Until today, what we've known is that Canadian filmmaker Clement Virgo has been developing a highly-anticipated film adaptation of author Lawrence Hill’s award-winning bestseller, The Book of Negroes.
Boasting one of the strongest female characters in recent Canadian fiction, the novel's synopsis reads:
Abducted as an 11-year-old child from her village in West Africa and forced to walk for months to the sea in a coffle—a string of slaves— Aminata Diallo is sent to live as a slave in South Carolina. But years later, she forges her way to freedom, serving the British in the Revolutionary War and registering her name in the historic “Book of Negroes.” This book, an actual document, provides a short but immensely revealing record of freed Loyalist slaves who requested permission to leave the US for resettlement in Nova Scotia, only to find that the haven they sought was steeped in an oppression all of its own. Aminata’s eventual return to Sierra Leone—passing ships carrying thousands of slaves bound for America—is an engrossing account of an obscure but important chapter in history that saw 1,200 former slaves embark on a harrowing back-to-Africa odyssey.
When we last checked in on director Virgo's progress, in late 2011, he seemed to be very well aware of the pressure that was on him to tackle this beloved novel on film, telling The Strand, "Naturally it's a little bit daunting to take on this book... I feel a certain amount of obligation to Lawrence Hill and to all his readers, because the book is so beloved around the country and around the world."
But it might be reassuring to some (especially those not already familiar with Virgo's previous work) to know that the filmmaker isn't at all interested in making "this-is-good-for-you cinema" as he put it (or castor oil films as Sergio calls them), nor is he going after what could be "your typical Masterpiece Theatre wig-and-wardrobe orgy" in the hands of the wrong director.
Virgo, whose own previous films are partly remembered for their "high-octane" style, with comparisons to early Spike Lee works (Do the Right Thing, notably), says he definitely understands the "energy" in the novel he is adapting, and knows what kind of film it deserves, stating, "It's a very fast-paced, modern book... it's not stodgy at all. From a visual standpoint, I want to capture the rhythm of the book, keeping it moving forward... It's definitely not a Merchant-Ivory kind of movie."
No it most certainly shouldn't be a Merchant-Ivory kind of movie, no disrespect to the producer/director duo! Sure, it's a period piece; but please, no ostentatious sets featuring genteel, disillusioned characters!
Skip ahead to today, when I came across the below video interview with Virgo, in which he speaks with CityNews Toronto reporter Tammie Sutherland, about his filmmaking journey, past to present, and how life in Toronto shaped his career.
In the latter half of the interview, I learned 2 things we didn't already know: first, it actually will not be a feature-length film. Instead, it'll be a TV mini-series, which I'd say is more suitable for the material. It's not a very long book at around 380 pages, paperback, but the material is weighty, and, I think, would be better told in long-form, instead of cramming it all into 2 hours.
Second, production is scheduled to begin this fall, with Virgo heading to South Africa to scout locations.
So, it's apparently much closer to becoming a reality, which is obviously a good thing!
I anticipate it'll debut on Canadian TV some time in 2014 - likely during the second half of that year. As to whether it'll travel south the the USA, or to any other parts of the world, we'll just have to wait and see. Depending on how long the series is, I could certainly see it playing internatonal film festivals in the same way Philippe Niang's 2-part/3-hour Toussaint Louverture mini-series did.
But I'm looking forward to seeing what Virgo eventually does with the original material, and I hope the project gets adequate backing (financial and otherwise) it deserves. Funding for films of this nature isn't exactly abundant. However, Mr Virgo isn't at all deterred, stating, "I think I'm very dogged... I push hard to make sure that I get my projects through, to sustain passion for a long time. I think: what can I do every day to move this forward? What discipline can I impose on myself? It's easy to give up, because there are so many obstacles, so many ‘no's'."
If you'd like to pick up a copy of The Book Of Negroes to read, click HERE to purchase.
And lastly, in addition to his adaptation of The Book Of Negroes, I should note that Mr Virgo has another project in development (he was pitching a script for it to local financiers last we heard). That other film is titled I Shot the Sheriff, and is described as "a revamped Western about female bandits who fall in love."
I'm already intrigued; I need to know more.
But it's clear that Clement Virgo and his Conquering Lions production company will be quite busy over the next few years, especially if all works according to plan.
"In this business most of us will end up being free-lance contractors. You're essentially self-employed, and if you're self-employed then how do you keep up your focus in the face of uncertainty? Everyone thinks it's talent, but I don't believe it. Being hungry and being persistent is a more valuable tool," says Virgo.
And on that note... here's the interview/profile: