Like many, I eagerly anticipated the premiere of the show Scandal. A beautiful, black woman who is a power player in D.C., it had me chomping at the bit. With all of the strong television shows for women (Homeland on Showtime, The Good Wife on CBS - although, I don't know why the woman of color on that show has to bed everything with legs), I was hopeful. There has been no shortage of shows where white women get to dangle their brilliance, their prowess, their wardrobe. So, I was like a child on Christmas Eve. Not since 1974 has a TV drama had a black female lead character. And, this is a far cry from Get Christie Love. Certainly, we are well beyond the days of, "You're under arrest, Sugah!" Or, are we?
Before you go sucking your teeth, rolling your eyes and screaming to the heavens, "why can't black people leave "successful" black folks alone?", hear me out. I think there is an opportunity here to encourage the writers of the show to be bold and courageous. I am rooting for the show to succeed, but, the creators have to be fearless and let Olivia Pope dominate.
The first show left me a bit dizzy. I tend to tune out when the dialogue is coming at you like rapid fire in an inner city war zone. But, I understand, in the first episode, there was a lot of exposition to cover. I forgave it. I checked in with my Actor sisters to hear their thoughts. They weren't so taken with Kerry Washington, but, I was eager to see her chops. And she is captivating. The show is designed to showcase her beauty. That is achieved without question. Considering we've spent the majority of the time studying every crevice of Kerry Washington's face, we can all agree that she has a face sculpted by the gods.
And the second episode, when Olivia Pope (KW) is on the park bench "schooling" Amanda Tanner, KW showed her chops. She descended on Tanner like a drone missile. I haven't yelled at the TV like that, since Michael Jordan obliterated the basketball court. In that moment, Olivia Pope established her skill set, her power, her uncompromising commitment to her work, her character, her grace under fire and it was stunning! Stunning! There was no finger waving, no back and forth head motion, no pulling of weaves; it was pure and uncompromising intelligence. She wasn't anyone's (basketball) wife, she was in complete possession of herself. And dressed to the nines while doing it!
I was even pleased with the delivery of the twists and turns toward the end of each episode. The fierce leftist politics. Yes, they are. The complex storyline of the black woman in love with the republican president. There was a lot of information being delivered here, and Ms. Shonda Rhimes was not waving any race banner. That made it all the more engaging. Olivia Pope is vulnerable, caring, wise and sharp - these are the black women I know. These characters have reached the upper echelons and are consumed with the things that get us out of bed every morning; love, work and passion.
So, what went wrong?! I was not a fan of Ms. Shonda Rhimes prior to Scandal. However, I am happy for all of her success. I respect her intelligence and (TV) acumen. And not in the way that people praise Tyler Perry. They condemn his work but laud over him because of his achievements. I believe in quality execution. And if it isn't there, I don't care how many gazillions of dollars you make, I will not curtsy in your general direction. I don't simply support because it's black. It's got to be well done. Ms. Rhimes is a bit too 'soap opera-esque' for my taste. The 'soap opera' aesthetic of Grey's Anatomy leaves me cold. That style undermines the strength of the characters (women, especially) and renders them sheepish.
Having gone through NYU's graduate film program, one comes out with a very sharp, critical eye. I'm fortunate to do script analysis for private clients. One thing I note with my female clients, is that it's hard for us to keep a woman character as lead. Usually, the female will partner with a male (either in work or love) and the male will eventually become the lead or takeover the storyline. It is very difficult for women to keep a strong, female character at the center of the story. This seems to be the case here. By the second to last episode, I did not know if 'the president' or Olivia Pope was the lead. It's a very subtle dynamic. 'The president' took the lead in their interactions. He asked for 'the minute'. He showed up at her house. He was making the choices. The lead has to make the choices, otherwise, they become a 'passive' character. Olivia Pope, who started off the series fully in charge, had become a doe-eyed mistress. How did we get here?!
By the last episode, Olivia Pope was grabbed on the arm by "the President", read by the first lady and barely uttered a word. Kerry Washington did what she could with what she was given. But, I didn't know how much longer KW would be able to pull off the teary-eyed, emoting in lieu of dialogue. There were a few moments in the last episode that were truly troubling. When they were trying to clean up Gideon's apartment, Olivia Pope grabs the phone and alerts the police. Huck (played by Guillermo Diaz, who wore a ridiculous wig in a previous episode, that would have worked in Get Christie Love) then alerts everyone that the cell phone had not been recovered, undermining Olivia's decision to call the police. It's a simple moment that spoke volumes.
