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Movie Reviews

  • Leonard Maltin
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    The Odd Life Of Timothy Green—movie review

    When I was a kid I was always drawn to stories with fantasy elements, like 'Harvey', 'Here Comes Mr. Jordan', 'On Borrowed Time' and 'Death Takes a Holiday'. Introducing unexplainable or mystical elements into a real-world setting is hard to resist, when it’s done right.

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  • Indiewire
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    Combative New York Premiere of 'Compliance' Latest Victim of the Most Provocative Film of the Year

    The best movies encourage audience reaction. "Compliance" forces it on them. Some find the experience enlightening; others are wildly infuriated by the human behavior it presents. However, there's always one constant: The crowd speaks up.

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  • The Playlist
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    Review: Christophe Honoré Sings The Same Old Song In Phony, Hollow 'Beloved'

    As the closing night film at Cannes in 2011 -- and, as such, lumped in historically with such bland films as "The Tree," "What Just Happened?," "Chromophobia" and "The Age of Darkness" -- writer-director Christophe Honoré's "Les Bien-Aim&e...

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    MORE: Review, Beloved
  • The Playlist
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    Review: David Cronenberg's 'Cosmopolis' Is Both An Excellent Adaptation & A Rich, Complex Character Study

    "Cosmopolis," an adaptation of Don DeLillo’s typically provocative novel of the same name, is the first feature film since 1999's "eXistenZ" that filmmaker David Cronenberg has directed and scripted. This in part explains why "Cosmopolis" is such a triumph: it...

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  • The Playlist
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    Review: 'Breathless' Wastes A Standout Turn By Gina Gershon With Half-Baked Sub-Coen Plotting

    It’s absolutely no surprise that writer-director Jesse Baget, of this week’s “Breathless,” is a massive fan of the Coen Brothers. His characters are articulate without being too bright, magnanimous despite moments of cruelty, and loyal in spite of overwhelming greed. Earlier this year, he was respon...

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  • Thompson on Hollywood
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    Now and Then: Waiting for Julie Delpy

    Full disclosure: I'm a little bit in love with Julie Delpy, sometimes unaccountably so. She's neurotic, fretful, and sharp-tongued, a femme fatale with a French accent and Woody Allen specs. Her first film as a director was a mess. And yet she keeps growing on me, a habit I just can't seem to break....

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  • Indiewire
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    Better Than 'Ted': Why 'Robot and Frank' Is The Summer's Best Buddy Movie

    If box office returns were the sole measurement of quality, then Seth McFarlane's foul-mouthed stuffed bear in "Ted" is the summer's reigning mascot. Truth be told, however, "Ted" suffers from the same loose comedic randomness that has restricted McFarlane's televisio...

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  • The Playlist
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    Review: Jean-Claude Van Damme Shines In The Moronically Irresistible Entertainment Of ‘Expendables 2’

    “The Expendables 2” is one of the very few films that gets better as it gets dumber. Serviceably directed, horribly written and barely acted at all except for a standout performance by (of all people) Jean-Claude Van Damme, it mostly delivers in the way that the original failed to, which...

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  • The Playlist
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    Review: 'Almayer's Folly' Another Brilliant, Mesmerizing Film From Chantal Akerman

    At this point, the filmmaker responsible for the much adored "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles" can do whatever the hell she wants and still retain an immense amount of respect. Thankfully Chantal Akerman is still firing on all cylinders; "Almayer's Folly" (a loose adaptation of J...

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  • The Playlist
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    Review: 'Why Stop Now?' A Compelling, But Not Always Fulfilling Comedy

    There’s not a whole lot of forward momentum in “Why Stop Now?” which is a surprise considering the immediacy-baiting title. Though the film takes place within the span of one day, the narrative feels truncated, allowing for connections to form, and then sever, over the course of twenty-four hours. I...

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