The Film Society of Lincoln Center announced today the lineup for SOUND + VISION (July 26 to August 1), a music documentary series exploring a range of musical artists, genres and styles.
“This series is an homage to the people who create our music, who struggle and work to have it heard and, when they succeed, help us connect with one another. Music is a catalyst for rebellion, progress, and fulfillment on both a personal and social level,” says Film Society Programmer Isa Cucinotta. “Sometimes music is a lifeline for the musician, sometimes a springboard, but it always serves to unite listeners and it is that energy that is captured in these films.”
You'll find several titles we've been following on S&A, including Charles Bradley: Soul of America, Muscle Shoals, Viva Cuba Libre: Rap Is War, Bayou Maharajah: The Tragic Genius of James Booker, Brothers Hypnotic and more.
The full lineup follows below. I plan to see as many of them as I can make time for, as I haven't seen any of them yet!
Single screening tickets are $13; $9 for students and seniors (62+); and $8 for Film Society members. A three-film package is $30; $24 for students and seniors (62+); and $21 for Film Society members. Discount prices apply with the purchase of tickets to three films or more. Visit www.FilmLinc.com for complete film festival information.
All screenings will be held at the Film Society of Lincoln Center's Elinor Bunin Munroe Film Center, 144 West 65th Street, between Broadway and Amsterdam Avenue.
New York Premiere!
CHARLES BRADLEY: SOUL OF AMERICA (2012) 74m
Director: Poull Brien
Filmmaker Poull Brien met Charles Bradley while they were shooting a music video together and decided to follow this unassuming, talented singer in the months leading up to the release of his first album, No Time for Dreaming, at the age of 62. After a lifetime struggling with poverty, a broken family and illiteracy, Bradley gets his break with Daptone Records, a Brooklyn-based soul, funk and gospel label. While his earlier performances were often killer James Brown impersonations, he reveals himself as a talented soul singer and songwriter in his own right. Bradley is able to hold on to his warmth and honesty through the years of hardship, and realize his dreams of a singing career.
Director Poull Brien & subject Charles Bradley in person for Q&A!
Friday, July 26 at 6:30
North American Premiere!
9 MUSES OF STAR EMPIRE (2012) 80m
Director: Hark-Joon Lee
Country: South Korea
Nine young women are followed for a year as they train to be the next big K-pop sensations as part of a new girl group, the Nine Muses. Selected for their looks more than their singing ability by the powerful Star Empire Agency, they undergo intense scrutiny and criticism as they are molded into the image created by the CEO. They prepare for their debut at the annual K-pop festival Dream Concert with relentless rehearsals, but the sacrifice is all for that shot at fame.
Friday, July 26 at 4:30pm
Tuesday, July 30 at 8:30pm
New York Premiere!
APOCALYPSE: A BILL CALLAHAN TOUR FILM (2012) 61m
Director: Hanly Banks
Following Callahan on his 2011 tour through California, the Midwest and back to NYC with beautifully shot images, Banks captures his live performances and moments from life on the road that seem to illustrate his lyrics. Callahan is a private person who enigmatically shares some thoughts on film. A concert film might just be the best way to understand him: “I think when I’m performing live, it’s really just the realest me there is.”
Saturday, July 27 at 3:00pm
New York Premiere!
BAYOU MAHARAJAH: THE TRAGIC GENIUS OF JAMES BOOKER (2013) 90m
Director: Lily Keber
“The best black, gay, one-eyed junkie piano genius New Orleans has ever produced!” “The Black Liberace!” “Piano Prince of New Orleans!” Who was this guy and how did he lose that eye? Booker was a musical genius who started with classical training when he was 12; released his first recording at 15 and began performing in clubs at 16; taught Dr. John to play the organ; tutored Harry Connick Jr.; toured in Europe; went to prison; played a unique piano style that combined classical, jazz, blues and ragtime; and died young of drug and alcohol abuse. Lily Keber’s vibrant documentary captures it all through performance footage and interviews with Booker’s friends, supporters and fellow musicians.