In the season finale, "the president" walks in and the "first lady" schools him on how they will proceed. And this came after FLOTUS schooled Olivia Pope. This was particularly demeaning. "The president" enters, we see the first lady and then Olivia Pope quietly stands up and has her head bowed in the corner of the frame. I'm like… what in the hell is this? This woman has gone from fierce control to utter shame. That is the series climax?! I'm sorry, marching around in a nice wardrobe with an overwrought soundtrack and the security guard saying how impressive you are, gives the illusion of power. Olivia Pope was severely underwritten. The show went off the rails, not quite back to the days of Sally Hemings but close. Perhaps, a friend explained, the ratings weren't great, so the creators put the "white characters" at the center. Not sure. Whatever happened, they have to fix it. Ms. Rhimes has given us great expectations. And we want Olivia Pope to reign supreme.
Some thoughts:
1 - A support system for Olivia Pope outside of her office (a family member, sister, brother, old college roommate… someone that she can commune with beyond the office), open up her world. This will give us a sense of her inner life, what sustains her, what motivates her.
2 - Let Ms. Pope control the interactions with her lovers. Don't allow her to be a woman of straw that bends in whatever direction her lover needs.
3 - Invite us into her background (childhood, teenage years).
4 - Take her out of the U.S. (always wonderful to see a woman abroad, out of her element, but, in control).
5 - Squash the relationship with the president. It's done. It's not that interesting or believable. We will learn much more about her as she attempts relationships with other, less powerful, men.
6 - For me, please do something with the black male "gladiator in a suit" (what happened to that phrase, anyway?). His fast talking, few minutes of screen time has become an annoyance. I know the brother has range, so slow his talk down and give him an interesting storyline. We have experienced everyone's story but his.
7 - Be fearless. Let Olivia Pope run the show. Don't let the show run her.
The show is exciting, tantalizing, intriguing but, in need of a stronger lead. Pope can be etched in stone with Kojak, Columbo and Tony Soprano if the creators stop pandering toward what America will accept. Imagine - more Barbara Jordan, less Sally Hemings.
Follow Tanya Steele on Twitter at @digtanya.
242 Comments
Karen | February 19, 2013 11:28 PM
Many thanks for your hard work. I am sure I haven't been the easiest client for you and I want to apologize for all the emails I sent you and all the questions I asked you. You have been great in reassuring me, in giving hope, and finally in bringing back the love of my life. For this I will never forget about you Dr. Lee of the Ancientfathersandmothers@gmail. com
Muse | September 19, 2012 11:51 AM
Now that Scandal is making its way back to the airwaves in a few weeks, it's time for the moderators to spray the spam roach spray to kill the last few comments, and make way for fresh new commentary.
Well | July 2, 2012 5:35 PM
O.k. all I get it - we want to stop the whole black girl, sleeps with white man (no more black whore depictions). However, while this story may be a far fetch to what is real - who knows how this story was derived. Typically all fiction comes from a conglomerate of what is or has been real life. Everything black can't be Cliff and Claire Huxtable - truthfully, that was probably more unreal in the Urban black community but two-thumbs go to all positive African American images. Nevertheless, there are all kinds of people in the world and a person has to decide from themselves, their children - who or what they will emulate. An individuals personal life is just that it is personal, if Kerri were a real person and likely is a type of person that does exist - why would we all care who she slept with or didn't? I suppose this is what it would be if Monica Lewinsky were a black girl? In any case, let the show evolve into what it shall be a few episodes in not enough to decide the show is bad. We need a whole season. IJS
2SENSE | June 15, 2012 7:40 PM
1st of all, I LOVE this show. Omigod, I dashed home Thursday nights to watch it like my life depended on it. The 8th week VOID sucked. Shondaville people, y'all are wrong for tantalizing, hooking, addicting, and then dropping your NETWORK TELEVISION fans like that. Y'all ran with only seven episodes of your riveting, naughty-as-the-dickens, ways-to-SCREW-the-US-Presidency kitsch! Surely y'all got a load of that Ken Starr, real life shagfest that made the men & women protecting Clinton's presidency cringe, right? So, y'all had to know you were going to get some fans. But, y'all didn't put your treats on PBS or CW with mini-series. So, WTF!!! I would like MORE per season, please.
Now, I didn't know the last TV drama with a "black female lead" was 1974. If that is true, there hasn't been one in my lifetime. "Scandal" does not have a "black female lead." I mean that hotter-than-an-oil-fire MIND on Quentin Tarantino made "Jackie Brown" for the motion picture screen. That was driven by and all about the title character, like "Grey's Anatomy" or "The Good Wife" is.
"Scandal" is not titled "Olivia Pope." It's probably named "Scandal" for the perpetually jacked up stuff in it. Other characters get way more sex than Pope and with lethal ramifications. Pope seems to stop only at whacking folks to clean up the filthy rich and powerful's messes, unlike other pit-bulls in it. Beyond that, there is the threat of what Republicans do to MARRIED politicians (including their own, real and fictional) BUSTED for having sex with the help.
