here in New York City, kicked off  its 2012 edition (also its 20th anniversary, a milestone year), last Friday, November 23rd, and continues through December 11th.

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  • Thompson on Hollywood
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    Now and Then: 'Heaven's Gate,' Catastrophe or Classic?

    Once reviled, Michael Cimino's controversial "Heaven's Gate" (1980) may remain — despite the Criterion Collection's effort to resuscitate it — a cautionary tale of directorial hubris, Hollywood excess, and wayward ambition. The real moral of the film, however, is far simpler: "Heaven's Gate" is an o...

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  • Indiewire
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    Why 'Zero Dark Thirty' Is the Masterpiece of 9/11 Cinema We've Been Waiting For

    Given the chance to give her story a happy ending, Bigelow smartly blankets it in shades of ambiguity. "Zero Dark Thirty" tracks a full range of emotions associated with the proverbial war on terror, from the naivete of its earliest stirrings to the spirit of vengeance that gave its apparent victory...

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    DVD Review: Alain Delon Shines In Otherwise Campy, Goofy 1975 'Zorro'

    As long as there as been cinema, there has been Zorro. From the silent era to the multiplex, from Douglas Fairbanks to Gael Garcia Bernal, the masked hero has caught the imagination of both filmmakers and audiences. But of course, there are the forgotten films and versions of the character as well, ...

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  • Criticwire
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    Early 'Zero Dark Thirty' Reviews Suggest a Bright Future For the Film With Critics

    "If 'Argo' and 'United 93' had a baby, it would be 'Zero Dark Thirty.'"

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    Review: How 'Beware of Mr. Baker' And Other Recent Music Doc Subjects Make 2012 the Year of the Cinematic Rock Star

    Much of "Beware of Mr. Baker," Jay Bulger's portrait of the amusingly reckless former Cream drummer Ginger Baker, makes the case for its subject's musical skills. But the first time we see him, he's a raging lunatic, jutting his cane in Bulger's face and breaking the filmma...

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