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2014 NY African Film Festival Announces Lineup Includes NY Premiere Of 'Half of a Yellow Sun,' 'Confusion Na Wa' More

Photo of Tambay A. Obenson By Tambay A. Obenson | Shadow and Act March 31, 2014 at 3:26PM

2014 NY African Film Festival Announces Lineup Includes NY Premiere Of 'Half of a Yellow Sun,' 'Confusion Na Wa' More
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Half Of A Yellow Sun

The Film Society of Lincoln Center (FSLC) and African Film Festival, Inc. (AFF) will present the 21st New York African Film Festival (NYAFF) May 7-13, with the theme “Revolution and Liberation in the Digital Age.” 

The initial leg of the festival includes 11 features and 8 short films from across the African Diaspora, with screenings also taking place at the Maysles Documentary Center and the Brooklyn Academy of Music’s BAMcinématek.
 
“There are long and proud cinematic traditions in countries all over the African continent, and at the same time there are new voices and new means of expression. We are happy that the festival this year will be able to share the work of these artists, who are exploring both myth and modernity,” said FSLC Associate Director of Programming, Marian Masone.
 
“While American cinema started from popular films and progressed to art house, film in Africa went in reverse, garnering international interest through the art house genre before moving to popular cinema. Consequently, most of the films about Africa during its ‘art house’ phase cornered African cinema into a genre in itself, one that was perhaps not easily accessible,” said AFF Executive Director and NYAFF Founder Mahen Bonetti. “Today, the golden era of technology not only allows the African public to see films made about their own realities but also exhorts each generation of filmmakers to raise the bar with the stories they tell about the continent and its diaspora, resulting in a veritable digital revolution.”
                                                                                        
With a nod to Nollywood, and to the 100th centenary of Nigeria, the festival Opening Night presentation will be Confusion Na Wa, the dark comedy by Kenneth Gyang. The screening will be preceded by the Opening Reception at 6pm.
 
NYAFF audiences will get a sneak peek before the May 16 theatrical release of the much-anticipated adaptation of Chimamanda Ngozie Adichie's Half of a Yellow Sun. Directed by Biyi Bandele, the Centerpiece selection stars Thandie Newton and Anika Noni Rose as twins navigating life, love, and the turbulence of the Biafra (Nigerian Civil) war in 1960s Nigeria. The Monterey Media release also counts Chiwetel Ejiofor among its starring cast.
 

A crop of films take up this year’s theme of revolution and liberation. In the documentary Mugabe: Villain or Hero?, director Roy Agyemang gets unprecedented access to the Zimbabwean leader and his entourage and lays bare the fight between African leaders and the West for African minerals and land. Ibrahim El Batout’s narrative feature Winter of Discontent takes viewers inside the Tahrir Square protests that were so central to the Arab Spring. And Ntare Guma Mbaho Mwine’s timely experimental short Kuhani features a conflicted priest, just as Uganda’s Anti-Homosexual Act is grabbing headlines.
 
Also women’s rights and issues are again in the spotlight. In her documentary Bastards, director Deborah Perkin follows a single mother, beaten and raped at 14 and discarded as she fights in Moroccan court to legitimize her sham marriage, thus ensuring a future for the daughter born out of her nightmare. In Cameronian director Victor Viyouh’s drama Ninah’s Dowry, the title character flees an abusive marriage only to be pursued by her husband to retrieve either his property (her) or the dowry he paid. The short Beleh, by Eka Christa Assam, turns gender roles on their head as a bullying husband gets a taste of his own medicine. The wounded central characters in the narrative films Of Good Report by Jahmil X.T. Qubeka and Grigris by Mahamat-Saleh Haroun are allegorical to the societal shifts and legacy of post-independent Africa.
 
On the more comedic side, the festival will also present comedies, It’s Us (Ni Si Si), as well as the U.S. premiere of the short Soko Sonko (The Market King). The Tunisian short Wooden Hands, also a U.S. premiere, delights as a willful five year-old’s act of rebellion takes on a life of its own. Additionally, writer Marguerite Abouet and illustrator Clément Oubrerie have brought their popular cartoon to life as directors of the animated feature Aya of Yop City, which follows the adventures of a 19-year-old and her girlfriends in Ivory Coast.
 
The Closing Night film on Tuesday, May 13, will be Sarraounia, Med Hondo’s sweeping epic based on historical accounts of Queen Sarraounia. Feared for her bravery and expertise in the occult arts, the fierce warrior leads the Azans of Niger into battle against French colonialists and enslavement at the turn of the century. The historical drama took first prize at the FESPACO in 1987.
 
From May 8-13, the Frieda and Roy Furman Gallery will host the exhibition Digital Africa, featuring the works of Congolese and American photographers. “Congolese Dreams” is a series of works by acclaimed photographer Baudouin Mouanda and a collective of artists, a companion to Philippe Cordey’s film of the same name, which will be screened during the festival. It will be paired with Adama Delphine Fawundu’s stunning portraits capturing the residents of Tivoli Towers in Crown Heights, Brooklyn - home to more than 350 families, who are mostly of African descent - as well as portraits of young musician-activists from Nigeria and the U.S.
 
All screenings will take place in the Walter Reade Theater, 165 West 65th Street (between Broadway and Amsterdam) and the Elinor Bunin Munroe Film Center, 144 West 65th Street (between Broadway and Amsterdam). 

Tickets for the New York African Film Festival screenings go on sale April 17 at the Film Society’s box offices and online at www.FilmLinc.com. Pre-sale to Film Society members begins on April 15. Single screening tickets are $13; $9 for students and seniors (62+); and $8 for Film Society members. Discount packages start at $30; $24 for students and seniors (62+); and $21 for Film Society members. Discount prices apply with the purchase of tickets to three films or more. 

Visit FilmLinc.com for additional information, and to purchase tickets.
 
NYAFF then heads to the Cinema at the Maysles Documentary Center in Harlem May 15-18. As is the tradition, the NYAFF closes over Memorial Day Weekend May 23-26 at the Brooklyn Academy of Music BAMcinématek as part of the dance and music festival DanceAfrica. For details, visit African Film Festival online at www.africanfilmny.org.
 
The full list of films in this year's lineup (most you will hopefully recognize, given that we've covered them on this blog - some more than others) follows below, along with descriptions of each. Looks for individual highlights of those films that haven't been profiled on this site.

Of course, we'll have reviews for as many of these films as possible. 

Films and Descriptions for New York African Film Festival

Opening Night Film
Confusion Na Wa 
Kenneth Gyang, Nigeria, 2013, 105m 
English and Pidgin with English subtitles
Set in a Nigerian city, Confusion Na Wa is a dark comedy about a group of strangers whose fates become intertwined over the course of 24 hours. At the heart of everything is a phone found by opportunists Charles and Chichi, who, having read through its contents, decide to blackmail the owner Emeka, an arrogant lawyer who is cheating on his wife. Little do they realize that their misdemeanors have set in motion a chain of events that will lead to their own downfall. Meanwhile Bello, a civil servant who naïvely thinks hard work is its own reward is pushed to the edge of reason by his wife and his boss. And businessman Babajide lets his piety get the better of him. Eventually mayhem will connect them all. With a script by Tom Rowlands-Rees, director Kenneth Gyang takes a nonlinear approach to storytelling in this Nollywood prizewinner (Confusion Na Wa was named Best Film at the 2013 African Movie Academy Awards).
May 7, 7:30pm (Q&A with Kenneth Gyang)
May 10, 9:15pm (Q&A with Kenneth Gyang)  
 
Centerpiece Film 
Half of a Yellow Sun 
Biyi Bandele, Nigeria/UK, 2013, 113m 
With epic grandeur, Half of a Yellow Sun tell the story of a generation living through the tumult of Nigeria’s independence and the ensuing Nigerian-Biafran War through the thorny romantic journeys of two sisters. Olanna (Thandie Newton) is married to Odenigbo (Chiwetel Ejiofor), a revolutionary who fathers a child with another woman. Her twin sister Kainene (Anika Noni Rose) is in love with a British writer (Joseph Mawle) who has come to Nigeria to teach. Playwright Biyi Bandele makes his film directorial debut with this adaptation of Nigerian writer Chimamanda Ngozi Adichie’s Orange Prize–winning novel. Half of a Yellow Sun may take place 50 years ago, but Bandale has fashioned it as an emotionally gripping example of contemporary Nigerian cinema, and honors the ongoing strength of that country’s women in the process.
May 9, 7pm (Q&A with Biyi Bandele and some cast members)
 