So, what is "black" these days? Some of my ancestors traversed Africa long enough to concentrate melanin and for their skin pores to FLATTEN and prohibit the escape of life sustaining moisture--the better to protect their internal organs with. Ergo my skin looks caramel and my native hair is of the supercoiled, gift ribbon variety that forcefully extrudes out of those pore "slits"âlike after a straight piece of ribbon is yanked between a thumb and the sharp end of a scissor blade.
I can't say I know enough about my centuries of American ancestors to specify myself as half-breed, quadroon, octoroon... Yet, given who I am, I just wonder if there will ever be a time that we are far enough past ante-bellum, trans-atlantic African slavery ECONOMIC fallout on the American psyche for ALL COUCH POTATOES to actually comprehend content of fictional character. In that America, maybe TV dramaS with a beautiful, black, female lead would annually appear on network TV. That public probably won't regard the sophisticated, multi-cultural "Scandal"âwith its extraordinarily beautiful, intelligent, black, and female private business OWNER roleâas the same thing.
bubby | June 14, 2012 2:20 AM
I stopped watching the show after the 3rd week. I just didn't like how they made her seem weak and sort of like an high class call girl to the President. Shame on S. Rhimes. All this power to bring compelling women of color to the screen but being guided most likely by the hollywood suits. I threw up in my mouth during the scenes with the President. Mr. Rhimes, get your shit together. And stop thinking like a white man. People need to show people of color with some dignity
smile | June 12, 2012 7:42 PM
The last episode did an excellent job of setting up the audience to really want to watch the next season. This was the overall goal of that episode. I believe the show has excellent ratings; which is why it was picked up again. Also, the romance between the president and Olivia is not meant to be about race. I believe that Miss Rhimes is trying to reach a global audience and that the romance has a lot to do with the success of the show and its ability to pull in more viewers. If you want to bring up race; there are undoubtedly many professional black women who have potential romances with white powerful men; partially because of the lack of black men in that position. The show is excellent and the lead is clearly Kerry Washington during every episode. Shonda Rhimes is moving mountains for many actresses with the creation of this role and she has done an excellent job.
Kid chaos | May 29, 2012 2:55 AM
Sad many black women want that white man to take them away.You must think to yourself what kind of white man wants a black woman?
Sandra2 | May 27, 2012 2:44 PM
One thing I forgot to mention in my post below about the Olivia/Mellie scene is that sometimes as an actor, you have to stand back and let your partner step to the forefront. It's not about you trying to compete for attention but rather letting the other actor who has some dynamite lines shine in a way that he or she may not always have the chance to do. Kerry Washington is without a doubt the star of Scandal and in less skilled hands the scene with Olivia and Mellie would not have worked as well. She recognized that for that scene, Olivia had to stepback and let Bellamy do her thing as Mellie. Shonda and her writers wrote a killer scene with some killer lines for Bellamy. They wrote the scene in a way that both Olivia and Mellie showed their strength but underneath it all it was still about Olivia doing her thing. And luckily for the audience we had two very talented actresses who did justice to the scene.
Sandra2 | May 27, 2012 1:10 PM
There are a lot of issues I see with your thesis that makes me wonder if we watched the same show. I'm not a scriptwriter but it was pretty easy to follow the steps in the story as lay out by Shonda and I don't understand how you missed them. Others have addressed many of the issues I have with your argument already so I won't go into them again except for two points.
1. FLOTUS did not schooled Olivia. I am really amazed that some have missed the essence of that scene. Yes, Mellie had the showcase lines in the scene but like with her lie about the miscarriage, those lines were more about showing the audience the lengths that she would go to become and retain her position as First lady. Olivia was the one in charged of the outcome of that scene and the solution that they came up with. Donât forget that Fitz was ready to give the presidency up for Olivia! Ignoring that rather BIG detail is pretty glaring but lets leave that alone for a moment and consider the other major aspect of episode 7 as pertaining to Mellie, Fitz and Olivia.
Mellie's solution was for Fitz to lie and say it was not him on the tape. When he said that he wouldn't do so, Mellie told him that he was on his own and started packing to go back to California. Basically, she gave up and was ready to cut and run from a sinking ship. What happens then! Well in walks Olivia to offer Mellie a deal. The writers even had Olivia show up as Mellie was packing to emphasize the fact that since Fitz had decided not to lie as Mellie suggested, she had no more cards to play and that is why she was heading back to CA. However, because Fitz was willing to give everything up for Olivia, the control was with her and not with Mellie. It's on her choice that his presidency either survived or fell.
So what is Oliviaâs choice! Well she decides that for the sake of the country and also because of her love for Fitz and her belief that he will be a great president to give him up. Olivia then goes to Mellie to make a deal to save Fitz's presidency. Don't for one minute think that it was Mellie's idea to say that she was the woman on the tape. That idea was totally Olivia! Don't forget that we were already shown that Mellie's idea was for Fitz to lie. Olivia went to Mellie to make a deal and she knew going in that she would have a deal because a woman who would lie about a miscarriage to get to the white house would have no problem lying about being the one on the tape in order to keep that same position she plotted to achieve.
