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Movie Reviews

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    Cannes Review: 'La Grande Bellezza' An Indulgent But Dreamy Reflection On Life, Love & More

    Opening with a literal bang from a cannon and proceeding into an over-the-top party sequence, Paolo Sorrentino lets you know from the start that nothing will be held back in his latest, "La Grande Bellezza." After breaking out on the international scene with "The Consequences of Love" and "Il Divo,...

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  • Thompson on Hollywood
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    Review Roundup: Critics Go Ga-Ga for Soderbergh's Outrageously Mesmerizing 'Behind the Candelabra'

    Critics are over the glittering, bedazzled moon for Steven Soderbergh's Cannes competition entry "Behind the Candelabra," set to premiere on HBO on May 26 and starring a no-holds-barred Michael Douglas and Matt Damon as the famed pianist Liberace and his younger lover, Scott Thorson. The Telegraph r...

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    Michael Douglas, Kitsch and Depth: Soderbergh's 'Behind the Candelabra'

    Despite the earnest pr spin surrounding it, Behind the Candelabra invites us to laugh at - not always with - the grinning, gaudy Vegas spectacle that is Liberace. But Michael Douglas' performance is also deep, sympathetic and brilliant, an act of impeccable mimicry that reveals the essence of a ...

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    Cannes Review: Claire Denis Destined To Divide With Disturbing, Salacious 'The Bastards'

    If all art is only ever about sex and death, Claire Denis’ Un Certain Regard film “The Bastards” may be the most "artistic" one we’ve seen in Cannes to date, as it rolls around positively shamelessly in the musk of both. Or it may be a grubby little exercise in exploitation, depending on who you tal...

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    Maryland Film Fest Review: 'Mother of George' Is The Best Film I’ve Seen Thus Far This Year

    Every year I pick a favorite film, among the many I see at the Maryland Film Festival, and this year it's a truly remarkable one—Mother of George.

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    Cannes: Suicide and Sexual Abuse Abound In Claire Denis' Frustratingly Muddled 'Bastards'

    Claire Denis' films are typically intimate dramas weighted with emotion, which makes it particularly dispiriting that "The Bastards," her eleventh feature, contains those ingredients without sufficiently pulling them together. A muddled revenge drama about family ties and traumatic experiences, the ...

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    Cannes Review: 'Behind the Candelabra' is Steven Soderbergh's Glamorous, Garish and Great Goodbye (For Now)

    "Behind the Candelabra," which premiered at Cannes today before heading to HBO on Sunday, May 26th at 9pm, is Steven Soderbergh's virtuoso swan song to filmmaking (at least for now), his final feature before stopping to focus on his painting.

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    Cannes: Family Problems Dominate In Clio Barnard's 'The Selfish Giant' And Kore-eda's 'Like Father Like Son,' But 'Borgman' Makes Them Scary

    Movies for families tend to embrace the value of sticking together. However, movies about families -- at least those with a certain amount of gall -- assail that very same principle. At the Cannes Film Festival, which attracts stories from around the world, the notion of familial stability is eviden...

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    Cannes Review: Steven Soderbergh's 'Behind The Candelabra' Puts Dazzling Entertainment On Top Of Toxic Relationship

    It's almost unfair how easy Steven Soderbergh makes it look. As the filmmaker heads into his hiatus from movie-making, he's spent the few last years dipping between high grade entertainment ("Magic Mike") and accomplished genre films ("Side Effects," "Haywire") and for his goodbye, he's more or less...

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  • Thompson on Hollywood
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    Review: Rama Burshtein's Luminous 'Fill the Void' Looks at the Strange, Painful Romance of Choice

    Rama Burshtein’s “Fill the Void,” Israel’s official Oscar entry earlier this year, is set in the Haredi Orthodox Jewish community in Tel Aviv. It focuses on one young woman’s turbulent experiences with traditional matchmaking -- a custom which, it should be noted, differs from arranged marriage, and...

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