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Watch 'Someone Clap For Me' - Engaging Short Film On Kampala's Burgeoning Poetry Scene

Photo of Tambay A. Obenson By Tambay A. Obenson | Shadow and Act March 22, 2013 at 2:14PM

A side of Uganda (specifically Kampala, the largest city and capital of Uganda) that we often don't get to see here in the USA, and which I hope you will appreciate...
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Kampala Poetry

A side of Uganda (specifically Kampala, the largest city and capital of Uganda) that we often don't get to see here in the USA, and which I hope you will appreciate...

Poetry has become something of a phenomenon in Kampala in recent times, just as much as the political turmoil that tends to dominate headlines both locally, and internationally.

In the below 10-minute short film directed by the Qatari filmmaker Luciana Farah, titled Someone Clap For Me, learn about this so-called "Poetry Movement." 

This film focuses on characters like Medals, the Born-Again Politician, from whose poem the documentary title is taken, and follows the poets’ daily lives, weekly performances and numerous interactions with live audiences throughout the city. 

It was actually made via Mira Nair's Maisha Labs in Uganda, which we've told you about before. In 2004, Nair (Monsoon WeddingSalaam Bombay!Mississipi Masala & others) founded Maisha Film Labs - a Uganda-based film training initiative (not-so unlike the Sundance Film Festival's filmmaker labs, or the IFP's filmmaker labs).

The goal of the Maisha Film Labs is to give aspiring filmmakers in the East African country the tools & knowledge to tell their own stories through film, which would then help foster a self-sustaining film industry in Uganda and vicinity, that will support and represent the interests of local audiences.

I should note that the director of Someone Clap For Me, Luciana Farah, is expanding the short film into a feature, as I type this. In December, the Doha Film Institute revealed 27 projects that would receive grants, as part of its autumn funding session, and Farah's feature was one of them.

So we'll be watching for the feature version of the below short in the coming year or two.

In the meantime, here's the short version:


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