Sunday, July 28 at 8:15pm
Monday, July 29 at 3:45pm
BIG EASY EXPRESS (2012) 67m
Director: Emmett Malloy
Malloy’s film follows Mumford & Sons, Old Crow Medicine Show, and Edward Sharp & the Magnetic Zeros on their 2011 six-city Railroad Revival Tour. From Oakland to New Orleans, the music never seems to stop—on the train, off the train, visiting an Austin high school, and probably in their sleep. The three bands build a genuine friendship with each other and a natural connection with their fans on this joyful whistle stop tour.Big Easy Express won a Grammy for Best Long Form Music Video 2013.
Saturday, July 27 at 7:00pm
BLOODY DAUGHTER (2012) 94m
Director: Stéphanie Argerich
The world-renowned pianist Martha Argerich is known to be a very private person. Fortunately for her fans her daughter Stéphanie decided to make a very personal film about her mother. The youngest of the three daughters with three different husbands, there was a lot Stéphanie wanted to know. Although the hard questions are not pushed, a portrait emerges of a great talent struggling to balance her career and children. At 72, Martha and her daughters have a warm relationship despite all they have been through.
Sunday, July 28 at 3:30pm
Tuesday, July 30 at 4:00pm
New York Premiere!
BORN IN CHICAGO (2013) 86m
Director: John Anderson
In 1960s Chicago, a group of middle class white boys fell in love with the blues being performed in the crowded nightclubs by black musicians from the Mississippi Delta. Howlin’ Wolf, Muddy Waters, Junior Wells, Buddy Guy, and Hubert Sumlin taught the next generation: Barry Goldberg, Mike Bloomfield, Paul Butterfield, Nick Gravenites, Charlie Musselwhite, and others, who went on to make the music their own. Interviews and performance footage of these “kids,” now in their 70s, trace the lineage and scope of this inspired music.
Friday, July 26 at 9:00pm
BROADWAY IDIOT (2013) 80m
Director: Doug Hamilton
Doug Hamilton’s film started out as a behind-the-scenes look at the idiots that thought a punk rock record could translate to a Broadway musical—Green Day’s Billie Joe Armstrong and Spring Awakening director Michael Mayer. But the film becomes much more than that; it chronicles Billie Joe’s growing engagement with the creative process of this new, for him, art form. Hamilton shows the journey including a peek at pre-teen Billie Joe, live concert footage and his Broadway debut.
Director Doug Hamilton and producer Ira Pittelman in person for Q&A!
Monday, July 29 at 8:45pm
BROTHERS HYPNOTIC (2013) 86m
Director: Reuben Atlas
Eight brothers make up the Hypnotic Brass Ensemble, taking on the music business while trying to adhere to their father’s vision of music as a path to consciousness-raising. First-time director Atlas met them playing on 42nd street and followed them on tour, to meetings, in practice and at home in Chicago with their legendary musician father Phil Cohran. Their story is remarkable not because of their functional, loving family of one dad, three moms and 24 siblings, but because of their true talent and commitment to music while they develop their own ambitions both with and apart from the family.
Saturday, July 27 at 4:45pm
FUNKJAZZ KAFÉ: DIARY OF A DECADE (THE STORY OF A MOVEMENT) (2012) 126m
Director: Jason Orr
From the late 1980s to the early 2000s, Atlanta’s underground music scene had a renaissance that pivoted around the FunkJazz Kafe Arts & Music Festival. Here, a new generation of soul singers hit the stage, reinventing the form that was once at the height of mainstream music. The film also explores why there are so few soul bands in today’s commercial music scene. Narrated by Chuck D with appearances by Cornel West, Cee Lo Green, Jill Scott, Erykah Badu, George Clinton, N'Dea Davenport, Doug E. Fresh, Roy Ayers, Jamie Foxx and many others, FunkJazz Kafé is chock full of great performance footage.
Director Jason Orr in person for Q&A!
Wednesday, July 31 at 4:00pm
GIMME THE POWER (2012) 101m
Director: Olallo Rubio
Gimme the Power starts by tracing the political history of Mexico, from colonization to dictatorship to democracy. Then, true to rock’s form, the band Molotov explodes on stage with critiques of the government’s policies and the state of Mexico today. Despite having won the Latin Grammy Awards four times since 1995, Molotov keeps its identity as a contentious, left-wing, protest band. Rubio’s film works off their message to create one of his own.
Wednesday, July 31 at 9:15pm