By Juan Caceres | SydneysBuzz April 3, 2013 at 1:30PM
LatinoBuzz: I think you have a way of capturing the identity and soul of Chile at particular periods in its history. Was making films about Chile something you felt you always wanted or needed to do?
Andres Wood: When I start thinking of a film to make, I don't have any "big" concept or idea like to represent the soul of the country. I would be paralyzed. First I get in love with the characters, then with small anecdotes and at the end something like the context. I do believe that film has to be very personal. And my imagination is Chilean. The way we see things, the way we talk, the landscape, our contradictions. So, it is not something that I look at intentionally but it is something that I like a lot that is in the films.
LatinoBuzz: Why film?
Andres Wood: I have been always a film lover. I got in love with the process of making a film. I believe in the power of a film to help, at least, create a conversation.
LatinoBuzz: With this incredible wave of Chilean filmmakers winning awards and the Oscar nod for 'NO' - given the filmmakers are not too far apart in age - how much did living under the dictatorship do you think influenced the filmmaking and voices of you all as artists?
Andres Wood: The dictatorship affected all the society in different ways. Some people were politically affected, others were affected because they were not aware of what was happening, others were in favor, others against, some were victims, some were murderers. Everyone was affected due to economic changes (for good and bad). It is impossible to do a film that doesn't have some footprint of the dictatorship.
LatinoBuzz: With Violeta now immortalized in a beautiful film of her complex life, do you think it's time that Victor Jara's story should now be told also?
Andres Wood: I would love to see a film about Victor Jara. It is still to make one complex because the trail against his murderers is still open. He is one of the inheritors (with Angel Parra and others) of Violeta Parra's legacy. And as Violeta he is a true and complex artist with many talents and incredible bravery.
LatinoBuzz: Violeta was obviously a public figure - what was the casting process like? And what was the collaboration with Francisca as a director like?
Andres Wood: The film is based on the performance of the actress. We were so lucky to find Francisca. She worked almost a year preparing for the role. We didn't expect her to sing but after her work with Angel Parra, she sang all the songs in the film. Her understanding of the character helped us to rewrite and improvise a lot. It was a joy to work with her.
LatinoBuzz: Was there anything about Violeta that you related to most.
Andres Wood: I wish I have something of her. I can tell you only my big admiration.
LatinoBuzz: With a lot of Latin American film's being co-productions with companies overseas and in some cases, between several countries, does that ever affect the creative process?
Andres Wood: Co-production between production companies between different countries is an act of faith. You have to choose your partner believing that they want to do the most original film that we can. Of course there are legal restrictions but I have been lucky enough that our partners always have helped us to keep the soul of the film.
LatinoBuzz: Who is the person that you admire the most?
Andres Wood: My wife. Admiration and love go together.
LatinoBuzz: Your favorite journey?
Andres Wood: The South of Chile.
LatinoBuzz: What's your next film?
Andres Wood: I am in pre-production of a miniseries for Chilean TV related with the 40 years of the military coup.
For information about Violeta Went to Heaven and screening times, check out: http://bit.ly/10eHD8X
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook