Jimi Hendrix Died Today... Updates On Andre Benjamin's 'All Is By My Side' (Official Synopsis)

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by Tambay A. Obenson
September 18, 2012 11:49 AM
9 Comments
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Today in history... September 18th1970Jimi Hendrix died of a drug overdose In London, at just 27 years old

In recent years, there’ve been numerous attempts to bring Jimi Hendrix’s life-story to the theatrical screen, but securing rights to the man’s story and his music has proven to be challenging via Experience Hendrix, the gatekeeper to the musician’s estate.

One of those attempts, which is currently in post-production, is the Andre Benjamin project that initially excited many (titled, All Is By My Side, helmed by John Ridley) but later disappointed when it was revealed that the project didn't have approval of Jimi Hendrix's estate to use any of the musician's original songs, with reps for the estate accusing the filmmakers of moving forward with the project without their official permission...

That didn't stop the production of the film, however, which shot in Ireland over the summer, and, as I noted, is currently in post-production... but without the use of Hendrix's original music.

So how one can make a film on the life of Jimi Hendrix and not use any of Hendrix's music - especially when the film will center on the making of Hendrix's first album?

A work-around... as revealed in a Rolling Stone piece in July:

The film will not, however, include any songs written by Hendrix, the rights to which are controlled by the late guitarist's estate. Instead, the film – set in London in 1966 and 1967 – will include Benjamin's new versions of covers that Hendrix performed during those years, shortly before the release of his landmark debut, Are You Experienced. Audiences will see Benjamin singing "Sgt. Pepper's Lonely Hearts Club Band" (which Hendrix famously performed in a London club with members of the Beatles in the audience), "Wild Thing," "Hound Dog," Muddy Waters' "Mannish Boy" and Elmore James' "Bleeding Heart," plus two songs, "Future Trip" and "Driving South," that Hendrix played as a backup musician for Curtis Knight and the Squires.

So, no Hendrix-written classics like Purple Haze or The Wind Cries Mary. Unfortunate news that turned off many of you, as I recall. But I suppose they're doing what they have to do to get the film made.

What's really interesting about all this is that, according to the Rolling Stones piece, the producers actually never approached the Hendrix estate for permission to use hs songs because their plan was to set the film in "Hendrix's pre-fame era."

"This is the story of Jimi being discovered as a backup musician and how he went to London and became Jimi Hendrix," says the producer. McKittrick says that focusing on early stories about Hendrix – like the times he jammed with Cream and met Eric Clapton – is preferable to a biopic about Hendrix's full life story. "That would be like making a movie about Kurt Cobain," he says. "We all know how that story ends."

And in response to that, a rep for the Hendrix estate replied:

"They want to make a Jimi Hendrix movie without Jimi Hendrix music... It would be like making a movie about Lincoln without being able to use the Gettysburg Address."

Production company Matador Pictures has an official synopsis for the film on its website which reads:

This is the true story of the year Jimi Hendrix became the worldwide musical legend every generation worships as the greatest guitarist of all time. Based on the true events surrounding the year from 1966 to 1967 that Jimmy James Marshall arrived in England and returned to America as Jimi Hendrix. It is also very much the story of an amazing young woman named Linda Keith who literally plucked Jimi from obscurity and inspired him to play his music his way. Though the two would not remain together, the very rich, deep and true affection they shared stayed with them for the remainder of Jimi's too-short life. Their love is immortalized in the awe inspiring, yet over-looked Hendrix track titled 'Sending My Love To Linda'. Rather than another telling of the downward spiral of a rock icon, this is the detailing of how a love supreme changed music history.

So it's more of a love story it seems, focusing on just 1 year in Hendrix's life.

The production is apparently legally in the clear to license the non-Hendrix cover songs that Andre will be singing in the film.

Producers are planning to take the film to Sundance Film Festival in 2013, hoping for a release soon after that festival.

Also, a soundtrack album featuring the Andre Benjamin covered songs is a possibility.

The feature film is written and directed by John Ridley (primarily a screenwriter; this will be his second feature film directorial effort). 

Let's wait and see what that first trailer looks like. 

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9 Comments

  • Nemesis | September 18, 2012 4:14 PMReply

    I get the righteous indignation, especially if you're a Hendrix fan but... really, permission to be creative? Being creative is thinking outside the box, or building your own box, especially when "people in authority" tell you that you can't. The Hendrix estate can make their own movie if they're so inclined. Either way, you'll still end up with someone else's vision and interpretation of Hendrix.