Closing Night Film 
Sarraounia 
Med Hondo, Burkina Faso/Mauritania/France, 1986, 120m 
Dioula, French, and Fula with English subtitles
We are thrilled to have Mauritanian filmmaker Med Hondo, an important figure in postcolonial African cinema, with us to present his 1986 film Sarraouina. Based on historical accounts of Queen Sarraounia, who leads the Azans into battle against the French colonialists at the turn of the century, Hondo’s sweeping epic rivals any that American cinema has produced. A brilliant strategist and forceful leader, Sarraounia is a young warrior queen, whose mastery of the ancient “magic” skills of martial arts and pharmacology is first put to the test when she defends her people from attack by a neighboring tribe, which earns respect from the men she guides into battle and deep loyalty from her people. But her real trial comes when the French army marches south to widen its colonial grip on the African continent. Hondo contrasts the strong alliances that emerge among African communities with the self-seeking and purposelessness of the Europeans and provides much-needed African historical perspective. Sarraounia is not only an engrossing tale of a remarkable woman’s bravery but also a captivating study of revolution against enslavement and the struggle for peace and freedom.
May 13, 6:30pm  

Aya of Yop City
Marguerite Abouet & Clément Oubrerie, Ivory Coast/France, 2013, 85m 
French with English subtitles
Abouet and Oubrerie bring their popular comic-book series that tracks the adventures of a young woman in a working-class town to cinematic life in a beautifully drawn account of West Africa in the 1970s. Nineteen-year-old aspiring doctor Aya spends most of her time at home in the Abidjan suburb of Yopougon (nicknamed Yop City) studying and dealing with her family so she doesn’t have time to take part in the exploits of her gal pals Bintou and Adjoua, both of whom want it all—to marry up as well as start their own business. Things go awry, though, when one of them gets pregnant. Oubrerie’s vivid drawings capture the spirit of a community growing past colonialism along with the rest of the country, and a spectacular soundtrack of period funk, rock, disco, and Afrojazz sets it all in motion. A delight for the eyes and the ears.
May 8, 4:30pm 
May 11, 9pm (Intro by actress Aïssa Maïga)  
 
Bastards 
Deborah Perkin, Morocco/UK, 2013, 93m 
Arabic with English subtitles
In Morocco, as in all Muslim countries, sex outside marriage is illegal. Single mothers are despised, but what is the fate of their children? They are outcasts, condemned to a life of discrimination. Bastards tells this story from a mother’s point of view. At 14, Rabha El Haimer was an illiterate child bride, beaten, raped, and then rejected. Ten years later, she is a single mother, fighting to legalize her forced marriage, to register her daughter, and to make the father accept his child so that she can secure a future for her “illegitimate” daughter. With unprecedented access to the Moroccan justice system, filmmaker Deborah Perkin follows Rabha’s fight from the Casablanca slums—confronting her mother and asking why she married her off so young—to the high courts where the child’s father makes absurd claims and Rabha suffers verbal abuse from her father-in-law. Perkin may be the first Westerner to film in Moroccan family courts, where she captures real-life drama, played out in the first Muslim country in the world to recognize that single mothers and illegitimate children have rights.
 
