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New On DVD: Groundbreaking 1986 Hip-Hop Doc Available Commercially For The 1st Time Ever

Photo of Tambay A. Obenson By Tambay A. Obenson | Shadow and Act May 22, 2012 at 1:38PM

I received a screener copy of this and watched it recently; it's about an hour long, and I'd say not meant to be received as an all-encompassing history of hip-hop. But serves as a time capsule and the story behind its making deserves a documentary of its own, based on what I read.
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Big Fun In The Big Town

I received a screener copy of this and watched it recently; it's about an hour long, and I'd say not meant to be received as an all-encompassing history of hip-hop. But serves as a time capsule and the story behind its making deserves a documentary of its own, based on what I read.

It was made in 1985, so it covers pivotal moments and hip-hop luminaries of the time starting with Grand Master Flash, up to L.L. Cool J, who'd only just then recently released his first album, the acclaimed boom-box fave Radio.

Shot over the course of 6 days, with a 4-man Dutch crew (including its host and director Bram Van Splunteren, who was commissioned by the Dutch TV station he worked for at the time to make 6 music-based documentaries, and this was one of them), there’s something humorous about the simplistic, and even naive way in which the material is presented.

The title alone speaks to that - Big Fun In The Big Town. I'd say that the fact that the filmmakers weren't local to the scene which they flew across the Atlantic to document  is definitely obvious (not only because of the difference in skin color), and gives the film an innocence about it.

It's definitely what you’d call a no-frills documentary, which is actually a very good thing. I’d even use words like pure; the camera (nor the filmmakers) express any opinions whatsoever. The camera just documents, and the subjects are as they really are, comfortable in their own domains – neighborhoods, homes – with their families, friends. No pretentions. And so you get the information raw, including lots of wonderful upfront footage like Roxanne Shanté and Biz Markie performing live on stage in the mid-1980s, to a live, excited crowd.

Those scenes, all shot in what looks like a worn and fading 16mm film, are a joy to watch. Like I said, a time capsule, even though I wasn't there.

But all you hip-hop heads already somewhat familiar with the history likely won't learn much from this; although it wasn't made for you folks specifically. The main objective was to give audiences back in Holland (where the filmmakers are from) in 1986, an authentic view of hip-hop; and, once you put it in that context, I think it succeeds.

However, even if you are intimately familiar with the subject matter, I also think you'll get a kick out of the footage - like the aforementioned performance footage, as well as a then 17-year-old LL Cool J, still living at home with his grandmother, as they stroll through his neighborhood, while LL's braggadocio comes through in his words.

Plus, watch a younger, balding Russell Simmons be interviewed inside Def Jam Records’ offices, Run-DMC recording, freestyling, and adjusting to their new-found fame, Grandmaster Flash reprising his famed kitchen DJ set from Wild StyleMC Shan live on-stage in the Bronx, Doug E Fresh beatboxing and philosophizing on the street in Harlem, a young Schoolly D live and backstage at the famed Latin Quarter club, Suliaman El Hadi of hip-hop progenitors the Last Poets, spouting off about younger hip-hop artists, and much more, all crammed into this relatively short documentary. 

After watching Ice-T's The Art Of Rap at Sundance earlier this year, I'll say that I think this is probably more what he was (or should have been) going for - just more comprehensive, and with a lot more history.

Commercially available today for the first time ever, after more than 25 years, Big Fun In The Big Town, directed by Dutch filmmaker, journalist Bram Van Splunteren...

New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and – if the stars aligned – the ability to come out on top, no matter what the odds.

Dutch filmmaker, journalist and rap fanatic Bram Van Splunteren stepped into the city for one intense week in 1986. He was armed with five things: a camera crew, a map, a deep respect for the hip-hop artform, a list of phone numbers, and a burning desire to get to the bottom of what this still-growing subculture was all about. By the time he left, he had the answers he needed, along with a treasure trove of golden video footage. Tragically, these images never returned from Europe, languishing in obscurity from hip-hop’s homeland for more than a quarter-century. Until now.

Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop-chart dreams, just beyond their reach but still seemingly attainable.

This essential, fast-paced documentary shows hip-hop from just about every angle, and approaches its subjects with a journalistic sobriety and respect rarely given to this oft-misunderstood artform and culture, even to this day. It presents worldwide superstars and aspiring rappers, dancers and beatboxers on an even playing field, reminding us that rap was once a wide-open game for anyone with talent to grab at the brass ring of fame.

ORDER THE DVD ON AMAZON: http://www.amazon.com/Big-Fun-In-The-Town/dp/B007NZVZQI/ref=sr_1_1?ie=UTF8&qid=1333583162&sr=8-1

Watch a 4-minute preview trailer follows below:


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