Sydney Levine

Oscar Watch: Peru - Undertow (Contracorriente), directed by Javier Fuentes-León

  • By Sydney Levine
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  • January 10, 2011 3:30 AM
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  • 1 Comment
Then there is Contracorriente from Peru. After its great success at San Sebastian, Sundance, and LALIFF, this great film is receiving good solid distribution from Wolfe Releasing and The Film Collaborative and good solid international representation from Shoreline. This is one of the most beautiful love stories I've ever seen, and it's gay too. What a beautiful film...still in theaters...catch it while you can, you won't regret it.An unusual ghost story set on the Peruvian seaside; a married fisherman struggles to reconcile his devotion to his male lover within his town's rigid traditions

Oscar Watch: Netherlands - Tirza, directed by Rudolph van den Berg

  • By Sydney Levine
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  • January 10, 2011 1:00 AM
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  • 3 Comments
Tirza is considered a huge success as an art house film in The Netherlands. It has over 175.000 admissions, is based on a very succesful book by a very succesful writer Arnon Grunberg and the director is very well known. Tastes differ in different parts of the world, and that’s also good. The academy members are not all against this film, some like it better then others but all of them agree it is an intriguing film and peole feel inclined to discuss it. That alone makes for a worthy film.

Donostia San Sebastian Film Festival's New Director Takes Office

  • By Sydney Levine
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  • January 5, 2011 11:00 AM
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José Luis Rebordinos, the new Director of San Sebastian Film FestivalFrom HaciendoCine, the trade paper from Argentina, comes this introduction to the new director of the San Sebastian Film Festival.

Oscar Watch: Hungary - Biblioteque Pascal, directed by Szabolcs Hajdu

  • By Sydney Levine
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  • January 5, 2011 7:00 AM
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Biblioteque Pascal is one of the strangest, most surreally erotic submission for an Academy Award Nomination I have ever seen, unless Walerian Borowczyk's Immoral Tales was submitted in the 70s, which I strongly doubt. The story of sex trafficking from Eastern Europe to the haute monde denizens of an English brothel has been told in various forms, the most engaging being The Whistleblower. But this tale of phantasy haunts me and repulses me at the same time. I'll never forget certain scenes and the understanding that the crimes are so great that the victim must live in a phantasy world to survive hits psychological nerves.This one surely will not be nominated, but it also will never be forgotten by those who see it. It remains like remnants of a nightmarish dream. Check out its website here.

Transmedia in the Making: Argentina Attacks from a New Angle

  • By Sydney Levine
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  • January 5, 2011 6:00 AM
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Variety January 3-9, 2011 reports on Argentina's Mancha Productions creating webisodes to appear on the website of the popular Buenos Aires newspaper La Nacion. Cell phones, laptops, iPads and other devices are also targeted media for the webisodes as are other Spanish speaking markets. This article purports to show how creative one can be in spite of not being able to secure TV airtime.Looking at webisodes in a transmedia context, a feature film can transform into webisodes and create new content to promote the movie while boosting advertising and loyalty in newspaper media. Why pay newspapers to advertise the movie when you can share advertising revenues by showing it on the newspaper's website and add value to it. It is another way to capture the public to promote film...we have trailers on YouTube but here is a set venue to see movie related stories, webisodes promoting movies. Even if newspaper readers do not go to the movies, the webisodes would prompt them to download the movies into whatever media they chose and it would continue to benefit the newspaper sponsors. Remember the comic strips which today are so hard to find in the L.A. Times? As readers increasingly go to the newspaper internet site to send interesting stories to friends, to find older articles, so the sites can remind them with a good quick webisode that a movie is coming. Even if the newspaper readers do not go out to the theater, they could download the movies onto whatever media they chose to the benefit of the same sponsors being courted by newspapers.Manche Prods. 'Combinations' twice a week webisode about life in the Buenos Aires subway

When are Films Political?: Women Without Men

  • By Sydney Levine
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  • January 5, 2011 3:00 AM
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Women Without Men premiered in Venice in 2009, went on to Toronto and Sundance, was picked up by distributors around the world, including Indiepix for U.S. and still remains one of my all time favorites. It is so unknown here that any chance for a public to see it is special. It is the first film of Shirin Neshat ♀, a well know Iranian visual artist. Co-directed by Neshat's partner Shoja Arari, Women Without Men (2009, 99') is a political thriller and as such the film is highly relevant in our times—particularly in view of the June 2009 elections in Iran, and with the U.S. continually embroiled in neighboring Muslim countries such as Iraq and Afghanistan. Set against the tumultuous backdrop of Iran's 1953 CIA- and Mi5-backed coup d'état against the democratically-elected president, Mohammad Mossadegh, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship. You can see the trailer here. Jan 7 2011 7:30pm - 10:30pmWhere: Harmony Gold Preview Theatre7655 Sunset Blvd.Los Angeles CA 90046ample parking underground and behind the bldg

Best Picture Award: True Grit vs. Social Network?

