
It was November of 1996 in South Central Los Angeles, filmmaker Randy Vasquez walked into what he thought was a Green Party meeting but was something entirely different. A group of activists had formed a coalition called Crack the CIA after investigative journalist Gary Webb uncovered that the Central Intelligence Agency had been selling crack cocaine to the Crips and Bloods street gangs of Los Angeles and funneled millions in drug profits to contra guerrillas during the Nicaraguan civil war. The U.S.-backed contras were attempting to overthrow their country’s socialist government, the drug money afforded them access to weapons. At that first meeting, Crack the CIA was planning a national rally to protest the CIA’s involvement and demand accountability for their actions.

Maria is a kind, generous woman who fiercely believes that social change will come through grassroots activism. Her enduring optimism, in light of what she has suffered, is truly remarkable. On a Saturday evening in 1980, Maria was approached by 10 armed men, likely soldiers in the National Army, and was kidnapped. She was blindfolded and beaten, given electric shocks, received blows to the face and then thrown to the floor and raped.
Maria found it tremendously painful to share these memories in the documentary but was able to connect to audiences on a deeply emotional level. Randy tells the story of the first time he watched the film, with Maria at his side. “I watched it with Maria for the first time at my then girlfriend’s house because she had a big screen, just the three of us. Afterwards, my girlfriend broke down in Maria’s arms saying that she was sorry and that she never knew those things happened in El Salvador. Maria offered her such grace and held her in her arms.” When it screened in front of an audience for the first time, it was not easy for Maria but the support she received afterwards uplifted her. “I felt terrible, I felt like I almost had a heart attack. It hurt terribly. I was crying the whole time, everyone was crying, we cried together throughout the movie. Afterwards people hugged me and cried, they wanted to take pictures with me. I felt a great deal of support. It felt good. I was raising consciousness. Most Americans don’t know that their tax dollars are creating all this violence.”

‘Randy’s Documentary’ poem by Maria Guardado
(translated from Spanish)
|
My duty in exile has been to shout and shout it to all and sundry since brought by Santuario and although my message has pierced the people it is still words and words gone with the wind in the obscurity of the forest |
But in this second phase
it is about a documentary made by Randy Vasquez where I request solidarity to the world with deep pain to file a suit otherwise the terrorism continues… |
Documentary that is added to the history of the people in its struggle for changes to never again immigrate not to divide the family, not to die on the border not to be the system’s scapegoat at last, we will have peace with justice without foreign interference Thank you Randy Your documentary is at long last, Carrier Pigeon |
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
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