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IDA at Sundance 2013

Festivals
by Sydney Levine
January 22, 2013 9:30 AM
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The International Documentary Association (IDA) attended the Sundance Film Festival this year. Founded in 1982, the International Documentary Association (IDA) is a non-profit 501(c)(3) that promotes nonfiction filmmakers, and is dedicated to increasing public awareness for the documentary genre. They believe that the power and artistry of the documentary art form are vital to cultures and societies globally, and exist to serve the needs of those who create this art form. Their major program areas are: Advocacy, Filmmaker Services, Education, and Public Programs and Events. IDA is a proud supporter of the following three projects in this year's Sundance Film Festival:

After Tiller

Directors: 

Martha ShaneLana Wilson

After the assassination of Dr. George Tiller in Kansas in 2009, there are now only four doctors left in the country who provide third-trimester abortions for women. After Tiller moves between the rapidly unfolding stories of these doctors, all of whom were close colleagues of Dr. Tiller, and are fighting to keep this service available in the wake of his death. These four people have become the new number-one targets of the pro-life movement, yet continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients' lives. After Tiller shows them confronting harassment from protesters, challenges in their personal lives, and a series of tough ethical decisions. 

Citizen Koch

Directors:  Carl DealTia Lessin

Wisconsin - birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan - becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.

Valentine Road

Director, Writer:  Marta Cunningham

On February 12, 2008, in Oxnard, California, eighth-grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo-Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it? Looking beyond all the copious news coverage of this tragic event, Valentine Road tells the story of two victims: the deceased and the murderer. With keen insight, the film connects the human wreckage of Larry's and Brandon's troubled lives-both physically abused, both from broken homes, and both searching for a sense of belonging. 

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