Yes, Mellie had the showcase lines but it was Olivia in control of the result. Even Mellie saying that it was time for her to take her husband back had no real merit because there is no way that she could have taken Fitz back if Olivia had decided to hold on to him. The only part of the solution that was probably Mellieâs idea was the baby angle, which I think she threw in as a way to stick it to Fitz and Olivia. However, Olivia again who solved the crisis and the writers even had Mellie point that fact out as she was leaving the room when she said âAs I always say, whenever you are in trouble, put Olivia Pope on itâ or words to that effect.
Tanya, I think that you like some others looked at the showcase lines from Mellie and totally missed the true dynamic of that scene and that is why I donât agree with your thesis.
2. The other issue that I have with your thesis is that you even mentioned Sally Hemmings as part of justification for your argument. I am so tired with people comparing Olivia and Fitzâs relationship with that of Sally Hemmings and Thomas Jefferson. Other than Fitz being a white president and Olivia being the black woman .he had an affair with, the comparison is tenuous at best. First, Hemmings was a slave and had no control over her life or destiny. Secondly, she was a young teenager when her affair with Jefferson started so I doubt that it could have been called a love matchâ¦in fact, it could arguably be called a lot worse. Olivia and Fitzâs relationship on the other hand started with they were both adults and in full control of t heir lives. They have also been written as obviously in love with each other and Olivia is arguably the most powerful woman in DC because of her job, connections, and the presidentâs feelings for her. It makes no sense for people to try to reduce Olivia to a Hemmings type character and Iâm so tired of it.
JrGladiator | May 27, 2012 1:56 AM
Thanks to STATIC_CLING for a fair appraisal of the situation. I am wondering if Tanya Steele may need some therapy or simply more education and life experiences... When is the last time that you were in love? Have you ever loved anyone that, for one reason or another, is essentially unattainable due to circumstance? Like BOOKWORM stated, you are looking for reasons not to like the show. It's sad. And a little pathetic. The show is flawless. Find some other show's nonexistent flaws to harp on...
STL | May 25, 2012 5:58 PM
Tanita, stop hating. Scandal is the Cosby Show. This is politics baby and the dynamics are such that it is, in reality, all of the things you are critical of. That's life chick. It's not perfectly scripted.
Tanita | May 25, 2012 4:38 PM
I can appreciate this post to a degree. For one - I enjoy watching this actor perform (without the close up of almost coming to tears). However, as I watched the show it took me back to why I could not swallow her character in "The Last King of Scotland." For me, I am young and married to a black man and we have 3 daughters and we struggle to find prime time representation. And so...Scandal seemed cool to tune in to. Anyway, without getting too PC, I really like Oliva Pope. She is the best thing to happen to the administration and she is in charge of her destiny. I get the "we are in love" plot. I just wish Shonda Rhimes would write that factoid BOTH ways.
If it persists, then what we should see unfold is; the President will resign, divorce his nagging un-attractive wife, get a condo in Mid-town Manhattan with his new mulatto family and blend into the fabric of the "regular life" he wants, with the love of his life! He could bank from writing a book about the whole thing and be set. She could go onto write a book AND still be hired to manage anyone's campaign in the future.
If we do not see this happening then, yes it becomes unbelievably romantic and sends the wrong message that black women are super vulnerable when it comes to white men and we out of touch with reality. This is the same unrealistic romanticism I see in Private Practice. There is some gritty-ness to the language that I connect with and like to engage in. But then there is the overcast of "this makes no sense" when it comes to relationships and the people involved. The finale shows Olivia hand in her pass to the security guard(who earlier inadvertently tells her to do what she can to fix the blunder of possibly loosing the only President who "asked him about his family"). He looked perplexed at the laminate...is she resigning? To go away and have her love-child alone (soap opera requirement)? Is she taking the route that is now the norm for black women today - Is she to collect child-support/quiet money for the rest of her and her child's life? Either way - not looking good for us colored girls. Again.
Melissa | May 25, 2012 3:50 PM
"The trouble with Tanya Steele's highly subjective and inconsequential opinion piece"... As an African without any known slavery connections, I am wondering why Tanya why? Sally Hemmings? Really? I can see why that comparison would offend people. So every black women who displays the feminine wiles and flaws in the presence of a Caucasian man she is attracted to... is a Sally Hemmings? That woman had no choice in her liaison with Jefferson. And why do you have to take things back to slavery?