  • By Sydney Levine
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  • January 5, 2011 3:00 AM
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A quick look at Facebook this morning woke me up with a question;

Berlinale 2011 - New Programs at the EFM

  • By Sydney Levine
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  • January 4, 2011 3:30 AM
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The European Film Market (EFM), held simultaneously with the 61st Berlinale (February 10-20), will introduce a new program, German Cinema - LOLA@Berlinale, of titles nominated for the annual German Film Awards (‘Lolas’). The new program, which replaces the existing German Cinema series, is a joint project between the Berlinale, the German Film Academy and German Films, the national agency promoting local cinema. Films selected for the Lolas in the categories of Best Feature Film, Children’s Film and Documentary will be presented by their directors. German Cinema head Heinz Badewitz will host the program.

News from The Film Collaborative about Sundance

  • By Sydney Levine
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  • January 3, 2011 5:10 AM
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Happy New Year from The Film Collaborative!The Film Collaborative has already been guiding 3 feature filmmakers and are also going to assist a short and probably add a 4th of 5th feature. Sundance filmmakers benefit from our distributiion education because we're helping them navigate distribution and avoid the pitfalls of excessive middlemen or not-so-ideal companies who are pursuing them. We're helping them choose wisely and sometimes also directly representing their films on the sales side. And of course we educate and guide them on the DIY side. It's still early in the process to see exactly how much we'll end up doing per film (in terms of sales and/or direct distribution) but already we're helping filmmakers sift through all their options and all the entities approaching them. With regard to We Were Here, David Weissman signed up to TFC months ago and we're handling grassroots outreach for him as well as our usual distribution advising and of course working with Jonathan Dana, who's awesome. And the other films at Sundance we are working with are:Shut Up Little Man (though we've just started dealing and only giving them advice so far). Shut Up Little Man by Matthew BateTodos tus Muertas. The filmmakers they came to us and are also working with Steven Beer of Greenberg Traurig. Director Carlos Moreno (Perro come perro) showed the film first at the Works in Progress in San Sebastian where Sundance programmers saw it. He is working on his next project already.Todos tus muertos (All your Dead Ones) by Carlos MorenoAnd Lord Byron (in the NEXT section). Lord Byron by Zack Godshall

Navajo Nation and a New Sort of Giving - DVD Distribution

  • By Sydney Levine
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  • January 3, 2011 4:27 AM
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Making a difference in society calls for more tools than you can find in a documentary film. It calls for vision and creative activism involving marketing, educating and partnering with real people from different walks of life. That's how to build a groundswell.I am not going to start a series here on DVD distribution benefitting the worthy causes of the subjects of films, but coming on the heels of The Creative Coalition's endeavors, this distributor to the non-theatrical community came my way, and in the interest of a good cause, I am posting it here on the heels of Poliwood and TCC. Both these postings are good case studies for others and both do go with an ongoing series of blogs I began in Cannes called When Are Films Political. The need to mobilize political forces is apparent as our new Tea Party Congress takes its seats. We did it in the 60s; we did it with Obama; we can do it again. Pick your cause, or mine these for creative possibilities for your social issue film. Kickstarter and Indie A Go Go are not the only ways to raise money.Groundswell Educational Films and our Navajo partners move mountains. Keep on reading. And clicking. In this special Navajo edition you will see hyper links to new videos about an unprecedented clean-up of Cold War uranium contamination on the reservation. Groundswell works for many good causes but today you can contribute to an urgent environmental justice campaign. Since 2000 when our film, The Return of Navajo Boy, stunned Sundance Film Festival audiences, we have raised sponsorships for Navajo speakers to travel with the film. We advocate for a clean up of radioactive waste from abandoned uranium mines. More than 1,000 abandoned uranium mines continue to impact homes, livestock, land and water across the 25,000 square mile reservation. The Navajo Nation is home to approximately 175,000 people. It holds the largest uranium deposits in the United States and suffers from the highest cancer rates in the Southwest region. In 2005 the tribe banned uranium mining forever. We are pleased to report that congress has authorized funds for a comprehensive plan to clean up abandoned mines, including the one known as Skyline Mine which impacts the family featured in our film. However, Skyline is only one site out of hundreds. Please help us call attention to all the other sites. We have succeeded in attracting national attention to this issue.

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