Ciné-Sud has two films selected for Toronto: the Iranian feature “ Red Rose” (handled internationally by UDI – Urban Distribution International) and the Vietnam-France-Norway-Germany co-production “Flapping in the Middle of Nowhere” by Nguyen Hoang Diep which will premiere September 1st, 2nd and 3rd in Venice/ Critics Week before moving to Toronto AND with no international sales agent to date.
In Locarno, "Los ausentes" (“The Absent Ones) by Nicolas Pereda, a Mèxico-Spain-France coproduction is screening out of competition on August 11! The international sales agent is Caravan Pass, a former production company formed in 2005 in Paris by Natalie Dana. In 2014 founder Natalie and industry celeb-acquisitions persona, Elizabeth Dreyer, turned the company to international sales as well. They are actively seeking completed/ unlaunched films and projects at the financing stage.
Natalie Dana worked in sales at some of the industry’s most recognizable sales agencies, including Mercure and Celluloid Dreams. She also headed distribution for various film distributors and selected films for the prestigious Rio de Janeiro International Film Festival for five years. Under her guidance, Caravan Pass has produced or co-produced four feature films and two documentaries, partnering with notable production companies in several countries including Brazil and Italy.
Elizabeth Dreyer began her career in acquisitions, acquiring completed films and projects for North America for Miramax Films and Focus Features. As an independent consultant she has since sourced and sold remakes to international producers, advised renowned distributors around the world on pre-buys and completed film pickups, and developed feature films for proven French film producers looking to access the international market. She most recently handled sales and acquisitions for Celluloid Dreams.
Ciné-Sud Promotion itself started in 1993 as a company designed to promote art house films (Rachid Bouchareb, Wang Chao, Guillermo Del Toro, Raymond Depardon, Djibril Diop Mambety, Julio Medem, Jafar Panahi, Manuel Poirier, Arturo Ripstein, Paulo Rocha, Carlos Saura, Paolo & Vittorio Taviani, Jean-Philippe Toussaint… amongst others). There is still the press promotion department which is now under the leadership of Claire Viroulaud, publicist for many art house movies.
In 2001 Thierry Lenouvel, the founder, created a production arm and has thus far produced or co-produced 30 films which have won more 150 international awards.
The mission remains constant: Quality, without frontiers, without constraints of form, style or genre, researching emerging talents and supporting already acclaimed directors with projects whch deliver a singular and important message for and about humanity and our society utilizing strong cinematic forms.
This is only a part of all Thierry has created. Read on, dear reader, read on.
Although many festivals now have competitions for cash prizes and forums for pitching and co-production meetings, Amiens stands out with its Fund for Aid for the Development of Feature Film Script and its ties to its creator, Ciné Sud, that privately owned feature film production company transformed by prolific producer Thierry Lenouvel created the Fund in 1996.
The Screenplay Development Fund (Fonds d'aide au développment du scénario or FADS) is awarded during the Amiens Film Festival to a project at one of the most critical stages in the life of a movie, that is at script stage. In its 19 years of existence it has supported 79 feature film scripts of which 39 were completed, 9 are shooting now, 21 are in development. More than 632,600 Euros have been granted. CNAC, the Venezuelan film organization has given a grant of 10,000 € for the past five years.
FADS partners: National Film Centre and Moving • International Organization of la Francophonie • Ministry of Foreign and European Affairs • Moroccan National Center for Cinema (CCM) • Groupama Gan Foundation for Cinema • Regional Council of Picardy • Central Fund for Social Activities picture • Independent National Film Centre (CNAC - Venezuela)
In 2014, four scholarships of € 10,000 each were granted to directors of the following projects:
Family Gustavo Cordova Rondon (Venezuela) which has also won:
CNAC Script Development Fund (Venezuela)
Amiens Script Development Fund 2013
Ibermedia Development Fund 2013
And it has been selected to participate at:
Produire Au Sud Andean Workshop 2013
Ibermedia Project Development Workshop 2013
Oaxaca Screenwriters Lab 2014
Berlinale Talent Project Market 2014
The Court Of My Mother Idriss Diabaté (Côte d'Ivoire)
My Favorite Fabric Gaya Jiji (Syria)
Territoria Nora Martirosyan (Armenia)
And an additional grant of € 7,000 was awarded to the French project Dance Silent of Pradeepan Raveendran.
