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Watch The Film Version Of Richard Wright’s ‘Native Son’ w/ The Author In The Lead Role (But Be Forewarned)

by Sergio
April 29, 2014 11:05 PM
1 Comment
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I last wrote about this amazing film over a year ago, but now that it’s available to be seen on YouTube, I thought it’s time for another revisit. Not that it’s some undiscovered or overlooked classic. Just the opposite. It’s a genuine disaster, but a fascinating one.

Richard Wright's seminal novel Native Son, first published in 1940, is one of the most important books ever written about racism and the black experience in America. That can’t be argued. However, it has had the sad misfortunate of also being extremely unlucky at the movies.

There have been two film versions, and both of them were pretty lousy. There was the 1986 version made for PBS which did get a brief theatrical run, with Victor Love as the lead troubled character Bigger Thomas, and Oprah Winfrey, in one of her first film roles, as his downtrodden suffering mother ("My baby! My baby! Please suh my baby ain't meant no harm!"...or lines to that effect).

But the earlier 1951 film version, directed by French director Pierre Chanel, is the one that really needs to be seen to be believed.

Though the novel is set in Chicago, and obviously well aware that it would be impossible to shoot the film there (with the exception of some travelogue footage that opens the film), as well as to raise the money to make it, the film was completely shot in and around Buenos Aires, Argentina.

However that wouldn't have been a problem so much, if it wasn't for the fact that Wright himself played the lead role of Bigger Thomas. No doubt this was a problem for a couple of reasons. At the time Wright was in his early 40's (though he looked even older), literally more than twice the age of Thomas in his novel who is 20, and was too well fed and obviously well off to pay the role.

Even worse... well to put it simply, Wright is AWFUL as an actor.

He couldn't act his way out of a paper bag. As proof, take a look HERE at film clips of Wright's screen test which speaks for itself.

It's amazing that they thought he was convincing enough to play Thomas. But then the filmmakers probably thought having Wright, who was by then an internationally known, acclaimed writer and activist, play Thomas, would be a selling point.

But the film is simply bad. Sort of like a car wreck you can't bare to watch, but you can't turn your eyes away from. No doubt it's a sincere effort, but the clumsy, heavy-handed approach (granted it's a heavy-handed book), and Wright's amateurish performance, sink the whole endeavor like a stone.

The film had an unfortunate life after it was made. It was cut from its original 120 minutes length to just under 90 minutes, and, no doubt, the missing sequences are long gone and most likely destroyed or thrown away. Reportedly there was a 105 minute version at one time in existence, but no one has ever seen it to my knowledge. And it was, not surprisingly, barely released in the U.S. And since then the film has fallen into public domain and any idea of a restoration is very unlikely.

But despite all that, it's still very much worth watching just to see a rare example of forgotten black film history. Just don't expect a masterpiece. Scale down your expectations... way down..

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1 Comment

  • Audiodramatist | April 30, 2014 4:27 PMReply

    Maybe it's time now to film Wright's The Outsider, which is a reworking of Native Son. The protagonist, Cross Damon is a three-dimensional treatment of Bigger Thomas. Or as critic Henry F. Winslow noted: Cross Damon is a bigger Bigger Thomas. And if you wanted to do a Wright series you could start with the first book of an intended trilogy: The Long Dream. The second book in that intended series is Isles of Hallucination, which Yale University has locked up somewhere along with the notes for the third novel of that series. Since that trilogy goes from the segregated U.S. South of the 40's to Paris of the 50's and back to the States of the late 50's; it would make a great historical multi-part series, especially since the Paris of that time was full of great Jazz musicians living there as well as passing through.

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