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Movie Reviews

  • Indiewire
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    REVIEW | Music & Fashion Love: "Coco Chanel & Igor Stravinsky"

    The second movie released in a year's time to involve fashion designer maven Coco Chanel, the brooding drama "Coco Chanel & Igor Stravinsky" delivers its goods on constant repeat. A fictionalization of the rumored liaison between Chanel (Anna Mouglalis) and the famed Russian composer (Mads Mikkelsen) in the 1920s, this spare, elegantly-made period piece creates a visually dazzling portrait of misguided passion. But the remarkable sights and sounds, which culminate with Stravinsky composing a masterpiece after the conclusion of his torrid affair, don't quite overwhelm the lack of story. Instead, we get continuous overstatement: Sex! Art! Tortu...

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    Big Screen | "Bone," "Joan" Give June a Critical Boost

    A unlikely duo of Sundance 2010 alums are giving this summer a much needed boost of critical acclaim this weekend, with Ricki Stern and Annie Sundberg's doc "Joan RIvers: A Piece of Work" and Debra Granik's U.S. Dramatic Grand Jury Prize winner "Winter's Bone" each beginning their limited releases c...

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    REVIEW | Where the Comic Lies: Ricki Stern and Annie Sundberg's "Joan Rivers: A Piece of Work"

    With late night television dominating entertainment headlines this year in a less-than-flattering light, the time seems ripe to revisit the public's neglect of Joan Rivers. The 77-year-old comic's reputation sank from rising star to showbiz disaster over the course of a decade, mainly due to a shift in media perspective: The subversive broadcast performer became the disastrous face of plastic surgery. "Joan Rivers: A Piece of Work," the new documentary from directorial team Ricki Stern and Annie Sundberg, initially deals with that trajectory in visual terms. The comedienne first appears in unflattering close-up, getting mobbed with make-up, l...

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    REVIEW | Drama in Absence: Debra Granik's "Winter's Bone"

    An elegant, soft spoken noir, Debra Granik's "Winter's Bone" exudes desolation. Adapting Daniel Woodrell's novel of the same name, Granik simultaneously develops a dreary backwoods environment while situating her layered story of deceit within it. Set in the heart of Missouri's Ozark woods, the movie revolves around despondent teenager Ree Dolly (Jennifer Lawrence, in a focused, incessantly serious performance), whose father vanishes after selling their house as jail bond. Serving as a surrogate mother for her two younger siblings, Ree begins a trenchant investigation into her father's whereabouts, desperately seeking to keep her family from ...

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    REVIEW | Grown-Up Fairy Tale: Neil Jordan's "Ondine"

    The era of earnest fairy-tales for children quite possibly ended with the rise of "Shrek," a cynically-minded franchise that replaced sincere, imaginative storytelling with mostly heartless parody. Even when the bitingly sarcastic approach succeeds - the fourth and ostensibly final "Shrek" movie has its fair share of pointed one-liners and clever sight gags - it sacrifices the magic of invention that made its cliché-filled target so alluring in the first place. (There's nothing wrong with liking those particular clichés when they're properly served, but even Tim Burton's visually audacious "Alice in Wonderland" was a terribly self-aware imita...

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    Fifty Years Later, Radical as Ever: Revisiting Godard's "Breathless"

    Jean-Luc Godard's "Breathless" woke me up to the vitality of film language -- and, by extension, the medium's potential as an art form. I first encountered this existential slice of genre deconstruction on VHS, a format generally unkind to preserving dated moving image experiences, but perfectly ali...

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  • Leonard Maltin
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    Catching Up

    This is a momentous week for me: we’ve just finished the new edition of my annual paperback Leonard Maltin’s Movie Guide—the 2011 Edition, to be specific. In this era of instant communication the process of writing, editing, and preparing a book seems quaint at best, and cumbers...

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    Big Screen | Jeunet's "Micmacs" Hits America

    With "Sex and the City 2" continuing summer 2010's now month-long tradition of Hollywood films sucking, what better weekend to turn your summer filmgoing over to the art house? Though with films like "George A. Romero's Survival of the Dead" and "Agora" getting similarly horrific critical responses, perhaps it's just as bad on the other side. There is one arguable glimmer of cinematic hope this weekend though, care of the divisive magical realism of Gallic director Jean-Pierre Jeunet ("Amelie," "A Very Long Engagement"). His "Micmacs," a comic satire on the arms race, premiered at last year's Toronto International Film Festival and is being r...

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    REVIEW | Amenabar's "Agora" Rings Hollow Despite Visual Shock and Awe

    EDITOR'S NOTE: This review was originally published as part of indieWIRE's coverage of the 2009 Cannes Film Festival. "Agora" opens in theaters this Friday.

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    REVIEW | Business or Pleasure: Mia Hansen-Love’s "The Father of My Children" Twists the Dark

    This review was originally published as part of indieWIRE's coverage of the Toronto International Film Festival. "The Father of My Children" opened in Los Angeles last Friday, and debuts in New York City this week.

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