Screening with
Beleh 
Eka Christa Assam, Cameroon, 2013, 30m 
Pidgin with English subtitles
Pregnant Joffi has a bullying husband who takes her, and pretty much everything else, for granted. His attitude is challenged when he awakes one morning to find a very different world from the one he fell asleep to the night before. A quirky, poignant, and pertinent look at gender roles.
May 9, 4pm 
May 12, 6pm (Q&A with Deborah Perkin)  
 
 
Grigris
Mahamat-Saleh Haroun, Chad/France, 2013, 101m
French and Arabic with English subtitles
Despite a bum leg, 25-year-old Grigris has hopes of becoming a professional dancer, using his killer moves on the dance floor of his local club to secure some extra cash. His dreams are tested when his stepfather falls critically ill and he's forced to risk his future by smuggling oil to pay the hospital bills. When he falls for Mimi, a beautiful but damaged prostitute, they attempt to start a new life together. But as bad decisions begin to catch up with them, they are forced to run for their lives. Their pasts, however, are never far behind... Professional dancer Souleymane Deme is remarkable as a man who can’t get a break, and veteran director Mahamat-Saleh Haroun, whose visually striking films have won awards at the Cannes and Venice film festivals, creates an elegant character study.
May 8, 8:45pm (Q&A with Mahamat-Saleh Haroun)
May 12, 3:45pm
 
It’s Us (Ni Si Si)
Nick Reding, Kenya, 2013, 88m 
Swahili with English subtitles
Picture a typical Kenyan community: a harmonious muddle of tribes, intermarriages, and extended families; people living and working together all their days who don’t care which tribe their neighbor belongs to. What starts out as comic ribbing and good-natured banter between friends takes a more serious turn when politically motivated rumors arise and a sudden mistrust takes hold. With mistrust comes a sense of threat, and with threats, fear escalates, and in a matter of days, the bonds and alliances—the foundation of the community—are severed, just as they were in Kenya in 2008. Can a once-peaceful community learn from the mistakes of the past and be given another chance? Written and directed by Nick Reding, It’s Us was produced by the NGO-sponsored Arts for Education (S.A.F.E.) prior to Kenya’s elections to promote identity, peace, and unity by showing people confronting turmoil and violence. Can film change hearts and minds? Nick Reding and S.A.F.E. are making sure that happens.
May 8, 6:30pm (Q&A with Nick Reding)  
May 12, 1:45pm 
 
Mugabe: Villain or Hero? 
Roy Agyemang, UK/Zimbabwe, 2012, 116m 
To most in the West, the title question of Roy Agyemang’s provocative documentary hardly needs to be asked. Accused of inept leadership and human-rights abuses, Zimbabwean president Robert Mugabe, who has ruled the country since its independence from Great Britain in 1980 and was sworn in for a new five-year term just last summer, is also known for being the first African leader to seize white-controlled farms and redistribute them to the local population. British-born of Ghanaian parents, Agyemang set out to gain a fresh perspective on Mugabe by exploring the reality behind the headlines. And what was supposed to be a three-month project became a three-year all-access journey with Mugabe and his inner circle that reveals a charismatic, complicated man ruling a country at the intersection of international economics and post-colonial fallout. This personal film also raises wider serious issues about the relationship between African leaders and the West in the fight for the continent’s minerals and land.
May 7, 2pm                                                                                                              
May 11, 6:15pm (Q&A with Roy Agyemang)

 
New African Shorts
TRT: 110m
 
Baudouin Mouanda: Congolese Dreams 
Philippe Cordey, Congo, 2012, 25m 
Lingala, French, and German with English subtitles
For his latest project, The Dream, photographer Baudouin Mouanda explores beauty in unlikely places by asking women to pose in the same white wedding dress in different locations, from rubbish dumps to crowded trains.
Aissa’s Story 
Iquo B. Essien, Nigeria/USA, 2013, 15m 
French and English with English subtitles
An African immigrant housekeeper and single mother must decide whether to move on with her life or fight when the case against her assaulter is dismissed.
Kwaku Ananse 
Akosua Adoma Owusu, Ghana/Mexico/USA, 2013, 26m 
Outsider Nyan attends her estranged father's funeral. Overwhelmed at the procession, she searches for him in the spirit world. Kwaku Ananse draws upon the rich mythology of Ghana and combines semi-autobiographical elements with the tale of Kwaku Ananse, a trickster in West African stories who appears as both spider and man.
Soko Sonko (The Market King)
Ekwa Msangi-Omari, Kenya/USA, 2014, 22m 
Kiswahili and Sheng with English subtitles
When her mom gets sick, Kibibi’s dad takes her to the market to get her hair braided before schoolA fish out of water, this well-intentioned dad goes on a roller coaster of a journey where no man has gone before... because only women have been there!
Afronauts
Frances Bodomo, Ghana/USA, 2014, 15m 
On July 16, 1969, America prepares to launch Apollo 11. Thousands of miles away, the Zambia Space Academy hopes to beat America to the moon. Inspired by true events.
Kuhani 
Ntare Guma Mbaho Mwine, Uganda, 2013, 7m
An experimental short inspired by Ugandan Catholic priest Father Anthony Musaala's open letter titled “The Failure of Celibate Chastity Among Diocesan Priests.” Father Musaala is one of many Ugandans who has been persecuted as a result of the country’s recently passed Anti-Homosexuality Act.
May 8, 2pm 
May 11, 3:30pm (Q&A with Iquo B. Essien, Akosua Adoma Owusu, Ekwa Msangi-Omari, Kenya, Frances Bodomo, and Ntare Guma Mbaho Mwine) 
 