Static_Cling | May 25, 2012 3:36 PM
I respectfully disagree with many of the author's comments. KW's character, Olivia Pope, is in love with a man who happens to be the POTUS. Love will make you act out of character. A strong, dominant woman calling the shots will let down her guard with the man she's in love with and occasionally act uncharacteristically. It's just being in love. I highly disagree with the comment that Olivia's relationship with the POTUS is not interesting or believable. What show is the author watching again The "Scandal" that I'm watching has my screen on fire with the chemistry that exists between KW and TG who plays the POTUS. Their attraction to and genuine like for each other are what makes their characters work and have viewers rooting for them despite the fact that it's an adulturous affair. Olivia's character cannot be the dragon lady all through the show. How boring and monotonous is that? She should be allowed to have her vulnerabilities, one of which is loving the POTUS. No one wants to watch her be hard and 100 all the time. SR wouldn't dare end the relationship between Olivia and the POTUS because that dynamic is why most people have tuned in and love it. She will likely get another love interest next season who's single, and that will add some interesting tension. I agree that perhaps a character could be introduced, like a family member, to give a glimpse of Olivia's personal world and to show a different side of her vulnerability. It's totally okay for that character to have those vulnerable moments because she's already shown and proven her mettle as a fixer. Plus, I don't see Olivia as a Sally Hemings. She's not subordinate to the POTUS like that. Olivia turned around his failing campaign and got him elected. How is that the embodiment of an enslaved mistress? She's in love with a man who's unavailable, and if anything, the POTUS has been more demonstrative and vocal of that love than she has. Ethnicity is not a factor in their relationship, which is awesome. They have enough to deal with. Please, let's not be overly critical and give "Scandal" room to grow.
Kia | May 24, 2012 9:58 PM
Thank you Tanya for posting this. If there is a petition going around to Keep Olivia Pope Fierce, I will be the first one to sign. Agreed... please for heaven's sake drop the President love subplot.
Wanda Leverette | May 24, 2012 9:15 PM
I m catching up on the last episodes I missed and the OP of two years before is much different from the one that crumbles whenever the President is around. The woman she is as a leader shouldn't turn 160 degrees whenever the old boyfriend comes into the room! It's out of character. I hope the next 13 episodes gives Olivia a backbone with the POTUS!
Ronald T. Jones | May 24, 2012 9:08 PM
My name is Olivia Pope. :)
tt | May 24, 2012 6:11 PM
I like Shonda Rhimes up tempo diologue/monologues. Through those moments you learn from the characters and begin to identify with them. That is why they were written in the first place. But sometimes, if you are not fast paced, or it takes you a while to 'get it' - I do understand the frustration.
Teams are just that- teams. Everyone places a role and you get to know each one, and value each person w/in the team. Although KW plays a large role -but she isn't the cast. A real leader - is one who will allow others on the team to step up. A real woman- is someone who is vulnerable, loving, and sensual. And just because the woman may be on her own doesn't mean she cannot be those things. Who wants to be around someone who is hard (domineering) all the time? Who wants to work with someone like that? That definitely doesn't produce loyal workers. Just saying.
Bookworm | May 24, 2012 12:58 PM
I think you are looking for reasons to dislike the show.
The fast pace of the show is what it is. We walk into any law office (I've interned at one) and nothing is slow. People are talking fast and throwing papers by the dozen in your face. Olivia and her team talk fast but they are efficient. You get the words because they speak clearly and maybe once or twice it was really mumbled. I think the cast is great at it!!
I thought the scene with Amanda was great but it also showed Olivia's heartless side when it comes to Fitz. Like Cyrus, they seek to protect him and Olivia was unreasonable since Amanda did indeed sleep with him; though she was sent in.
I don't think going to NYU's graduate film program makes you any one fit to judge a TV show than others. It just means you are petty when it comes to things; makes for bad reviews-they are less fan like and more critical "tight collar" like.
They are both the lead but Olivia is the main character; she is fierce and in control of her professional life but she is flawed in her personal. The weekly cases and her helping the President at the end shows that she is dominate woman with control and power in her job but she has a heart that is conscious and in love.
Also, I think you were petty with the "undermining Olivia's decision"; Olivia wanted to call the cops and Huck, being the ex CIA he is, knew he needed the phone; he mentions it and says that we have to get it, I don't see how he undermined Olivia in that sense. They are very much a team where everyone has their strong points and contributes. Olivia is the head who makes the biggest decisions and pulls them all together but this is far from a dictatorship of Olivia Pope.
I do not think the First Lady was demeaning; she is the first lady and at the end of the day Fitz wife. Olivia and Mellie are very much on even playing field but Mellie is far more bloody thirty for power and Olivia did come to here wanting to make a deal; she got the deal of her life by playing with the She-Devil. Mellie is the perfect villain and it was a matter of time before her and Olivia showed down.
