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Movie Reviews

  • Indiewire
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    VOD Review: Why Eugene Jarecki's War-On-Drugs Doc 'The House I Live In' Won the Grand Jury Prize

    VOD Review: Why Eugene Jarecki's War-On-Drugs Doc 'The House I Live In' Won the Grand Jury Prize

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  • Thompson on Hollywood
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    Now and Then: Making Sense of Miranda July

    I am not a Miranda July hater. "Me and You and Everyone We Know" (2005) felt almost painfully fresh to me — I'd never seen anything like it. It had, in offbeat colors and patterns, a preternatural understanding that love and sex vibrate on wavelengths we can't quite see or hear, only sense.

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  • The Playlist
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    Book Review: 'Sherlock Holmes On Screen' Is An Exhaustive And Informative Look at Pop Culture's Greatest Sleuth

    First appearing in 1887, Sir Arthur Conan Doyle's Sherlock Holmes eventually featured in four novels and 56 short stories and the legacy of the sleuthing detective is unparalleled, and the devotion of his fans is, to this day, truly remarkable. Holmes has been adapted and appropriated endlessly, eit...

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    SUNDANCE REVIEW: NEXT Winner 'Sleepwalk With Me' is a Showcase for Comedian Mike Birbiglia

    "Sleepwalk With Me" is based on writer-director Mike Birbiglia's one-man show; on those terms, the standup comedian-turned-filmmaker has made a respectable debut. With the help of producer and co-writer Ira Glass (NPR's "This American Life"), Birbiglia chronicles his stru...

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  • The Playlist
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    Sundance Review: 'Under African Skies' A Straightforward, But Feel Good Triumph For Fans Of Paul Simon's 'Graceland'

    A simultaneous portrait of a great moment in music and terrible one in human history, “Under African Skies” tells the story of the making of Paul Simon’s Graceland, and the backdrop of oppression out of which it triumphantly emerged. Director Joe Berlinger takes a closer look at th...

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  • The Playlist
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    Sundance Review: 'V/H/S' A Solidly Delivered Horror Anthology That Brings The Thrills

    When compared to the pristine picture quality of Blu-ray, the VHS format is a decrepit, grungy thing, so how better to make an anthology of grimy spook stories than to embrace that aesthetic all-around as "V/H/S" does? Made up of six found-footage style segments – few of which actual...

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  • Thompson on Hollywood
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    Review: HBO, David Milch and Michael Mann's 'Luck' Pilot Promises More than It Delivers

    "Luck" is a world that David Milch knows well. His self-described addiction to the track is legendary, both as a prodigious better and an owner. He once had a horse headed for the Derby who, like a horse in the pilot, broke down (in life, after the Louisville plane tickets had been booked).

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  • The Playlist
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    Sundance Review: Weird & Sometimes Confusing 'John Dies At The End' Is Still An Odd & Engaging Genre Treat

    The problem addressing fans of “Midnight” films and wacky horror can succinctly be found in the opening of Don Coscarelli's “John Dies At The End.” It involves axe handles, zombies, mutant leeches, axe heads, hardware store trips and answering a dead man as to whether or ...

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  • The Playlist
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    Sundance Review: Richard Gere Shines In The Gripping Moral Morass Of 'Arbitrage'

    Robert Miller (Richard Gere) is celebrating his 60th birthday at the start of "Arbitrage," first with his family – including wife Ellen (Susan Sarandon) and daughter/chief financial officer Brooke (Brit Marling) – and then with his mistress, Julie (Laetitia Casta). As the hedge...

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