Ninah’s Dowry
Victor Viyouh, Cameron, 2012, 95m 
English, Pidgin and Babanki with English subtitles
Ninah is a mother of three stuck in an abusive relationship with no hope of change. Her family lives off her meager earnings from farm work while her husband, Memfi, drinks away his equally meager earnings as a shepherd. When she learns that her father is seriously ill and her husband refuses to let her go to him, Ninah realizes that she cannot take the abuse anymore and runs away. Memfi pursues her: he will recover the dowry he paid or take home the woman he owns—by any means necessary. This action sets off an incredible series of events with a whirlwind of suspense, thrills, and adventure that traverses the Cameroon landscape. Writer-director Victor Viyouh has crafted a powerful story with nuanced and complex characters, and Mbufung Seikeh, as Ninah, makes a screen debut that is nothing short of astonishing.
May 9, 2pm                                                                                                              
May 9, 9:45pm 
 
Of Good Report 
Jahmil X.T. Qubeka, South Africa, 2013, 109m 
English and Xhosa with English subtitles 
Schoolteacher Parker Sithole (Mothusi Magano) arrives in a rural village with no local connections. Though his unassuming disposition and a glowing recommendation from his previous employer inspires trust and sympathy, he promptly begins a torrid affair with one of his new pupils, 16-year-old Nolitha (Petronella Tshuma). Jahmil X.T. Qubeka’s second feature delves into the type of impoverished black community that the government has ignored, making it that despair is part of the working poor’s daily life, and a man “of good report” can get away with anything. Shot in stark black and white, the film is a tribute to classic film noir while at the same time takes us out of that genre with bold artistic and political strokes (the film was banned, but quickly unbanned, by South African authorities).
May 10, 6:30pm (Q&A with Jahmil X.T. Qubeka)  
May 12, 9pm (Q&A with Jahmil X.T. Qubeka)  
 
Winter of Discontent  (El sheita elli fat)
Ibrahim El Batout, Egypt, 2012, 96m 
Arabic with English subtitles
Set against the momentous backdrop of the whirlwind protests in Cairo’s Tahrir Square that began on January 25th, 2011, director Ibrahim El Batout takes us on a raw and starkly moving journey into the lives of revolutionaries and counter-revolutionaries alike. Amr is an opposition activist whose face is etched with pain and sorrow; Farah is a journalist who is feeling the pressure of working for the state’s television news channel; and Adel is a security officer who tortures detainees by day and has dinner with his wife in the comfort of their home by night. Their lives will collide in this hard-hitting political thriller that lays bare the police state of Hosni Mubarak’s Egypt and offers a glimpse of the systematic torture and harassment that targeted any internal dissidence. One of the most dramatically satisfying cinematic accounts to date dealing with Egypt’s turbulent developments.
 
Screening with
Wooden Hands 
Kaouther Ben Hania, Tunisia, 2013, 23m 
Arabic with English subtitles
As the holidays end, 5-year-old Amira entertains herself before going back to Koran school. Attaching her hand to a chair with superglue looks like fun…
May 7, 4:30pm 
May 11, 1pm


This article is related to: Festival Dispatch


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