Anyone who is fan can see that Olivia, at the end of the day, is very much in control of the situation. I do believe she "fell back" for the sake of Fitz career but if and when she wants, Fitz will drop everything to be with her. Only Olivia can really help make a plan and Fitz will follow through. We saw that when Mellie told him to lie in the beginning of the episode and he basically told her no, he's not her. But an "Olivia made plan" clearly has a different affect.
As for the main character; Its still very much Olivia and ABC keeps all the promotions with Kerry. Ratings have been pretty good for the May Sweeps and Scandal topped all of their season ratings with the finale; it also earned them a Fall Spot.
Also the Sally and Olivia comparison is insulting.
Clearly you want Olivia to be the "strong black woman" stereotype instead of the regular, soft woman who is in love with a man and has her weakness. I don't need her whole background as I don't feel it matters when it comes to who she is, the fixer. She doesn't have to be "Miss Independent" and "not need a man". That would make her Mellie. I love that Olivia is a confident, smart and classy woman who is clearly feared out of respect by her peers. She is also soft and clearly feminine ; Kerry has a vulnerability feel to her that makes Olivia seem very docile but yet powerful.
Logic | May 24, 2012 10:47 AM
Having read this again, I can't say I understand what got people so up in arms. At this point I just have to doubt that just a lot of people critiquing - a polite word for it, as some of you are plainly leveling low blows and cheap shots - Ms. Steele skimmed the article and jumped into the fray. Some plainly misunderstood: "I just don'Ât agree with or understand your criticism. Why do you think women must Âalways lead"?... As a highly ascended corporate female professional myself, I can tell you from experience, ÂÂWe don't always lead." Assuming that was in response to this portion of the article, "It is very difficult for women to keep a strong, female character at the center of the story. This seems to be the case here. By the second to last episode, I did not know if 'the president' or Olivia Pope was the lead. It's a very subtle dynamic. 'The president' took the lead in their interactions. He asked for 'the minute'. He showed up at her house. He was making the choices. The lead has to make the choices, otherwise, they become a 'passive' character. " My answer to that poster is that this is screenwriting 101. One of the first things you're taught (I also studied at NYU, though I won't attest to having emerged with anything more than a degree and debt) is that the protagonist of the story must drive the action, whether they're male or female. Simple. Nothing personal. Now just because Ms. Steele is offering a critique of a show featuring a black woman lead/created by a black woman doesn't mean she's invalidating the lives and/or choices of black women who can relate to her. We're not on trial. And can we get to the point where a black person can offer an honest opinion on another black person's work without being labeled a hater or getting hit below the belt? It's starting to get ridiculous.
sandra | May 24, 2012 10:07 AM
@The Great CareyCarey says: " The opposing voice would have you believe that every black women is down with the sistah going down on the white man's "crown"... Down at the peepshow [Scandal], watching all the creeps..." *************** Do you even watch this show? Why are you being so crass toward black women who like this show? You need prayer! LMAO
sandra | May 24, 2012 9:56 AM
@Bondgirl - Yup, I remember reading that Shonda based "Scandal" on a British series format.
CareyCarey | May 24, 2012 9:39 AM
"Wow... where are all of the sensible posts from yesterday (such as TRUDY'S) and why have we been left with equal parts drivel and equal parts sensibility~ Nadine". That is a perfect segway to the belly of the beast. ***READ THE FOLLOWING 178 COMMENTS AT YOUR OWN RISK*** Some women would have you believe the author of this article in the boogieman. Yet, she's actually a very sensible black woman who others have found fault with. Her balanced critic of the new tv series Scandal has sent many black women over the edge. The opposing voice would have you believe that every black women is down with the sistah going down on the white man's "crown". Which most sensible black folks know is simply not true. They will also wax poetic in an effort to pursuade others that adultery and colorblindness is great entertainment, and thus, anyone who disagrees with their vision of fun and happiness is obviously standing on the wrong side of the fence. Yes, those who differed with the author will sling mud, take cheap shots and vilify her in a disgraceful attempt to discredit her name. Along the way, it's their hope that you'll be afraid join hands with the author for fear of "guilt by assosciation". SO BE FORWARNED! ENTER AT YOUR OWN RISK. Until then: Food For Thought. It's like a jungle sometimes it makes me wonder how I keep from going under. Don't push me cause I'm close to the edge, I'm trying not to lose my head, ah huh-huh-huh. It's like a jungle sometimes it makes me wonder how I keep from going under. Down at the peepshow [Scandal], watching all the creeps so she can tell the stories to the girls back home ["me and my professional girlfriends all LOVE this show!!"] . My brother's so sad bout my mother's TV, says she watches too much, it's just not healthy "All My Children" in the daytime, "Scandal" at night, can't even see the game or the Mayweather fight. A child is born with no state of mind, blind to the ways of mankind [All those people can't be blind and misguided. There's something about the Scandal that is connecting with many women. And, the criticism in this article is tired] God is smiling on you but he's frowning too because only God knows what you'll go through. You'll grow in the ghetto, living second rate. And others will sing... placate, and emulate, the white man, it's great. The places you play and where you stay, looks like one great big alley way. You'll admire all the number book takers, thugs, pimps, pushers [Movie's stars] and the big money makers [ Rhimes is a genius] driving big cars, spending twenties and tens. And you wanna grow up to be just like them, huh. Sleeping with a married man-her, scramblers, be damn-her, peddlers even panhandlers. You say: âI'm cool, I'm no fool! and everyone should join me in this school - of - thoughtâ But then you wind up dropping out, divorced, lonely and tired, no clout. GRANDMASTER FLASH - THE MESSAGE
sandra | May 24, 2012 9:14 AM
@NADINE - Oh snap! You're on fire. Nothing but the truth.