  • Xi | September 18, 2012 3:32 PMReply

    Damn, Dre. I'll leave that there.

  • Donella | September 18, 2012 1:09 PMReply

    I wonder if this movie will touch on the little-known fact that Jimi Hendrix got his start as a member of Little Richard's band. They want to talk about the Beatles and Eric Clapton. Sure. Why not? But people act like they never knew Hendrix's earliest influence was LITTLE RICHARD. I'm so tired of early North American rockers acting like they have no idea where rock music really came from. Tell the story the way it happened.

  • Charles Judson | September 19, 2012 9:10 AM

    He's associated with a lot of acts, including the Isley Brothers. Little Richard is the one he's most connected to from the early days since he's been quoted as saying he wanted to emulate with his guitar what Richard did with his voice. And also frankly because of all the acts, Little Richard is still the most famous, and influential act, of them all. But the story is set in 1966-1697 in London, not 1965 L.A., not 1965 on the Chitlin Circuit. There's a lot about anyone's story that's down played, however it's natural. How many people know or understand that the idea for the March on Washington goes back to 1941 with A. Philip Randolph? Why is it that people forget or omit that MLK was barely 25-26 when he became a part of the Bus Boycott? Why did it take over 30 years before everyone collectively started adding Rosa Park's early and prominent role in the Civil Rights movement, before her famous arrest, back in to the narrative? A film on Hendrix and his Chitlin' Circuit days with folks like Little Richard could make for an interesting film, especially if the take on it is Hendrix before the mythology starts. Back to the Civil Rights movement, I'm curious that no one seems interested in doing a story on what it must have been like on Morehouse's campus when MLK was there and before that. Just think about all the professors who had been fighting for Civil Rights or just preaching integration for decades on that campus. There's probably a fascinating untold story of folks intellectually and politically jockeying there, especially in a city like Atlanta. But, that's for someone like me to latch on to and run with because it interests me. Not complain that someone else is doing another MLK Marching on Washington or Bus Boycott film. The entire history of Blues and R&B is ripe for storytelling. Hell, I wish someone would go to HBO with a pitch they can't refuse. Payola, Gangsters, Civil Rights Movement, Rock & Roll, TV, Pat "M*therf*cking" Boone. It's prime to tell a juicy multi-year story ala MAD MEN meets BOARDWALK EMPIRE.

  • Donella | September 18, 2012 5:48 PM

    I believe Hendrix's association with Little Richard is worth mentioning, instead of ignoring, which it usually is for some reason.

  • Charles Judson | September 18, 2012 3:16 PM

    The movie is set in London 1966. He stopped playing with Little Richard in 1965. And Hendrix's solo career really didn't take off till London.

  • Firebrand | September 18, 2012 2:59 PM

    That's white Hollywood for ya, always marginalizing black history in their "films".

  • Jed Wing | September 18, 2012 12:21 PMReply

    The Hendrix estate is impossible to work with. They aren't out to protect his legacy or merely to get paid. They thrive on power mongering, arrogance and just being plain bleepholes. Some independent jazz musicians made a limited edition pressing - 1000 copies - of jazz versions of Jimi's music and at the last minute the estate swooped right in, after verbal okays had been given, to demand more money than the record could possibly make. The project tanked. Jimi's father was a bit more reasonable, had a sense of proportion - Apple pays millions, independent artists and jazz musicians pay little. The dad had an eye to keeping Jimi's music alive, as opposed to being merely a commodity. Now, the estate is controlled by a younger half-sister, who had no connection to Hendrix or his music, who just want to live fat and to hell with anything else. Soon, the memory of Jimi and his music will fade because of greed and bitchy meanness and a lack of any caring about music.

    I held my nose and bought the DVD of all of Jimi's appearances on the Dick Cavett show but that is the only thing I will ever buy from the estate. I respect artists and pay for music, but I REJOICE when I see people downloading Hendrix music for FREE. I have all I need and want, including live bootlegs.

    Advertisers: don't use his music, find some other electric blues. Kids: love his music, don't pay for it.

    Hendrix estate: get BLEEPED!

  • Jimbo | September 25, 2012 7:28 PM

    She is not a "half-sister". She is the adopted daughter of Al's wife. Not related to Jimi at all.

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