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Shadow and Act

Sundance 2012 Review - "Red Hook Summer" (An Attempt To Make Sense Of Spike Lee's Trip To Wonderland)

  • By Tambay A. Obenson
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  • January 24, 2012 9:17 AM
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  • 83 Comments
I agonized over this for awhile, and actually almost decided not to even write anything about the film; but I eventually reached a compromise.

Sundance 2012 Review - "Middle Of Nowhere" (aka "Nothing But A Woman")

  • By Tambay A. Obenson
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  • January 23, 2012 4:14 PM
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  • 10 Comments
It's an unfortunate testament of the time we live in when a film that takes an adult, mature, sincere, if realistic look at relationships between black men and black women could be viewed as dare I say radical.

Sundance 2012 Review - "An Oversimplification Of her Beauty" (A Complex Exploration Of The Dance Between Id, Ego & Super Ego)

  • By Tambay A. Obenson
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  • January 23, 2012 1:12 PM
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  • 11 Comments
They say that there's something of every artist in the work they create, whether a conscious decision or not; and the act of creating with the intent to surrender your creation (and in essence a piece of yourself) to a potentially scrutinizing audience, requires some degree of courage on the part of the artist; but I would further say that it takes a certain amount and kind of bravery to intentionally insert oneself (both literally and figuratively) completely naked (physically and emotionally) into one's work, and then publicly present the completed work to not only family, friends and acquaintances, but also perfect strangers.

Sundance 2012 Review - "The Art Of Rap" (An Unfocused Ode To A Music That's Inspired Generations)

  • By Tambay A. Obenson
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  • January 23, 2012 2:39 AM
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  • 10 Comments
In an interview posted on this site about a week ago, Ice-T said of his directorial debut, Something For Nothing - The Art Of Rap, that his intent with the film was to document the craft of rapping, and not all the crass excesses the music has become emblematic of. His goal, as he suggested, was to produce a kind of rap masterclass for audiences of the music, teaching them how the music's best and most respected, both old and young, create - specifically, how the pen their rhymes.

Sundance 2012 Review - "Detropia" (A Moving, Painterly Mourning Of A Once Economically Vibrant City)

  • By Tambay A. Obenson
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  • January 22, 2012 12:23 PM
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  • 6 Comments
This haunting piece of documentary cinema tells the story of one city in economic decay; but really, as the real people in the film repeatedly state, this isn't just a Detroit problem; it's an American problem, and other cities within the country will eventually experience a similar fate; that is unless something is done to reverse trends brought about by what we call globalization, as captains of industry make decisions based almost entirely on the need to generate profit.

Sundance 2012 Review: "The Raid" (Indonesian Actioner Delivers Relentless Bloody Brutality)

  • By Tambay A. Obenson
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  • January 22, 2012 10:09 AM
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  • 2 Comments
A film that's already developing a cult following, even though it's only commercial exhibits have been on the film festival circuit, starting with a 2011 Toronto Film Festival debut (it's now a Sony Pictures property, scheduled for a US and Indonesia release in March of this year), The Raid turned out to be exactly as others who'd already seen it, universally described it: a relentless, bloody, brutal action movie, with successive scene after scene of balls-to-the-wall-style choreographed violence that made even this writer flinch in a few instances.

Sundance 2012 Review - "Beasts Of The Southern Wild" (A Striking Feature Debut On Courage & Resiliency)

  • By Tambay A. Obenson
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  • January 22, 2012 1:55 AM
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  • 10 Comments
Ultimately an ode to human resilience and self-reliance, Beasts Of The Southern Wild is initially a little scattered, especially if you aren’t already familiar with the story; however by the second act, it all starts to come together and make sense. But what’s actually kind of interesting is that, without giving the plot away, there’s a structural chaos early on, which is accompanied by a blissful narrative. And as the film progresses into the second and third acts, there’s a reversal of that - the film’s structure seems to become much more orderly, while the narrative amplifies the tragedy.

"Red Tails" Review - What We Thought... What You Thought... Let's Go!

  • By Tambay A. Obenson
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  • January 21, 2012 10:35 AM
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  • 94 Comments
Even though I saw the film about 2 weeks ago, I thought I'd wait to post any thoughts on it until some of you folks had seen it as well. So, now that you have, what do you think of it?
More: Reviews

Sundance 2012 Review - "1/2 Revolution" (A Gripping Documentation Of The Egyptian Revolution)

  • By Tambay A. Obenson
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  • January 21, 2012 10:12 AM
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  • 0 Comments
An immediate, visceral, first-person documentation of just a few days of a still ongoing struggle, one year after that first day, January 25, 2011 (also referred to as the "Day of Revolt"), when protests erupted throughout Egypt, with tens of thousands gathered in multiple cities all over the country, targeting the then autocratic governance of President Hosni Mubarak (30 years in the making) - the poverty, unemployment, and government corruption.

Brit Drama Critiquing Institutionalized Racism In The UK ("SUS") Makes TV Debut This Month (Trailer + Review)

  • January 12, 2012 12:15 PM
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  • 3 Comments
Brit actor/writer/producer Clint Dyer's devastating critique of institutional racism, also known as the feature length film titled SUS - a film I praised often in 2010 as it made its film festival circuit run - will be making its TV debut on BBC1 (for our UK readers who still haven't seen it yet) on January 17th at 11:15PM.