From Tokyo | May 24, 2012 3:33 AM
"I don't simply support because it's black. It's got to be well done."
This. Supporting well-done media, regardless of race or whatever else, would hopefully encourage the creation of more well-done media. I fervently wish we could do this en masse, so that whether it's a deep, thought-out drama or an action flick, it could still be well-done. Just because a tv show, song, movie, etc. serves a purpose, it still should serve that purpose well.
That said, I have not seen the show yet (not broadcasted here), but because of this site and articles either way about it, I've become curious. If I can find it, I'd like to watch it and see for myself.
Nadine | May 23, 2012 7:52 PM
Wow... where are all of the sensible posts from yesterday (such as TRUDY'S) and why have we been left with equal parts drivel and equal parts sensibility? I would like to reiterate, very important, that your "interpretation" of the "clean up" of Gideon's apartment is wholly incorrect. Please see the final episode at the 7:20 mark. Olivia asks Huck, "...we good?", Huck replies, "We're good.", Olivia asks again, "...we sure", and then Huck's final reply is "We're good.". The scene moves on and Olivia calls 911... Huck then remembers the cell... it was Huck's error (he just didn't own it), not Olivia's fault ...at...all..., so if that scene, that "simple moment" spoke volumes to you... you should rest at ease. I do believe that it would be irresponsible for you to keep that portion of your article up, though, as it misleads the many readers who have not actually watched the show. Tanya, I find that misinterpretation as careless as the title and perspective of the article (changing the title of the article would help to silent the false "alarm" set off unless that was your intention). Tanya, I get the film school eye, but it is also seems clear that you could be more seasoned. Your lack of understanding regarding the feat Shonda Rhimes undertook in successfully condensing a major storyline of such magnitude with ancillary characters (and tangential arcs) whom we, the audience, are supposed to care about (let alone breaking barriers with a Black woman lead character in Obama's Amerikkka) within a 7 episode "season" is short-sighted and near negligent. Your request for more Columbus Short is also unfortunate. Honestly, any seasoned writer, or patient viewer, could see how Rhimes was quietly developing a connection between Quinn and Short's character. The show opened with Quinn and Short's character (Harrison); as Quinn's character develops next season, we will, obviously, see a heck of a lot more Short. I loved his role and liked how, in the few short episodes, they were able to establish his reliability, his personality, his maturity, yet his junior status which works well since before Quinn arrived, Short's character would have been "the baby". I loved that, for me, it was clear that Short's character (Harrison) was going to be given the opportunity to grow next season, so my interest in the Quinn storyline has more to do with the development of the Quinn/Harrison dynamic (which I'm excited to see... I find their relationship to be very sweet and also perfectly staged for a wonderful dynamic next season). This sense of urgency in moving the storyline is something I often see as a major fault in up and coming filmmakers. They want to tell TOO much story and haven't really learned that drama can be quiet. Drama can be established and LATER USED to make what would be seen as a more pedestrian storyline... e.g. "Oh, Olivia's got a new boyfriend", where everything is riding on the casting of the actor, their chemistry and more blah boring stuff, to a more layered storyline, "Oh, Olivia has got a new boyfriend who once consulted for Senator Gonzales who ran against Grant and so on and so forth...". Scriptwriting... is a weakness I'm seeing a lot more of, and this lack of patience is a major contributor to these issues. Rhimes is a genius. I'm not even going to break down why, but Rhimes has been patient, the tortoise, and won.
Nicole | May 23, 2012 7:01 PM
And here I thought this post would top out at 100 comments. 165(166) and still going strong.
Solaam | May 23, 2012 5:20 PM
Why did this article create anarchy?
