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Movie Reviews

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    Big Screen | Cholodenko's Anticipated "Kids" Opens To Raves

    One of the most anticipated specialty releases of the summer, Lisa Cholodenko's "The Kids are All Right," finally arrives in theaters this week amidst a batch of newcomers that also includes Ben Steinbauer's festival circuit favorite "Winnebago Man" and the sequel to "The Girl With The Dragon Tattoo...

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  • Leonard Maltin
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    Cartoons Forever!

    As Toy Story 3 racks up some of the best reviews of the year, I’m pleased that so many critics have taken time to make note of the innovative short-subject that accompanies it. Day & Night—which is so clever it’s almost impossible to describe—is the work of an up-and-c...

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    Book review: Shoot The Rehearsal!

    By Rudy Behlmer (Scarecrow Press)

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    Big Screen | Three New Specialty Releases Provide Counterprogramming to Latest "Twilight"

    While the nation's "Twi-hards" continue to line up to see the latest Stephenie Meyer "Twilight" adaptation as they did last night for the midnight premiere of "Eclipse," three films open in limited theaters this week. Taylor Hackford's melodrama "Love Ranch" is likely to draw the biggest crowds of t...

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    REVIEW | Youthful Whimsy from an 88-Year-Old Legend: "Wild Grass"

    Like the 102-year-old Portuguese director Manoel de Oliveira, the 88-year-old Alain Resnais gets a lot of publicity mileage out of staying active in his old age. While seniority hardly necessitates critical leniency, the most impressive aspect of "Wild Grass," Resnais's twenty-fifth directorial effo...

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    REVIEW | Parental Lies: "Dogtooth"

    The Greek thriller "Dogtooth" has an original premise that should pique interest for the sake of its ingenuity alone, but the major accomplishment of director Yorgos Lanthimos's Orwellian story emerges from a careful navigation of moods. Few movies convey such a deeply unnerving atmosphere in nearly...

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    Big Screen | "Dogtooth" Leads Trio of Critically Acclaimed Openers

    After months of scarce offerings of critically acclaimed films, June has certainly proved 2010's MVP. From "Joan Rivers: A Piece of Work" to "Cyrus" to "I Am Love" to "Winter's Bone," arthouses have been packed with critic-approved fare (and in turn, they've also been packed with audiences). And come Friday, another batch of worthy filmmaking will join them. There's Alain Resnais's 2009 Cannes Film Festival entry "Wild Grass," which divided critics at Cannes, but those who loved it really loved it. There's Sebastian Junger and Tim Hetherington's Sundance Grand Jury Prize winning doc "Restrepo," which was a favorite on indieWIRE's poll of S...

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    REVIEW | Living in the Present: "The Imperialists are Still Alive"

    Records of post-9/11 Middle Eastern life have been virtually absent in Western cinema for obvious, if deplorable, reasons. Zeina Durra mercifully comes to the rescue with a sharp contemporary yarn sporting an appropriately alarming title: "The Imperialists Are Still Alive!" The first-time director's...

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    REVIEW | The Toxic Avenger: Josh Fox's "GasLand"

    This review was originally published as part of indieWIRE's coverage of the 2010 Sundance Film Festival. "GasLand" premieres on HBO Monday, June 21st.

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  • Leonard Maltin
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    Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast At Tiffany's, And The Dawn Of The Modern Woman

    by Sam Wasson (HarperStudio) This splendid new book is more than a mere “making-of” chronicle. It examines Breakfast at Tiffany’s in a variety of contexts, including the careers of its principals (Truman Capote, Audrey Hepburn, Blake Edwards, Henry Mancini, Edith Head, et al),...

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