The rules and the application form of the next Script Fund of Amiens (due August 18!) that he created is available online or on request…from Thierry or even from me!
And, last but not least, Thierry brings "Cinema in Motion" from San Sebastian (who decided to stop the program in 2013) to Venice where it's now called " Final Cut in Venice", a workshop to help six works in progress from Africa and Arabic World toward completion with the support of French and Italian technical industries.
For more information contact:
Some films produced by Ciné-Sud:TIRANA. YEAR ZERO by Fatmir Koci (France/Albania/ Belgium), Competition/Venice 2001, Golden Alexander/Thessaloniki
RACHIDA by Yamina Bachir Chouikh (France/Algeria), Official Selection/Cannes 2002
FUSE ! (Gori Vatra) by Pjer Zalica (Bosnia/Austria/Turkey/France), Silver Leopard/Locarno 2003
WALL by Simone Bitton (France/Israel), Directors Fortnight/Cannes 2004, Special Jury Prize/Sundance, Grand Prix/Marseille, Pesaro, Montreal, Jerusalem
MOOLAADE by Sembene Ousmane (Sénégal/France/Burkina/Maroc), Grand Prix Un Certain Regard/Cannes 2004, Best Foreign Film/American Critics Awards
FALAFEL by Michel Kammoun (Lebanon/France), Bayard d’Or/Namur 2006, Silver Muhr/Dubai, Bronze Palm/Valencia
POMEGRANATES AND MYRRH by Najwa Najjar (Palestine/Germany/France), Competition/Sundance 2009, Rotterdam, 1st price in Doha
RACHEL by Simone Bitton (France/Belgium), Forum/Berlin 2009, Competition/Cinema du Réel 2009
EVERY DAY IS A HOLLIDAY by Dima El Horr (France/Lebanon/Germany),Toronto 2009, Roma, Dubai, Rotterdam, New York 2010
MOTHERS by Milcho Manchevski (Macedonia/Bulgaria/France),Toronto 2010, Berlin (Panorama) 2011
THE STOPLIGHT SOCIETY by Ruben Mendoza (Colombia/France/Spain/ Germany), best Colombian film of the year/Cartagena 2011, Best Director/Amiens 2010, Best 1st film/Huelva 2010
EL CAMPO by Hernan Belon (Argentina/Italy/France) – Venice 2011/Critics Week
FAT, BALD, SHORT MAN (Colombia/France) – more than 20 selections in 2011/2012
LA PLAYA by Juan Andres Arango (Colombia/Brazil/France) – Cannes 2012/Official Selection, Un Certain Regard
VILLEGAS by Gonzalo Tobal (Argentina/France) – Cannes 2012/Official Selection
LA SIRGA by William Vega (Colombia/Mexico/France) – Cannes 2012/Directors Fortnight
QISSA by Anup Singh (India/Germany/France/Holland) – Toronto 2013/NETPAC award, Rotterdam 2014/Audience Award
DUST ON THE TONGUE by Ruben Mendoza (Columbia/France) – Cartagena 2014/Best film, best director
MATEO by Maria Gamboa (Colombia/France) – Cartagena 2014/Jury Special award
RUN, BOY, RUN by Pepe Danquart (Germany/France) – Cannes Junior 2014
In post-production :
RED ROSE by Sepideh Farsi (Iran/France/Grèce)
LOS AUSENTES by Nicolas Pereda (Mexico/Spain/France)
AUSENCIA by Chico Teixeira (Brazil/France)
FLAPPING IN THE MIDDLE OF NOWHERE by Nguyen Hiang Diep (Vietnam/France/Norvège/Allemagne)
In development :
KILL TWO BIRDS WITH ONE STONE by Fejria Deliba (France)
EMBRACE OF THE SERPENT by Ciro Guerra (Colombie/Vénézuela/France)
MANTRA, SONG OF SCORPIONS by Anup Singh (Inde/Suisse/France)
SAL by William Vega (Colombie/Allemagne/France)
PARABLE OF A BLIND CHRIST (Chili/France)
LAND AND SHADE by Cesar Acevedo (Colombie/France)
D’UNE RIVE L’AUTRE by Sepideh Farsi (France)