Dankwa Brooks | May 23, 2012 4:32 PM
WOW! 156 comments! #ThatIsAll
MOGAL1 | May 23, 2012 3:05 PM
Tanya were we watching the same show?... Because me and my professional girlfriends all LOVE this show!! We love it's characters and it's story line(s). I just donât agree with or understand your criticism. Why do you think women must âalways lead"?... As a highly ascended corporate female professional myself, I can tell you from experience, âWe don't always lead.â Nor do we always want to â the Smart ones allow those around them to lead when necessary too. They also realize their idea is not the âonly ideaâ or always the âbest ideaâ for that matter. What I can tell you is that we do âwant to WIN!â And thatâs what Olivia Popeâs office does each week. WIN! Next, why can't Olivia make a bad choice in who she falls in love with - women do it every day - Even smart women? For the story to have credibility the "President of the free world" would NOT be someone who "only takes orders from Olivia Pope! Come on⦠Now regarding the lines/delivery, really, you donât like the delivery? I love the rapid fire delivery of the lines - It puts pace in the story and the show, "if you don't pay attention â You will miss it!"... That's what happens in high power jobs!! I know â Iâve got one. Itâs "keep up, or get run over - left out - or fired!" I actually agree with your comment wanting to see more back-story about Oliviaâs childhood/background. How did she become the power player that she is? â thatâs usually an interesting story too. The back-story and her inner circle of friends probably will be covered in the future of the show. I donât think that you can disclose this kind of detail in a mere 7 or 8 episode. I predict that we will not discover much in the friendâs area because women (people) with jobs like Olivia Pope "usually" find that the people they work with also become the âfriends & familyâ that they socialize with. Why? Because they can't speak freely to outsiders about âwhat theyâre doingâ â âwhat's really going on with their clients businessâ Itâs the kind of confidential information that everyone involved KNOWS they cannot share outside the office or it would all be sold to TMZ and they would be fired. Can you say âClient- Lawyer confidentiality?â Tanya, bottom line is SCANDAL, is a great new show so âDonât Hate!â
rozzjack | May 23, 2012 2:10 PM
I disagree with you Tanya. I think Olivia Pope is realistic. I love the fact that she's all powerful in her work life, but vulnerable and unsure in her love life. That's realistic. I know plenty of women in real life who are like that. If Olivia were superwoman in both her work life and personal life, she'd be a one note character and she'd be boring and predictable. Shonda Rhimes' signature is creating female characters who have it together career wise, but struggle in their love lives. You see this in Meredith, Christina, Bailey (Grey's Anatomy), Addison (Private Practice), and now Olivia. In regards to Olivia being checked by FLOTUS, she was sleeping with the woman's husband. She would have some nerve trying to tell her off when she's in the wrong. What is she supposed to say? "Yeah b*#ch, I slept with your husband. What of it?"
I love the dynamic between Olivia and the president. Again, she's all powerful at work, but when she's around the president, she's vulnerable, weak, and she second guesses herself, however, she eventually ends up doing what she feels is the right thing. You can tell she likes being dominated sexually by him. She spends her day in control of everything and everybody, but in the bedroom she wants to be dominated. I get it. I think it's very sexy.
DHarr | May 23, 2012 1:55 PM
I think you're overanalyzing and placing expectations on the show based on your own biases, You're not giving SR or KW the respect they deserve for delivering a very entertaining and engaging show in just seven episodes. So what if some of KW's acting involves silences. She does a hell of a job with those silences. Everything doesn't need to be said out loud. I love the show including the very sexy and intriguing Olitz relationship. I plan to trust SR's vision for the next season---that she will flesh out Olivia and the other characters in the 13 show season. It's her clay, let her sculpt. If you want to create something, why don't you just do so and not bash someone else's creation.
Tiffany Darling | May 23, 2012 1:01 PM
I think you're hating. Perhaps you should write your own TV show since you can't see how great this one is. You remind me of a Hollywood "Suit" who just doesn't get that maybe there are some Black powerful women who are in fact, disconnected from their families because they are work-a-holics, maybe estranged for climbing high up the ladder. How many friends would you have if you worked for the President of The United States? Do you think there's time for Sunday dinner in the hood or a middle class environment where "Olivia Pope" may be from. In her job, don't you think she'd want to protect her family and keep her loved ones from harm? What's wrong with showing vulnerability and strength? Just relax and let Shonda live. I don't watch Grey's Anatomy, because I am not into hospital dramas. However, she is a successful Black woman with two hit shows and we don't need another person spitting on the success of Black writers and actors who don't "get" the overall picture. She is opening doors...while people like you continue to keep them closed, allowing Tyler to walk in, in a dress. Don't watch it if you don't like it. But don't talk smack out of jealousy and hate. You're a hater...stop it. It's a great show. Great writing. Great acting. It will only get better from here. I'm in and I don't even watch TV! Congrats to Shonda and Kerry for ROCKING this drama out the PARK! Tell the critics to kiss yo' A$$ as you cash that check! And little miss Script Analyzer...think on this some more because you're wrong and you're probably a PA script reader with no control, trying to flex your chops in the wrong place #sorry #fanofSCANDAL