Click to Skip Ad
Closing in...
Steve Carell Redefined His Career By Surprising Everyone in 'Foxcatcher' Steve Carell Redefined His Career By Surprising Everyone in 'Foxcatcher' Watch: Ellar Coltrane on the 'Brutal' Experience of Watching 'Boyhood' After Living It Watch: Ellar Coltrane on the 'Brutal' Experience of Watching 'Boyhood' After Living It Mortem Tyldum Explains Why Alan Turing Was the Right Subject For His First English-Language Film Mortem Tyldum Explains Why Alan Turing Was the Right Subject For His First English-Language Film Why Richard Linklater’s ‘Boyhood’ is a Great, Unexpected Awards Season Frontrunner Why Richard Linklater’s ‘Boyhood’ is a Great, Unexpected Awards Season Frontrunner Watch: Patricia Arquette on Stripping Away Ego to Get to the Heart of 'Boyhood' 
Watch: Patricia Arquette on Stripping Away Ego to Get to the Heart of 'Boyhood' 'Whiplash' Breakout Miles Teller Has Officially Arrived 'Whiplash' Breakout Miles Teller Has Officially Arrived Michael Keaton Dug Deep to Deliver the Best Performance of His Career in 'Birdman' Michael Keaton Dug Deep to Deliver the Best Performance of His Career in 'Birdman' Mark Ruffalo Explains Why Dave Schultz Was One of the Most Complex Characters He's Ever Played Mark Ruffalo Explains Why Dave Schultz Was One of the Most Complex Characters He's Ever Played Keira Knightley on 'The Imitation Game' and Why Awards Matter Keira Knightley on 'The Imitation Game' and Why Awards Matter Katherine Waterston On the Good and Bad of Working With Paul Thomas Anderson Katherine Waterston On the Good and Bad of Working With Paul Thomas Anderson Emma Stone Proved She Can Do It All in 2014 Emma Stone Proved She Can Do It All in 2014 Jon Stewart is Off to a Strong Start with Directorial Debut 'Rosewater' Jon Stewart is Off to a Strong Start with Directorial Debut 'Rosewater' Awards Spotlight: Don't Be Surprised When J.K. Simmons Takes Home Oscar Awards Spotlight: Don't Be Surprised When J.K. Simmons Takes Home Oscar Jessica Chastain Proved She's a Total Chameleon in 2014 Jessica Chastain Proved She's a Total Chameleon in 2014 Laura Poitras on 'CITIZENFOUR,' The Most Dangerous Work She's Ever Done Laura Poitras on 'CITIZENFOUR,' The Most Dangerous Work She's Ever Done Jake Gyllenhaal On Doing Very Bad Things in 'Nightcrawler' Jake Gyllenhaal On Doing Very Bad Things in 'Nightcrawler' Channing Tatum Explains Why It Took Him Eight Years to Have the ‘Balls’ for ‘Foxcatcher’ Channing Tatum Explains Why It Took Him Eight Years to Have the ‘Balls’ for ‘Foxcatcher’ Ethan Hawke Didn't Know That Richard Linklater Would Bring 'Boyhood' Home So Well Ethan Hawke Didn't Know That Richard Linklater Would Bring 'Boyhood' Home So Well Jack O'Connell Explains What It’s Like to Work For Angelina Jolie Jack O'Connell Explains What It’s Like to Work For Angelina Jolie 'Red Army' Director Gabe Polsky Reveals the Story of Soviet Hockey 'Red Army' Director Gabe Polsky Reveals the Story of Soviet Hockey How Felicity Jones is Getting Noticed This Awards Season How Felicity Jones is Getting Noticed This Awards Season Edward Norton Goes Full-Blown For Alejandro González Iñárritu in 'Birdman' Edward Norton Goes Full-Blown For Alejandro González Iñárritu in 'Birdman' How Eddie Redmayne Transformed His Body and Mind to Become Stephen Hawking How Eddie Redmayne Transformed His Body and Mind to Become Stephen Hawking Oscar Isaac Explains How 'A Most Violent Year' Fits With His Other Roles Oscar Isaac Explains How 'A Most Violent Year' Fits With His Other Roles Timothy Spall Almost Went Mad to Play 'Mr. Turner' For Mike Leigh Timothy Spall Almost Went Mad to Play 'Mr. Turner' For Mike Leigh 'Gone Girl' Composer Atticus Ross: How to Write a Score Without Seeing the Film 'Gone Girl' Composer Atticus Ross: How to Write a Score Without Seeing the Film How to Play James Brown, By Chadwick Boseman: Study the Man, Listen to Drake How to Play James Brown, By Chadwick Boseman: Study the Man, Listen to Drake Chris Rock on Why Making 'Top Five' Was a No-Brainer Chris Rock on Why Making 'Top Five' Was a No-Brainer Steve James and Chaz Ebert Tackled 'Life Itself' Steve James and Chaz Ebert Tackled 'Life Itself' Bennett Miller Explains Why He Had to Make 'Foxcatcher' Bennett Miller Explains Why He Had to Make 'Foxcatcher' How Do You Roll Six Movies Into One? 'Wild Tales' Director Damian Szifron Explains How Do You Roll Six Movies Into One? 'Wild Tales' Director Damian Szifron Explains How Rosario Dawson Stole the Show From Chris Rock in 'Top Five' How Rosario Dawson Stole the Show From Chris Rock in 'Top Five' Alan Hicks: From Drummer-Surfer to Oscar-Shortlist Filmmaker Alan Hicks: From Drummer-Surfer to Oscar-Shortlist Filmmaker Alejandro González Iñárritu: 'Birdman' Could Have Been 'so wrong' Alejandro González Iñárritu: 'Birdman' Could Have Been 'so wrong' Amir Bar-Lev Likes to Make People a Little Uncomfortable Amir Bar-Lev Likes to Make People a Little Uncomfortable

