Click to Skip Ad
Closing in...
The Nina Simone Bio Starring Zoe Saldana Will Apparently Be Released Later This Year... The Nina Simone Bio Starring Zoe Saldana Will Apparently Be Released Later This Year... Why ‘The View’ Badly Needs Raven-Symoné Why ‘The View’ Badly Needs Raven-Symoné It's Black Bike Week! Watch 2 Short Documentaries on the Popular Annual Event It's Black Bike Week! Watch 2 Short Documentaries on the Popular Annual Event Gabrielle Union Joins Jamie Foxx in a Race to Save His Kidnapped Son, in 'Sleepless Night' Gabrielle Union Joins Jamie Foxx in a Race to Save His Kidnapped Son, in 'Sleepless Night' Meet the Cast of FX's 'American Crime Story: The People v. O.J. Simpson' (First-Look Images) Meet the Cast of FX's 'American Crime Story: The People v. O.J. Simpson' (First-Look Images) Here's the List of Films & TV Series Coming to (and Leaving) Netflix's Streaming Library in June Here's the List of Films & TV Series Coming to (and Leaving) Netflix's Streaming Library in June Watch Trailer for Teen TV Drama Series in Development, ‘MysEducation’ Watch Trailer for Teen TV Drama Series in Development, ‘MysEducation’ Watch a Clip From Ethiopia's First-Ever Cannes "Official Selection" - Coming-of-Age Drama 'Lamb' Watch a Clip From Ethiopia's First-Ever Cannes "Official Selection" - Coming-of-Age Drama 'Lamb' Watch Grace Jones’ “Banned” Citroën CX TV Commercial Watch Grace Jones’ “Banned” Citroën CX TV Commercial David Oyelowo on the Craft of Acting & Advice for Young Actors David Oyelowo on the Craft of Acting & Advice for Young Actors Official First Look Images from Detroit-Set indie drama ‘Wolf Who Cried Boy’ Official First Look Images from Detroit-Set indie drama ‘Wolf Who Cried Boy’ Morgan Freeman's Bass Reeves Project Finally Gets a Lift, Thanks to HBO Morgan Freeman's Bass Reeves Project Finally Gets a Lift, Thanks to HBO First Look at CBS' 'Rush Hour' Series + Official Synopsis First Look at CBS' 'Rush Hour' Series + Official Synopsis 'Chocolate City' Finally Gets a Trailer + Release Date Set (Might It Steal Some of 'Magic Mike's' Summer Thunder?) 'Chocolate City' Finally Gets a Trailer + Release Date Set (Might It Steal Some of 'Magic Mike's' Summer Thunder?) Apparently, Many of You Aren't Pleased With the "All-New" 'Single Ladies'... What's Going on? Apparently, Many of You Aren't Pleased With the "All-New" 'Single Ladies'... What's Going on? Starz Announces Return Date for Original Series 'Power' + New Key Art + Trailer Starz Announces Return Date for Original Series 'Power' + New Key Art + Trailer Why Was Janet Hubert (Aunt Viv) Really Replaced on 'Fresh Prince of Bel-Air'? Buzzfeed Investigates Why Was Janet Hubert (Aunt Viv) Really Replaced on 'Fresh Prince of Bel-Air'? Buzzfeed Investigates Aaron McGruder Finally Explains Why He Left 'The Boondocks' Aaron McGruder Finally Explains Why He Left 'The Boondocks' Netflix Explains Why It Doesn't Always Have That Film Or TV Show You Really Want To See (Video) Netflix Explains Why It Doesn't Always Have That Film Or TV Show You Really Want To See (Video) Tichina Arnold Says She Talked To Martin Lawrence About Doing A 'Martin' Movie... Tichina Arnold Says She Talked To Martin Lawrence About Doing A 'Martin' Movie...

Review: Doc Feature 'Finding Fela' Provides Entertaining Primer for Fela Novices (Now in Theaters)

Shadow and Act By Zeba Blay | Shadow and Act August 25, 2014 at 1:19PM

We never really “find” Fela in this film, which of course is not the point. So prolific and contradictory a figure as he was, no 2-hour foray into his life and music could ever fully do him justice.
0
Fela

Alex Gibney’s latest documentary, based on the life of Nigerian afrobeat pioneer Fela Kuti, opens with a rather apt observation. Bill T. Jones, director of the fantastic 2009 musical show “Fela!,” points out that the musician is as important a political and cultural icon as Bob Marley, but never quite connected with the West because his music was less palpable, less easy to digest. His songs, blending highlife, jazz, soul, and funk, were often epic, twenty-minute labyrinths of sound, layering guitar on sax, on percussion, beneath Fela’s chant-like Yoruba and pidgin English lyrics.

In “Finding Fela,” Gibney makes an attempt to help us better understand Fela’s genius, as well as his madness.

Using behind-the-scenes rehearsal footage of the Broadway show, talking head interviews featuring ?uestlove, Paul McCartney, Tony Allen, and Fela’s highly amusing and honest son, Femi Kuti, Gibney presents a straightforward and relatively comprehensive biography. Almost everything about Fela is covered: his background as the member of a high society and political Nigerian family, the intoxicating quality of his live shows with Africa 70, his experimentation with marijuana and spiritualism, his twenty-seven wives, the politicization of his music and outspoken criticism of the Nigerian government, and the profound effect that his mother’s death (after being thrown from a second-story window during a raid) had on him in his later life.

The mix of the behind-the-scenes creative process of Bill T. Jones and his team, working on the musical, and archival footage of Fela on his Kalakuta Compound, or at his legendary club, the Shrine (mostly taken from the 1982 doc “Music is the Weapon”) isn’t exactly faultless. The back-and-forth is a slightly disconcerting storytelling mode in this context, when both stories - that of Fela’s rise to fame, and the making of the 2009 musical - are equally compelling.

Gibney’s narrative never really fully settles, so while the breakdown of Fela’s life may be thorough in scope, we’re still left wanting more insight. One wonders if the documentary would have been improved by focusing in more closely on one story - Bill T. Jones’s unbridled fascination with Kuti, and his own personal genius, are captivating enough for a separate doc altogether.

And despite obvious efforts to give an unbiased portrait of the artist, the documentary does often lean far too heavily on highlighting what made Fela exhilarating - his bravery, his talent, his position as one of the first true countercultural figures in West Africa at the time. Fela’s qualities as a composer, as a community leader, as an activist should rightly be admired, but the film shies away from complicating the “mad genius” persona by glossing over the problematic aspects of his personality, chief among them his misogyny.

Jones is the lonely voice in the film that, at least, engages with the dark sides of Fela, criticizing the singer for willfully having unprotected sex while HIV-positive (he died in 1997 at 58), and admitting that he may not have been wholly likable, but he was still very necessary. 

We never really “find” Fela in this film, which of course is not the point. So prolific and contradictory a figure as he was, no 2-hour foray into his life and music could ever fully do him justice. 

What the documentary does do, at the very least, is provide an entertaining primer for the Fela novice, and inspire those familiar with his work and his legend to seek out more.

Kino Lorber kicked off "Finding Fela's" theatrical run on Friday, August 1, with an exclusive Manhattan engagement at IFC Center; it's also scheduled to open in DC on August 8 (at Landmark’s E Street Cinema), as well as in Boston (at Landmark’s Kendall Square) and Atlanta (Landmark’s Midtown) on August 15. It continues to expand to other cities around the country, this week. Check the playdate chart below to find out if it's coming to a theater near you soon.

Fela Dates


Zeba Blay is a Ghanaian-born film and culture writer based in New York. She is a contributor to Huffington Post, Africa Style Daily, and Slant Magazine. She co-hosts the weekly podcast Two Brown Girls, and runs a personal movie blog, Film Memory. Follow her on Twitter @zblay.

This article is related to: Alex Gibney


Shadow & ActNewsletter