The Originals: "Captain America" Serial Is Marvel's First Crossover Hit

By Daniel Walber | Spout July 18, 2011 at 8:34AM

The 1944 “Captain America” film serial is a bit of an oddity. Unlike the new Chris Evans feature, or any other incarnation of the hero for that matter, it totally abandons the basics of the comic book character. In place of US Army Private Steve Rogers the striped suit is filled by District Attorney Grant Gardner. There’s no Super-Soldier Serum, no massive patriotic shield, and there aren’t even any Nazis. It's an odd cross between the superhero genre and the noir/crime serials that Republic Studios put out around the same time. Simultaneously entertaining and a little confusing, it poses an odd question about what a superhero film should look like.
0

The 1944 “Captain America” film serial is a bit of an oddity. Unlike the new Chris Evans feature, or any other incarnation of the hero for that matter, it totally abandons the basics of the comic book character. In place of US Army Private Steve Rogers the striped suit is filled by District Attorney Grant Gardner. There’s no Super-Soldier Serum, no massive patriotic shield, and there aren’t even any Nazis. It's an odd cross between the superhero genre and the noir/crime serials that Republic Studios put out around the same time. Simultaneously entertaining and a little confusing, it poses an odd question about what a superhero film should look like.

It seems that there are two ways to interpret this strange and anomalous set of 15 episodes. One can be pessimistic and view it as the beginning of the end for the Golden Age of Comic Books. This was Republic’s last superhero serial effort, and one of the last by any studio. Interest was still fairly strong in 1944, but things would fade by the end of the decade and it’s easy to read “Captain America” as a bit of an early death knell. However, this fascinating series of short subjects can also be seen as the first “crossover success,” in the manner of Marvel’s most recent hits. It's expensively made, boldly suspenseful and uses genre-mixing to its advantage. A 1940s “Iron Man,” perhaps.

Taking the Super-Serum out of the Captain and dropping him into a District Attorney’s finely pressed suit turns out to be a fantastic decision. Sure, it’s occasionally a little bit odd when a dude in striped spandex suddenly shows up in a classic crime serial style heist, yet somehow that makes it even more compelling. Grant Gardner gets his strength from being a determined, strong guy who knows how to punch and use a gun. The same strategy seems to be working today: science fiction heroes like Green Lantern haven’t played nearly as well as the less magical Batman or Iron Man. These 1944 films, the first ever Marvel (then Timely Comics) experiment with the screen, understood the importance of crossover appeal almost 75 years before America fell in love with cinematic Tony Stark.

It’s also pleasantly escapist, which closer reproduction of the comic books might not have been able to achieve. A year before the bombing of Pearl Harbor “Captain America” sold like mad with a cover image of the hero punching Adolf Hitler right in the jaw. In 1944, with real Americans off in Europe fighting real Nazis and the country three years into its wartime ordeal, sending the Captain after the SS might not have served as light entertainment. Wily mad scientists building a “dynamic vibrator” or an “electronic firebolt” are more fun for the home front audience, and this serial delivered.

Finally, the choreographed action and brashly structured suspense lend a momentous energy to this entertaining serial. It’s not just that they spent a ton of money, which they did. After going 22% over budget, “Captain America” ended up costing Republic around $220,000 and is the most expensive serial they ever made. Yet instead of just tossing around effects left and right, every moment of explosion and destruction is used perfectly. Guillotines, exploding cars, and massive bulldozers come and go across the screen, raising the bar for each successive moment of suspended climax.

It’s a ton of fun, and will hook you surprisingly quickly. Sure, the dialog isn’t that great and the story is a bit hokey, but the rhythm is exactly where it needs to be. All fifteen episodes are available on YouTube. Here’s the first part of chapter one:

Follow Spout on Twitter (@Spout) and be a fan on Facebook
Follow Daniel Walber on Twitter (@dswalber)

This article is related to: Comic Book Movies






Check out Indiewire on LockerDome on LockerDome



Awards Season Spotlight

Contender Conversations

Indiewire celebrates the best and brightest from Independent film, Hollywood, and foreign cinema.

More